Dec 302012
 

(As our Listmania series continues for this rapidly closing 2012, we welcome guest writer Fork Tongue and his list of overlooked gems from the underground.)

Hello faithful NCS readers! 2012 was a helluva year in metal. When I hear old school metalheads say that we will never see another era like the mid 80’s through the early 90’s, it gets under my skin a bit. Old school metalheads talk about the days of yesteryear with a gleam in their eye and a chip on their shoulder. As well they should, as it was a great time for the music we all love. But after a bleak period from the mid 90’s through the mid 2000’s (at least in the mainstream) there has been a metal renaissance.

It’s been building and building, and in 2009 it hit what I thought would be it’s pinnacle. I was wrong. 2009, 2010, 2011, and now 2012 have all been unbelievable years that rival or better “the good ol’ days”, and anyone who doesn’t think so isn’t looking hard enough or is just an old fuddy duddy. There are tens of thousands of metal bands, so yes, there is more crap to wade through, but the law of averages tells you there’s also more truly great stuff out there than at any point in metal’s relatively short history. My list will show this, as it’s all about the overlooked gems of the year. Long live the renaissance!

No long-winded descriptions here. I’ll let the music speak for itself. Continue reading »

Dec 302012
 

(Our trollish fiend friend Trollfiend has emerged from his lair at ALSO, WOLVES and delivers this year-end list.)

One of the things I like about folk metal is that it seems to be largely free of kvlt haters.  You’ll rarely if ever hear someone slag on a band as not being ‘true’ folk metal.  That may be in part because no one can really seem to settle on a definition of the genre; quite a few people suggest that it’s not a genre at all.  But assuming for the nonce that those people are a) asshats and b) wrong, I think it’s safe to say that “metal played with or featuring folk or traditional rhythms and/or instruments” probably covers the spectrum pretty well. In fact it’s a damn loose definition; by those criteria I could easily call Nile a ‘folk metal’ band.

Of course, that’s a lack of kvlt haters within the genre.  Plenty of people outside the genre slag on folk metal all the time, probably because it’s not BRUTAL enough for them.  But that’s okay; not everyone likes the same shit, and if all you care about is BRUTAL, you can look at pretty much all the other “best of” or “top 10” lists that have cropped up everywhere like rancid boils.  I can save you the trouble of slogging through all of those lists, though, because they all say Pig Destroyer.

No, what I’m about to offer you is my baker’s dozen of the best folk metal albums of 2012 as chosen by me, the guy who likes this kind of shit.  That makes me an expert.  Also, because people seem to think folk metal is a fad that died out in 2009 (or should have) I am largely populating this list with new, newish, or up-and-coming bands just to make the point that it hasn’t gone away and is going to stick around like herpes, i.e., whether you want it to or not.  And it will probably itch like a motherfucker.  So you won’t see Enslaved’s RIITIIR or Korpiklaani’s Manala or Eluveitie’s Helvetios on here, which is fine, because I’m sure they’ll be covered elsewhere. Continue reading »

Dec 292012
 

This is Part 2 of our list of the year’s most infectious extreme metal songs. Each day until the list is finished, I’m posting two songs that made the cut. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two we’re announcing today, click this link.

Picking the songs for this list is hard, but deciding how to pair them for these daily posts is a bit of a kick. It provides an opportunity for some small amount of creativity, which is the amount that I have. A small amount.

Sometimes, my creativity may be reflected in nothing more than pairing two bands who happen to be from the same country, or whose names begin with the same letter (see above re small amount of creativity). Sometimes, the two songs may be paired because of the musical contrast between them. And sometimes, they might be grouped together because there’s some kind of kinship the music shares — and that’s what’s going on today.

CATTLE DECAPITATION

As in the case of our first two song selections, this one comes from an album that was a big hit at NCS (see our review here). Of course, it was a big hit just about anywhere you looked this year, and it’s now popping up on tons of year-end lists, including our own. To quote from our latest list posted earlier today, Monolith of Inhumanity is “a bona fide classic”. Continue reading »

Dec 292012
 

Happy fuckin’ Saturday to one and all. I’m starting to think about what kind of rowdiness I should get into on New Year’s Eve. I may really pull out the stops and stay up ’til 10:30 this year, and maybe see if there are some fireworks on TV in a later time zone. Y’know, get really raw and wild. I might even try to get frisky with my wife, though I’ll have to get her liquored up and hide her knives.

In the meantime, here are a few items of interest I discovered over the last 24 hours.

BRUJERIA

Don’t tell my wife, but I have rough, hot, sticky man-love for Brujeria. I would dearly love to catch them live, and get up really close where I could feel their heat and they could feel mine, and perhaps there would be an exchange of bodily fluids such as sweat and saliva. And I could wear a bandana over my face and a ballcap and I’d brush up on my Spanish so I could yell along to the lyrics without sounding like the fuckin’ gringo that I am.

But until then, I will have to make do with videos such as the one below, which was shot at the RBF Club in Sofia, Bulgaria, on December 21, 2012, by Vasil Vasev. The up-close-and-personal footage is high-quality and captures the sense of chaos that I imagine a Brujeria show would spawn. Also very cool: the flashes of green that appear in this black-and-white film. More of Vasse’s clips from this show can be found here. Continue reading »

Dec 292012
 

(In this guest post, NCS supporter Kazz lights the way through his list of the Top 40 metal albums of 2012, with selected commentary.)

This is a top 40. But instead of just writing some stuff about the top 10 (or, frighteningly, all 40) I just picked out a few releases that I felt were under the radar and needed to have some more words on the internet about them (except for my number one pick, which I couldn’t resist adding my 2 cents on). I’ll start at 25 because all the albums I wanted to write about are in that portion.

