Hell has visited Earth again, in spectacular fashion. This time, the portion of Earth visited by Hell is Chile, where three days ago the Calbuco volcano erupted near the southern town of Puerto Montt after being quiet for 42 years. It has become the subject of some truly breathtaking photos and videos, some of which I’ve embedded in this post after the jump.
Are there any natural occurrences in the world more metal than an explosive volcanic eruption — especially eruptions that include lightning within the volcanic plume? I think not.
So, of course I decided that I needed to include some metal from Chile to accompany the photos and videos you’re about to see. I did dome searching through the NCS archives and discovered that in just the last 18 months we’ve written about more than a half dozen Chilean bands. I’ve collected songs from each of those bands, plus a couple of others. For a change, I’m not going to write any florid descriptions of the music, but just provide the streams and some links in case you want to explore further. All the music is excellent — volcanos aren’t the only things that unleash hell in Chile.
(Austin Weber reviews the new album by The Crinn.)
Last year at NCS I helped premiere a track by Minnesota-based mathcore band The Crinn called “Endless”. At that time, their upcoming record, Shadowbreather, had no release date. It wasn’t until very recently that the band announced that Shadowbreather will be coming out on April 28 — and it began streaming in full yesterday.
Sometimes you run into metal records that are unusually strange or mindfuckingly insane from a rhythm or tempo angle, and then, even more rarely, you run into records like Shadowbreather that do both of those things. Having had a chance to sink into the record early, courtesy of the band, I’ve had some time to decipher its nigh-impenetrable shifts and explore its labyrinthine layers over a multitude of listens. I still come away from the experience dazed yet bug-eyed, but now I feel it makes more sense.
The violent and catastrophic nature of their rhythms, riffs, and rasps collide into a mental bludgeoning with a soft side; there is a psychedelic dimension to Shadowbreather that is new to The Crinn’s music. The occurrences of this new element in their sound are not merely segues. More often than not, The Crinn infuse them within chaotic and frenetic math-grind, somehow achieving a cerebral, trippy quality that may not sound right on paper, yet works so well throughout the album. I never guessed that I’d ever be writing about psychedelic mathcore in the first place, but I’m down with it after hearing how The Crinn pull it off so effortlessly on Shadowbreather inside moments of sheer mania and murder.
I know, I said that after two more round-ups today, following three yesterday, that I’d take a break and do something else. But man, I just continue to see an hear things that I feel compelled to foist upon you. So, one more collection… but without the “Seen and Heard” title, because that’s been worked to death over the last 24 hours.
I’ve really been eagerly awaiting the new album by Virginia’s King Giant. We’re all big fans of the band around here and we’ve made no secret of that over the years. And although I haven’t yet heard all of the new album (Black Ocean Waves), the song they just premiered via a lyric video is strong evidence that they’re about to deliver another winner.
This is the second of today’s round-ups of newly discovered music. This one should probably be called “Seen and Heard by DGR“, because it was he who linked me to everything collected here (except the final song) over the course of this week.
Paradise Lost is such a “name” that after four days out in the world, their new song “No Hope In Sight” has probably been heard by every sentient creature (and many non-sentient ones) who know of the band. But we haven’t featured it here yet, and since many of our readers are not earthlings, we thought a few of them might not have discovered it yet. So, here it is. DGR says: “It was good sound”. What do you think?
(Andy Synn has finally reached his limit. And it was The Monolith Deathcult who pushed him to the brink.)
That’s it. I’m done. I’ve had all I can stands, and I can’t stands no more!
As a writer/review/self-important member of the liberal media conspiracy, I’ve come across a lot in my time writing for this site and for the various other publications which I occasionally do some work for.
But never before has a band so blatantly tried to buy my favour. And it’s just unacceptable.
You see, this is about more than just my honour and integrity, more than just my (now suspiciously full) bank balance. It’s about Ethics in Death Metal Journalism, dammit!
(Austin Weber reviews the latest release by London’s Oblivionized.)
Grindcore isn’t a metal genre typically associated with complex songwriting or accomplished musicianship. Which is usually fine, as that’s not the essence of the style or the reason why fans of grind listen to it. But every once in awhile a grind band like Oblivionized comes along with the drive and ambition to develop a sound that consists of more than straightforward 30-second beatdowns and endless power chords.
This London-based trio have generated numerous smaller demo, EP, and split releases over the years and have only now released their first full-length, Life Is a Struggle, Give Up. The wait for an album-length statement from the group was definitely worth it, though, as the band had already spent several years tinkering around and playing a lot of different sounding material, which they have distilled into a mature, cohesive, and eclectic sound here on Life Is a Struggle, Give Up.
I kind of went crazy with the round-ups yesterday — three posts featuring newly discovered music by ten bands in one day — but I’m continuing to come across metal that gets me excited, so yes… here’s another round-up! In fact, there are two of them today. After that I’ll probably have to make myself stop, at least briefly, so I can do something else. Maybe write a review of an entire EP or album? Eat something or go to the bathroom? Get a life?
I seem to be on an Art of Propaganda kick. Within the last week I’ve written about songs by two bands whose new releases are on that German label — Whiskey Ritual and Thornesbreed — and that’s on top of praise we showered on releases earlier this year by Infesting Swarm and Gloson. Now I have two more AoP bands to recommend, beginning with AZAVATAR.
I wasn’t planning to post anything else today, but then I read something that I enjoyed and thought was worth recommending to you. It’s a long article by Ryan Wasoba in Riverfront Times of St. Louis about the city’s metal scene, with a focus on three metal bands in particular: Fister, The Lion’s Daughter, and Black Fast. I’m a fan of all three bands, and that has something to do with why I enjoyed it, but there’s more.
The article is built on interesting stories about each band’s music and their experiences getting to where they are now – Fister’s new album IV (which consists of a single 44-minute song) is due for release in a matter of days, and The Lion’s Daughter and Black Fast have signed to prominent labels (Season of Mist, and eOne) for the release of their next albums. Those stories include anecdotes from Black Fast’s recording sessions with Erik Rutan that are kind of amazing as well as amusing. But all the stories are interesting.
This is the final installment in a trio of new music round-ups for this Thursday. I’m still striving for variety in the selections collected in each post, but all the songs in this one appeal more uniformly to my taste for disturbing and/or particularly vicious music.
Today Profound Lore announced details regarding the third album by the mysterious UK entity known as Abyssal, along with a stream of the first advance track. I was drawn to the news immediately, not only because of the quality of Abyssal’s previous releases, but also because of that stunning cover art you’re looking at.
The album’s title is Antikatastaseis (and I bet you can’t say that three times real fast); it will be released on June 23. The new song is “I Am the Alpha and the Omega”.
This is Part 2 of a three-part series of round-ups I planned for today, collecting new and somewhat older music that I discovered in my musical ramblings last night and this morning. As in the case of Part 1 (here) and Part 3 (yet to come), I’ve consciously tried to include variety, and just as consciously tried to focus on lesser known names in the world of metal (and it’s not all metal either).
The first offering in this collection is a debut single released in January by a band from Marakesh, Morocco, named Agurzil. The song is named “Denial of Allegiance“, and it made a direct connection to the more vicious and abominable parts of my pleasure centers.