Nov 132010
 

Just in case we ran short of quality guest contributions to use while I was away, I wrote a few brief pieces before leaving. They’re called “teasers” because they’re just brief tastes of new albums that I’d like to review for NCS when I get back — because they’re really good. Of course, I have the attention span of a gnat, so there’s a chance I’ll never do that, and these teasers will be all I accomplish.

This is the first one. As I write this, I’m in a hurry to get my ass out of Dodge, so this will be short and sweet.

The Band: The Secret

The Band’s Location: Trieste, Italy

The Album: Solve et Coagula

Label: Southern Lord Recordings

The Band’s MySpace page:  http://www.myspace.com/thesecret

Brief notes:  This music will grind(core) your brain down to a nub and then drag it through a pool of tar. Haven’t heard vocals this hair-raising since the late Makh Daniels (Early Graves). The soundtrack to total loss of control. Here’s a track:

The Secret: Weathermen

P.S. In my half-assed attempt to keep up with what’s happening in the world of metal while on vacation, I saw a feature on MetalSucks about The Secret, which includes another track — and it turns out MetalSucks had done another feature about the band that I missed.  Check it out here if you like this music.

Nov 122010
 

[EDITOR’S NOTE: Today’s guest post comes to us from Dan, who apparently is now called The Artist Formerly Known As Dan. Dan is an American temporarily transplanted to Adelaide, Australia. He has a list for you.]

So, I realize it’s cliche to make one of these lists (and maybe a bit premature?), but they’re usually useful for several reasons.  Firstly, it allows me to shamelessly plug the bands I like and push my agenda on you.  Secondly, it allows you to post lists of the records I forgot and tell me why my first list was wrong.  I can then subsequently go back to the records I may have forgotten or never owned in the first place.  Everyone should theoretically win here, since there is always music overlooked or forgotten about throughout the year.  So, let’s begin.

10. The Tony Danza Tapdance Extravaganza – Danza III: The Series of Unfortunate Events

Technical, but so brutal.  A perfect recommendation for someone who listens to too much vanilla-breakdown deathcore (and, for some of you, “too much” implies listening to any deathcore at all).  I highly recommend seeing them in concert; they bring tons of energy.  Yippie-Kay-Yay-Motherfucker.

(more after the jump . . .) Continue reading »

Nov 112010
 

[EDITOR’S NOTE: Today’s guest post is by ElvisShotJFK, one of our most faithful and interesting commentators. And this post, in our humble opinion, is just outright far-sighted. Seriously. Stay with it to the end. And if you’re not familiar with the Cube reference, go here.]

So, a while back, I was on my way to work, as I do several times a week. Nothing unusual about that, but I took a different route, having gone to the store beforehand. As I was walking along, I saw a peculiar sight and crossed the street to get a better look. To my surprise, it was a large cube in someone’s front yard. But it wasn’t any ordinary cube, although cubes on the grass aren’t exactly an everyday sight.

Yes, ladies and gentlemen… it was the Cube.

But why was it there? It had taken out a garden gnome, rather violently in fact. Cubes are good for that. I think the pink flamingos must have called in a hit on the smiling, bearded bastard or something. I took a picture of the grisly scene, but that picture is/was on a dead hard drive from a now dead computer. I wonder if simply having a picture of the Cube caused my computer to go berserk?

Anyway, after taking a few pictures, I suddenly had the urge to reach out and touch the Cube. Common sense should have told me not to do so, but it’s the Cube, for Cube’s sake! I blacked out for a while. When I came to, I found myself in different surroundings, but that wasn’t all. I had been transported ten years into the future.

No, the world doesn’t come to an end at the end of 2012. Sorry. In protest, misanthropic metalheads burned copies of Judas Priest’s Nostradamus because ‘that old, dead French guy got it wrong’. Of course, a lot of other people were upset, except the suicide cults, who weren’t around to be pissed about it.

Peer into the future, after the jump. . . Continue reading »

Nov 102010
 

By the time you read this, I’ll be far, far away from the NCS metallic island — but NCS will still be here. Yes, my open invitation for guest blog submissions generated an enthusiastic and heart-warming response. We now have almost enough quality pieces to fill every day of my vacation hiatus — and if a couple more that have been promised come through soon, we’ll be all set.  And if they don’t, I created a couple of goodies before leaving that I can slot in.