25.  Arkhamin KirjastoTorches Ablaze

24.  Six Feet UnderUndead
 

23.  ForefatherLast of the Line

Forefather isn’t reinventing the wheel here, but they’re playing a style that they’ve been one of the leaders in for over ten years. Their melodic/epic take on Viking/folk metal is full of memorable and stirring hooks. Vocals alternate between competent rasps and soaring cleans while keyboards add some texture to their driving Anglo-Saxon anthems. Continue reading »

Dec 292012
 


(We welcome back Louisville-based music writer Austin Webber with his personal round-up of the year’s best metal, organized by genre and accompanied by lots of music. This is a really diverse list with lots of names that haven’t appeared in our previous lists. The album art for almost all of these picks is also amazing.)

2012 was a great year for a wide range of metal subgenres and one that also solidified its future through the progression of many genre-muddying acts to quite interesting results! I’ve decided not to elaborate on the merits of this year’s obvious biggies and a large number of other bands because they are already on everyone else’s lists, and thus you’ve  been made aware of them too many times. A few here you may know, but hopefully you find something new. That’s my goal and the reason for this list.

For albums I already reviewed through my gig with LEO Weekly (a local Louisville, KY print publication with additional online component) I will paste in my reviews of them instead of writing a short synopsis. Continue reading »

Dec 282012
 

(To see what this list is all about, read the introductory post via this link.)

I listened to a greater variety of metal this year than ever before, branching out more seriously into certain sub-genres that I had largely neglected in the past. It was fun, but I’m now paying a heavy price.

How heavy? Here’s how heavy: My list of candidates for this year’s selection of the Most Infectious Extreme Metal Songs, drawn from my own listening and recommendations from readers and NCS staff, consists of more than 230 songs from over 160 bands.

I’ve explained before that I don’t make my own annual list of the year’s best albums because I have so much trouble comparing large numbers of albums from different genres to each other. Also, I’m indecisive by nature. So how in the world am I going to whittle own a list of more than 230 songs into a smaller group of 20 or 30? Honestly, I have no fucking idea. However, as the Chinese philosopher Laozi wrote, “a journey of a thousand miles begins with a single step”.  So I’m stepping off now . . . and I hope I will find a way to finish the list before old age claims all of us.

Because I felt the need to get this thing going despite the fact that I haven’t finished the final list, I decided to start with a couple of easy decisions. We begin with two great songs by two bands who are favorites of this site and whose 2012 albums have become quite popular across much of metaldom. Continue reading »

Dec 282012
 

UPDATE: The following post as originally written was based upon reports from the two sources identified at the end of the post.  It now appears that one of those reports — which claimed that YouTube’s reduction in view counts was due to fraudulent count-inflating practices by record labels — was an exaggeration. While a portion of the view counts were indeed eliminated because they did not represent legitimate views, the vast majority were apparently removed for other reasons, at least according to this article, which was published after my original write-up:

http://www.billboard.biz/bbbiz/industry/digital-and-mobile/what-really-happened-to-sony-and-universal-1008059892.story

********

Here’s an interesting piece of news: Within the last 30 days, YouTube has deleted more than 2 billion fake video views in the music channels of Universal, Sony, and RCA. And it didn’t stop there. At the same time, YouTube deleted preexisting views from more than 500 other prominent YouTube channels.

Google, which owns YouTube, has asserted that all of these companies and YouTube users violated its terms of service by artificially inflating their video views through the use of so-called “black hat” view-building services who use automated methods to create video views that in fact never existed.

Sony/BMG’s YouTube channel was hit the hardest with views dropping from a total of more than 850 million to just 2.3 million. RCA declined by 159 million views to a total of 120 million. Universal lost more than 1 billion views and now stands below 6 billion.

In addition, each of these labels’ YouTube archives have suddenly dried up. Universal’s channel now features only five videos, none of which are actual songs, and Sony’s page is currently empty.

Among individual musician channels, Britney Spears’ channel lost 462,567,893 views and Chris Brown’s lost 187,412,448.  LOL.

I checked YouTube statistics compiled by analysts at SocialBlade, to see if any YouTube channels for any metal artists had been subjected to this purge. Skimming their data, I found this: Continue reading »

Dec 282012
 

(In this guest post, NCS reader Richard Donahue shares his lists of favorite 2012 albums, honorable mentions, and the best metal tracks of the year.)

1. GoatwhoreBlood For The Master (TIE)

Their best record to date; if you consider yourself a fan of metal and don’t listen to Goatwhore or own this record, I pity thee.

AND

1. TestamentDark Roots of Earth (TIE)

Featuring some of the best guitar work of the year by Alex Skolnick and Eric Peterson, Testament prove yet again to be one of the most consistent bands of their genre; Pure Heavy American Thrash Metal at its finest. Continue reading »

Dec 282012
 

(In this post Andy Synn reviews the forthcoming sixth album by Finland’s Omnium Gatherum.) 

Now this… this is a special little something.

While superficially it might seem that the album is simply a continuation of the (pretty phenomenal) direction established by the previous two albums, it’s actually far more than that. Beneath the sheen of stainless melodic steel and furious Finnish thunder lies an electric current of progressive dynamism, all fused together into one state-of-the art musical package.

Looking at the previous two albums, if The Redshift was where the band discovered and started to stretch their new-found musical muscles, surprising even themselves with their growing potential, then New World Shadows was where the band put those muscles to a real test… and STILL found themselves surprised by what they were capable of. Which makes Beyond the moment where they realised that maybe there’s nothing they can’t do…

Continue reading »