(Our man BadWolf has made a couple of discoveries through Bandcamp and writes about them below.)
I wish Bandcamp forced artists to offer at least some of every release for download. I’ve stumbled across two short streams—one of a demo, and another of a short song collection—that I want to put on my iPod right fucking now. Sadly, life is not that easy.
The Black Moriah – The Black Moriah Promo
I wonder did they mean The Black Maria? Black Maria is an antiquated slang term for a hearse. Spell check ist not krieg! Perhaps this Dallas black-thrash quintet were just feeling cheeky.
I’m still in day-job hell, or more accurately day-and-night-job hell. All personal plans for listening to albums and EPs and writing reviews are on hold. Actually, everything I do here is pretty much on hold except for quickly checking metal news and doing some fast web surfing in search of new songs — and I make time for that mainly to preserve some feeble semblance of balance in my existence.
In this post are new or new-ish things from four bands that I randomly happened upon. By the end of the post, you may conclude that my efforts at preserving balance have failed and I’ve fallen off the edge.
I discovered this German band in the spring of 2010 and wrote a review of their then-current album Procella Vadens (which is superb), except I wrote it as if Suffocation’s Frank Mullen were writing the review. Seemed like a good idea at the time.
The last 24 hours have turned out to be full of tour announcements. I collected details about three new ones that appealed to me in an earlier post today, and I just saw another one that elevated my pulse rate.
This North American jaunt is headlined by Sweden’s Hypocrisy in support of their forthcoming album End of Disclosure (which we’ve written about before). That’s sweet news, but it gets a whole lot sweeter when you take a look at the other bands alongside them: Krisiun, Aborted, and Arsis!
In addition, Starkill (who I’ve featured before at NCS) and Autumn’s End will appear on selected dates.
The schedule is after the jump. You’ll be relieved to know that the tour is coming to Seattle and that I’ll be able to see it. I know that wil brighten your day.
This one is more of a personal share because I know for a fact that Long Distance Calling probably don’t line up with much of this site’s stated ethos (although to be fair, we’ve had to explain the No Clean Singing thing being like the speed limit – a suggestion) but Long Distance Calling are a really good group of musicians who haven’t failed me yet when it has come to making enjoyable music.
I first got into these guys with 2006’s Avoid The Light – which saw Jonas Renske of Katatonia performing on the song “The Nearing Grave” — and found out that the rest of their disc was entirely instrumental, something I had only known groups like Scale The Summit to do. It was a similar atmospheric, progressive approach but seemed less reliant on atmosphere and more on melody.
I plowed through the group’s back catalog and then enjoyed the hell out of their self-titled disc when it hit back in 2011. Now we find ourselves in the opening of 2013 and the group are releasing a new album entitled The Flood Inside, and there have been some big changes.
This is Part 2 of a round-up of new things I saw and heard last night that I thought were worth sharing. Part 1 can be found here.
As the years have rolled on my interest in deathcore has waned, but I haven’t completely lost the taste for it. Within the Ruins (from Westfield, Mass.) is one of the bands in this genre who have maintained my interest, and from what I’ve heard of their new album Elite (released on Feb 26 by eOne Music), I’m still interested.
Yesterday the band premiered a music video for one of the new album’s tracks, “Feeding Frenzy”. The song brings high-caliber pneumatic thrusting, bestial hardcore vox, and a bunch of instrumental flourishes that remind me of a carnival atmosphere.
And the video (directed by Kevin J. Custer) is a complete hoot to watch. I’ve never been to a dinner party like this one, and I honestly can’t say that I worked up an appetite watching it. But I do pronounce it egggzelent. Here ya go:
As previously reported, your humble editor’s blog time is being squeezed mercilessly by the old fuckin’ day job. There is no relief in sight yet. The consequence is that I can’t spend as much time as usual checking out new music and news. But I did make a quick survey of my typical sources last night and saw and heard many things of interest. Details about 3 new tours and 2 cool live videos are in this post, and I’ll have more goodies in a second one later today.
DEATH TO ALL TOUR 2013
In Tourism news I saw the following report on Metal Injection: The Death To All tour, which pays tribute to the late Chuck Shuldiner is returning for another run in 2013. The tour had its first run last year and featured an all-star lineup of former members of Death, “but was later plagued with drama surrounding the financials of the event, with some musicians not getting paid by one of the promoters.”
Unlike last year, the 2013 tour will feature one line-up, the Human–era lineup consisting of guitarist Paul Masvidal, bassist Steve DiGiorgio, and drummer Sean Reinert. In addition, Metal Sucks is reporting that Max Phelps, Masvidal and Reinert’s bandmate in the most recent line-up of Cynic, will be providing the vocals. The tour will focus on Human, and the three Death albums that came before it, Scream Bloody Gore, Leprosy, and Spiritual Healing. Hell yes.
(The long-awaited fourth album by West Virginia’s Byzantine is out now, and we’re delighted to provide a full stream of the new album along with TheMadIsraeli’s review.)
I wish I could find a way to adequately express how much I was absolutely frothing at the mouth in anticipation of this album. You’ve got to understand, this is a band who I musically idolized but who I thought had called it quits for good, and while I wasn’t originally stoked on the reunion since it lacked an integral founding member, his rejoining the band soon after sealed the deal for me. Byzantine were back in business and ass kicking was soon to follow.
I’ve sung the praises of this band to the high heavens on this site already, so if you are unfamiliar with these guys or have forgotten what they’re about, go read my Byzantine discography retrospective, which also included their three previous albums for download. Get educated.
Anyone who thinks that this album is a mere sequel to Oblivion Beckons would be sorely mistaken. These guys have been out of the band game for five years, but have still pursued music in a personal way and have thus evolved. What we have here isn’t a different Byzantine, but definitely a wiser, more sophisticated and diverse Byzantine.
(Andy Synn provides the following introduction to the brand new lyric video by NCS favorites The Monolith Deathcult. “Gods Amongst Insects” just premiered on Terrorizer and it will appear on the band’s new album TETRAGRAMMATON, which will be out on May 10 (May 14 in North America) on Season of Mist.)
Peace… no peace…
Thus begins the new Monolith Deathcult album. An album which covers religious warfare, genocide, and all the horrors humanity inflicts upon itself. As well as the looming horror of an unstoppable alien invasion. That’s right, there’s definitely some inspiration from Independence Day in there too.
“Gods Among Insects” is, fittingly enough, an absolute monster of a track. A sprawling behemoth of huge, grinding riff-salvos, pulverising barrages of high-intensity drumming, berserker death vocals, and ominous symphonic shrouds.
The grandiose oration by one Peter Cullen – that’s right, the human incarnation of Optimus Prime – is both absurdly impressive and impressively absurd, fitting the band’s modus operandi to a T.
“I have existed from the morning of the universe
And I shall exist until the last star falls from the night
My ultimate peace would be granted by the destruction of all life,
Stars and nebulae, leaving only nothingess and void”
(Our ardent supporter and occasional guest contributor Utmu wants to introduce you to two other blogs. Surprisingly, our feelings are not hurt.)
I suppose you might be aware of the existence of websites often called metal blogs. There are a few reasons I think you would be. For example, you’re on a metal blog right now. But I have a couple of blogs I want to talk about because they’re doing something really cool; they are called Metal Band Art and Poetry of Subculture. One focuses on artwork related to heavy metal (as if you couldn’t tell), and the other reflects on metal subculture and music.