What this means is that NCS will not go dark while I’m fucking off in a distant land.We will keep our streak of posts alive — at least one every day since my now-largely-missing-in-action comrades and I started this thing. It makes my eyes moist to think of how valiantly NCS readers stepped up to help out. Our it could be that I’m growing allergic to the lorises.

I think you’ll enjoy what we’ve got scheduled for appearance over the next 11 days. I know I enjoyed reading them. You may enjoy them so much that you’ll petition me to stay on vacation indefinitely. It’s a real mish-mash of topics, from album reviews to Top 10 lists to discoveries of new music to “op-ed” opinion pieces, and more. Of course, the writing styles are different, but I’m pleased to say that many of them use the words “fuck” and “fucking” and one uses the word “poop” — repeatedly. I feel like I’ve been a good role model.

So, without further ado, our first guest post appears right below this one. Thanks to all who contributed. Stay safe until we meet again.

P.S. I’m so fucking glad that Nergal found a bone marrow donor. People stepped up for that dude. You give people a chance, and they’ll step up to just about anything.

P.P.S. If the sketchy internet access where I’m going permits, I do plan to get online once a day while I’m away — at least long enough to read comments and join in the commentary, at least briefly. So add some damned comments to these guest posts, won’t you? Muchas gracias.

Nov 102010
 

[EDITOR’S NOTE: Here we go — the first of the guest posts we’re running while I’m on vacation. And our first installment comes from our tentacle-loving bro, Phro, now stationed in some Japanese backwater and surviving on a diet of metal, Japanese poetry, and other things we’d rather not know about. He has some music to share with you.]

At first brush, Lizard Skynard might seem like a gimmick.  The name alone is absurd and evokes entirely the wrong image for the band.  After all, you are probably imagining lot lizards putting their frothy mouths on the short nubby ends of truckers right now.  But!!!  Perish that thought (you sicko) and let’s talk about something completely different.

You obviously know how to use internet, so I can assume that, like all internet denizens, you are probably a mentally deranged individual.  I will also assume you know who the Lizardman (http://www.thelizardman.com/) is.  If not, that link right there will enlighten you.  We’ll wait.  Have fun.

Okay, so now you know pretty much everything you need to know before we begin this review of the band’s self-titled debut.  The Lizardman (or Erik Sprague, if you want to be pedestrian) is the frontman for the band.  I would go so far as to say that he is the personality of the band, but we personally haven’t seen any live performances, so we’ll reserve judgement for now.  Needless to say, it is his voice that dominates and informs the songs.  And his voice is, for lack of a better term, the madness of modernity.

Okay, enough literary theory horseshit, let’s talk music!  What does it sound like? (more after the jump . . . including eels) Continue reading »

Nov 092010
 

Only a couple weeks ago, we featured news about a new song from one of our favorite UK death metal bands, Detrimentum — which has had their ups and downs but now seems fully on track to produce their first new album (tentatively entitled Inhumanity) since 2008’s Embracing the Deformity. But already, we have more excellent news: Detrimentum has now posted a second new song, called “Pestilence Shared With Worms”.

That new song — clocking in at more than 7 minutes — is just brilliant. It’s plenty brutal, with lots of nasty, unbridled aggression, and raw, bestial vocals. Oh, but there’s much more: huge rhythmic hooks and grooves, riffing that’s technically satisfying and unpredictably morphing, bursts of melodic lead guitar and a gripping — gripping — solo, a phase of tremolo-executed sonic waves, and near the end a a few measures of what sounds like a guitar-picked waltz.

It gallops and hammers and struts and dances. It has the kind of quasi-symphonic feel I get from Fleshgod Apocalpse and Hour of Penance. It’s our kind of modern death metal.  If you follow along with us after the jump, you can hear what we mean . . . Continue reading »

Nov 092010
 

The clock is ticking down on my impending temporary disappearance from blogdom. I had ambitious plans for leaving you with an album review, but decided the time would be better spent finishing up the work necessary to get more guest posts ready for publication while I’m gone. So the album review will just have to wait — possibly until the world ends.

But that doesn’t mean we have no music for you today. We do! It started with a recent video from a Danish band called Psy:code, which released a debut album called Delusion this past spring (on a Danish label called Mighty Music). I didn’t know anything about Psy:code before peeping the video, but since then I’ve done a bit of research.

The band has been around since 2002, and in the fall of 2008 it won a contest sponsored by Danish national radio and Live Nation, the prize for which was supporting Slayer at a concert in Copenhagen in November of that year. So after watching the video (which you will eventually see), I visited the band’s MySpace page and listened to a song called “Web of Lies” — a different sound than the video song, and one that was riveting.

