Sep 232011
 

(Here’s a brief review from NCS writer TheMadIsraeli . . .)

Just look at this fucking album cover:

It’s got bears fighting on it.  FUCKING BEARS. I suppose you can call this an edition of the NCS EYE CATCHERS series, since I totally downloaded this on merit of the album cover alone. But what exactly could such a mammoth album cover encompass?

Seas Of Stone (from Dresden, Germany) plays dense, humid, mist-engulfed doom/sludge metal that channels the atmosphere of hiking the northern woodlands, and hopefully NOT getting fucked a new one by fucking bears.  The production on this 3-song EP is pretty astounding, channeling the very mood and ambience of the album cover itself.  The instruments are all dense and behemoth in tone, playing sludge that induces a dreading sense of being mobbed.

By fucking bears. (a bit more after the jump . . .) Continue reading »

Sep 232011
 

Today seems to be a day for song and video debuts from bands we like here at NCS. As long as they continue rolling out, we’ll continue putting them up.

The most recent advent comes from those brilliant instrumentalists in Animals As Leaders, whose sophomore album Weightless is coming our way in November via Prosthetic Records. The song that debuted in full today is called “Isolated Incidents”, and it’s a blast to hear.

The song begins with an inventive but almost placid passage, which is hardly preparation for the sledgehammer blows that follow it as the song kicks into high gear. Tosin Abasi is in fine, fine form, mixing a host of different guitar instrumental styles as the song weaves its way through the maze of its progressions, and his compatriots Navene Koperweis and Javier Reyes stay right with him. Coolness. Listen after the jump. Continue reading »

Sep 232011
 

Just minutes ago I received an urgent message from NCS writer TheMadIsraeli, worded as follows:  “Trippy as fuck music video just released for this song.  I don’t even know what I’m watching.” Accompanying the message was a link to the just-released official music video for “Juular”, one of the amazing songs on The Devin Townsend Project’s amazing 2011 album, Deconstruction (reviewed here at NCS).

I thought the new video we featured in our last post — the one for Dark Tranquillity’s “Zero Distance” — was visually interesting to watch. But I’m afraid it has been blown out of the water by this “Juular” video. In fact, this video blows everything out of the water. Words fail me. Watch it after the jump. Continue reading »

Sep 232011
 

Today, Dark Tranquillity and Century Media posted to YouTube a new official video for a new song called “Zero Distance”. The song will appear on a special tour edition of the We Are the Void album, which was originally released in 2010. The special tour edition will be released in Europe on October 24. Here’s a statement from DT’s Niklas Sundin:

“Zero Distance” was recorded at the same time as the “We Are The Void” album, but due to its different nature we decided to keep it for later use. The time is now right to unveil the song, as well as the other rare/bonus material recorded at the same time, in a massive “We Are The Void” tour edition package. In addition to the added songs and liner notes by Mikael, there’s also a live DVD capturing some special moments during the 150-and-counting gigs in support of the album.”

The music video for “Zero Distance” is the first produced by Aduro Labs (www.adurolabs.se), which is a new film/production enterprise co-founded by DT’s own Niklas Sundin. The video is fun to watch, and the song is . . . well, it’s Dark Tranquillity, but you should just listen to it for yourself. The video is right after the jump, along with a track listing for both the CD and the DVD within the tour edition of We Are the Void. Continue reading »

Sep 232011
 

(Here we have a tender letter from guest contributor Phro to Tori Amos, who seems to have riled up metalheads far and wide with THIS.)

Dear Tori Amos,

Don’t take this the wrong way, but who are you?

I’m guessing you think you’re pretty important… Which maybe you are. But either way I have no idea who you are. Oh! Wait! Are you the little puppy who sang about ironic things in the 90s? …Or was it apples? I’m pretty sure there was a woman singer who sang about stuff. I know you’re not the nice lady who was God. And the Google image search gave me a red head instead of a cute blonde, so you’re not Jewel…well, I’m at a loss.

Anyway, this is a letter for you.  I hope it will justify your sense of importance.  By the way, this might seem like it was written for a five year old, but that’s only so it’s easy to understand for you.

Anyway, apparently you have challenged metal. Which…what…when…where…who?  Who, exactly, do you think that is? Limp Bizkit? I mean I may not know who you are, but I also don’t issue challenges to  random…umm…things, because that’d just be weird. (You know music can’t hear or read, right? I mean, technically, it doesn’t even exist since it’s just sounds waves, but let’s keep this at the five year old level.) Continue reading »

Sep 232011
 

(Our guest contributor Trollfiend proves that it’s possible to write a review of Absu’s new album despite self-inflicted traumatic brain injuries.)

(This is a transcription of a recorded conversation taken pre-review at the Gateway Psychiatric Hospital of one ‘Mr. G—-‘, who at the time of this report is in a fully vegetative state after suffering self-inflicted traumatic brain injuries and who is currently only capable of salivating profusely and muttering occult gibberish.  While two speakers are listed here in the transcript, analysis of the recording by audio experts proves conclusively that both ‘voices’ belong to ‘Mr. G—–‘. Given the nature of the ‘responses’, we have dubbed the ‘second speaker’ accordingly.)

Subconscious: I bet you can’t do a review of the entire new Absu album without using the words ‘black’ or ‘metal’.