So, then, I found a video of the band’s performance at that Slayer concert — and damned if it wasn’t that same “Web of Lies” song — but set to a boisterous live performance. And I thought, this is all too good not to pass on. So, I’m passing it on. All of it. Both videos and the song.  (after the jump, naturally . . .) Continue reading »

Nov 082010
 

As previously reported, I am leaving on vacation tomorrow. I will not be blogging while I’m gone. To help prevent NCS from going dark until I get back, I put out an open invitation last week for guest blog submissions. I’ve gotten a good response from readers and even a few band members — we will have some interesting shit for you to read while I’m away.

But there’s still room for more — with a catch. If you intend to send me something that we could post while I’m away, please send it to me by tonight. Given how much shit I still need to do before we leave for the airport tomorrow afternoon, tomorrow morning will probably be too late.

HOWEVER — if you’re writing something but you can’t get it to me by tonight, send it anyway. We’ll run everything we get, when I return — as long as it otherwise conforms to the conditions we outlined in last week’s invitation for posts (which you can read at this location.)

Now please enjoy today’s regular, non-nagging post immediately below this one. That is all.

Nov 082010
 

My experience with one-man bands — the subgenre I’ve seen referred to (pretty loosely) as “bedroom djent” — is damned narrow. About a week ago, it was limited to a universe of one: Cloudkicker. I had ignored some positive references to Cloudkicker on other metal blogs because I just stupidly assumed it wouldn’t be my thing. Then my NCS co-founder IntoTheDarkness insisted I listen to Cloudkicker and I relented. Damned good thing I did, because (as I wrote here) I thought Cloudkicker’s music was excellent.

Then I got this further e-mail from IntoTheDarkness: “ok so i know how much i raved about cloudkicker but i just found someone who outdoes him. and his name is dan dankmeyer. FUCKING AMAZING. HOLY SHIT. I can’t rly describe how good he is. just check him out.” As you can see, ITD doesn’t believe in capitalization, except for emphasis.

IntoTheDarkness and I don’t always see eye to eye, but I always check out the music he recommends (and that goes for the other co-founder of this site, Alexis). So I checked out Dan Dankmeyer, denizen of Frederick, Maryland, despite having read a mixed review of his latest release by Niek on one of my favorite places for discovering new metal, Death Metal Baboon (though he did give it a 7.5 out of 10 rating).

And once again, I’m glad I listened to ITD, because I’m diggin’ the shit out of Mr. Dankmeyer’s latest album, X, despite the fact that it omits the kind of larynx-shredding vocals I usually enjoy. If I had to classify the style, it would be guitar-driven Northern European instrumental melodic death metal, with a dash of prog thrown in for good measure. Whatever you call it, it’s damned good — and it’s free.  (more after the jump, including a couple songs to hear . . .) Continue reading »

Nov 072010
 

I’ve been accumulating the names of more and more bands whose music I don’t know but who look interesting for one reason or another. Yesterday, I decided it was again time to pick a few names at random off the list and see what I might find. That, of course, is what this MISCELLANY series is all about. With the internet at my fingertips, I go exploring and I record in this post who and what I heard, not really knowing in advance whether the music will be worthwhile.

For each of the bands whose names I pick, I listen to one song, and only one song — those are the rules I set for myself when we started this series. Yes, it’s pretty random and runs the risk of not giving the music a fair chance, but I think it’s better than nothing, and over time it has proven to be a useful vehicle for exposing myself (and you) to bands we might not have discovered in any other way.

In this particular installment of MISCELLANY, I checked out three bands: Fejd (Sweden), Praetorian (U.S.), and Forsaken (U.S.)

FEJD

My first stop in this edition of the MISCELLANY tour was to watch a new video from a Swedish folk-metal band called Fejd. I saw a press item on Blabbermouth about them, which picqued my interest (though I can’t really explain why). Fejd was formed in 2001 by two brothers, Patrik Rimmerfors and Niklas Rimmerfors, who had been playing in a folk music band called — fittingly — Rimmerfors. To create Feyd, they joined together with some childhood friends from a metal band called Pathos. As they explain, the resulting music features “the weight of heavy metal in symbiosis with the typical melodic language and sadness of the Nordic folk music.”  (more after the jump . . .) Continue reading »