Me: CHALLENGE ACCEPTED.

Subconscious: It’s so black.  It’s like darkness raped midnight and this is the ebon spawn that they painted black and buried in the bottom of a disused well shaft in a cave. Continue reading »

Sep 222011
 

This post began, like so many of them do around here, with a recommendation. This recommendation came from a woman who goes by the name Raven Stead. She left a note on our Contact page urging us to listen to a Norwegian black metal band named Blodsgard, and she left links for that purpose.

The first link was to a music video for a song called “Mentalt Minefelt”. The video part of the clip looks like excerpts from a black-and-white silent movie involving nuns, implements of torture, and that fallen angel we’ve heard so much about for millennia, but who knows. What thoroughly grabbed me, however, was not the pictorial part of the video but the music. So I listened to the other songs for which Raven provided links, and fell for it like a chainsawed fir tree reaching for the ground. Just fucking cut off at the roots.

That led to a correspondence with Raven, who has been working as a U.S. representative of the band, which in turn led to downloads of Blodsgard’s music (including several songs that will appear on the band’s debut album) and ultimately to a treat we’re now able to provide NCS readers — a link for the download of new music from this killer band. It’s funny how things work out sometimes if you just go with the flow, particularly when the flow leads to music that so thoroughly seizes your interest, as Blodsgard has for me.

This band started life in 2006 under the direction of Blodsgard’s songwriter, vocalist, and guitarist Fredrik R and now includes drummer Kenneth Mellum (Formloff, Scarvest, Myrkgrav, Mistur) and lyricist Stein Akslen. In its earliest incarnation, Blodsgard created a full-length demo called Nuclear Extinction. Initially, it was created in extremely limited supply for fans, and it sold out quickly, though the band have now made it available for download via their web site. (more after the jump  . . .) Continue reading »

Sep 222011
 

(NCS writer BadWolf is killin’ it this week. Yesterday he turned in a Wolves in the Throne Room concert review with some amazing photos, and today we’ve got another one of his typically entertaining and insightful interviews. This time the subject is Moloch of Sumerian black-metal band Melechesh, who we find out is pursuing a PhD in philosophy, and this interview veers away from music and into some very different territory by the end. )

Melechesh want you to kill your TV.

This enlightening interview was held on St. Patrick’s day at Blondie’s in Detroit, while Melechesh was on tour with Hate, Rotting Christ and Abigail Williams. My subject was Moloch, rhythm guitarist and original member. Our conversation began with music, and the band’s excellent 2010 record The Epigenesis.

By the end our minds were on… other things.

Oh, and they were by far the best band on the bill.

BadWolf- This is your first national tour of the United States, how does it feel?

Moloch- It’s an interesting experience to say the least. We’re here to test the grounds, see how things are going. So far it’s been a mix of amazing, special and crappy. We’ve already covered a wide spectrum in the first week. From now on things are going to get really good.  (more after the jump . . .) Continue reading »

Sep 212011
 

And why is this the final NCS t-shirt update? Because I just returned from the U.S. post office, where I mailed off shirts to every U.S. and Canadian resident who has requested one to date. Yes, I know you had your doubts, but it’s true. At some point over the next week, plain brown envelopes will begin arriving, and inside, those bold NCS readers who asked will find one of the timeless works of art that yours truly is modeling in that photo up above.

I need to give a shout-out to Chris Martin and Voodoo Screen Printing in the Seattle area, who did such a superb job making the shirts (and making them quickly), and to my friend Derick, who recommended Chris and put me in touch with him. The shirts look outstanding, in my completely un-objective opinion.

We still have shirts left, in sizes ranging from S to 2XL, so if you, your friends, or your enemies want one of these badass babies, all you or they have to do is write me. The shirts are still free, and we’re still paying the shipping charges. All we ask is that you order one only if you really will wear the shirt — which is actually asking a lot, as you’ll understand if you take a good close look at what’s on the shirt:  (after the jump . . .) Continue reading »

Sep 212011
 

About a month ago we featured some brutal death metal crafted for the purpose of putting you in the right frame of mind for pumping iron in the gym and destroying emo posers at the same time. The name of the project was One Handed Skull Crushing. It was a side project of three musicians in Sweden, though at the time we didn’t divulge their main projects.

It’s now time to do that, at least for one of them. The more serious musical endeavor of bass player Axel Berglund is a Gothenburg band called One Inch Giant, and that band has just self-released their debut album, Malva. The musical style is dramatically different from that of OHSC, and although it may not appeal to all fans of the skull-crushers’ music, I’m been having lots of fun listening to it. As you can see, the album art is also wonderful. It’s by an artist named Emma Ekstam, and it depicts the small realm of Malva, in which all the phenomena described in the lyrics take place. To see more of Ms. Ekstam’s eye candy, go here.

I suppose the music of One Inch Giant is best described as stoner metal, though within that general genre description the six songs on Malva display considerable variety, and you don’t need unusual bladder control to get through them. All the singing is clean and all the songs are distinctively melodic. In fact, some of you might classify some of the songs as bluesy rock instead of metal, though all of them have got a satisfying element of heaviness in company with all the melodic hooks, and some are just flat-out heavy as fuck. (more after the jump . . .) Continue reading »