PRIMORDIAL: “WHERE GREATER MEN HAVE FALLEN”

 Album Reviews, Exceptions to the Rule  7 Responses »
Nov 262014
 

 

(Andy Synn reviews the new album by Ireland’s Primordial, with a new video from the band at the end.)

If the world were a fairer place, then I have no doubt that Primordial would be one of the biggest metal acts in the world by now. If the world rewarded raw passion and creativity the way it should, they’d be playing arenas and selling albums by the bucket-load, bringing their majestic brand of misery and majesty to all corners of the globe.

But the world isn’t fair. It seems most metalheads prefer to regress towards the lowest-common-denominator wherever possible, and that most popular music fans prefer things served up to them in lightweight, easily digestible chunks.

And that’s just the way things are. Sex sells, and so does simplicity. But it’s not really adding anything real, or particularly meaningful, to the world, is it? It’s been said many times that “pop will eat itself”. Well pop has eaten itself so many times now that all we’re left with is an endless cycle of eat-defecate-eat-regurgitate that’s sapped whatever little value from the music that it originally had.

We continue to consume, unaware that we’re starving ourselves to death.

It’s why I’m thankful for bands like Primordial. Bands who write and perform not for fame and fortune, and not to please some imagined audience, but for themselves, for the message, for the sheer cathartic joy of creation. Continue reading »

SEEN AND HEARD: DYSANGELIUM, OPHIDIAN I, WILDERNESSKING, WINDS OF GENOCIDE, XERATH

 Metal News, RANDOM FUCKING MUSIC  7 Responses »
Nov 262014
 

 

For four days I’ve been on the other side of the country from my home in the Seattle area, and I’ll be working here for 10 more days. It’s one of those projects that engulfs me periodically, a night-and-day kind of thing that squeezes my blog time down to acorn size. I did make room late last night for some exploring and found the following new music I thought you might like. I sure as fuck did. Presented in alphabetical order by band name.

DYSANGELIUM

The German black metal band Dysangelium have a new album on the way from W.T.C. Productions. The title is Thánatos Áskēsis, it’s due for release on December 24, and it’s available for order here. I haven’t yet listened to the entire album, but I did catch Decibel’s premiere of one of the new songs yesterday, and have really been enjoying it. Continue reading »

BEGINNINGS

 Mosh Pit  4 Responses »
Nov 262014
 

 

(Andy Synn wrote this post.)

I’ve been thinking about beginnings a lot lately. With NCS hitting its fifth anniversary, and with my own four-year anniversary at the site having come and gone a few months ago, I’ve obviously been thinking back on where we’ve come from, where we’ve been, and how all those strange, chaotic choices and coincidences have led us to this point.

I’ve also been thinking about my own musical history, all the bands I’ve discovered, all the bands who’ve fallen by the wayside and, in particular, the bands which started me off down this road…

So settle in, loyal readers, it’s story-time. Continue reading »

CRIMSON MOONLIGHT: “THE SUFFERING”

 RANDOM FUCKING MUSIC  5 Responses »
Nov 252014
 

 

(Guest writer Grant Skelton has discovered a new single by a Swedish band named Crimson Moonlight that he wants you to hear.)

I may have spoken too soon about my list of 2014’s Most Infectious Extreme Metal Songs. I made my list before hearing the new song by Sweden’s Crimson Moonlight. The song is called “The Suffering,” and comes from the band’s new album Divine Darkness (TBA 2015 via Endtime Productions.). This is the band’s first new material since the In The Depths Of Dreams Unconscious EP in 2007. The new album will be the band’s first proper album since 2004’s Veil Of Remembrance.

For those unfamiliar with Crimson Moonlight, they formed in 1997. Along with bands like Extol, Admonish, Antestor, Slechtvalk, and Immortal Souls, they were an integral part of their scene, sometimes referred to as “unblack metal.” This tune might appeal to fans of A Hill To Die Upon, 1349, Dimmu Borgir, Mayhem, or even The Black Dahlia Murder. Continue reading »

BARING TEETH: “GHOST CHORUS AMONG OLD RUINS”

 Album Reviews  2 Responses »
Nov 252014
 

 

(Austin Weber reviews the new album by Baring Teeth.)

The time has finally come for renowned quirky Texas death metallers Baring Teeth to show the world another plane of terrifying sounds and squalor. As if their first album, 2011’s Atrophy, in all its demented brilliance, was not enough of a jaw-dropping testament to their skill and uniqueness, they set their aims at a higher and different place on Ghost Chorus Among Old Ruins, giving us is a wide range of dynamics within each song — like a massive fight for control between frenetic, entrancing splinters and the colossal depths of quicksand, whose power ultimately derives from its slow, suffering burn.

Not only have they moved further from the realms of their Obscura-influenced debut, they’ve managed to expand their sound. It would have been easy and standard for a metal band like this one to keep the same blazing tempo and stylistic formula the second time around. Yet this time Baring Teeth offer more cesspools and sinkholes to drop into, sucking up more of the music like a slow-draining black hole, while also offering full-scale onslaught the likes of which will make your face melt just a bit too much to recover from in one sitting. Continue reading »

CONCERT PICS: JUCIFER, OHLM, AND NEW BRAVADO — LIVE IN LOUISVILLE, NOV 19, 2014

 Concert Reviews  4 Responses »
Nov 252014
 

 

On November 19, 2014, Jucifer, Ohlm, and New Bravado put on a show at the Headliner’s Music Hall in Louisville, Kentucky. Photographer Nik Vechery, whose work has accompanied show reviews at NCS on many past occasions, witnessed the destruction and documented what he saw in the photos you’re about to see.

We didn’t have any writers at this event, so the only written description we can provide is the message Nik sent along with the photos:  “It was a killer show. So damn loud I couldn’t hear the drums sometimes, hah.”  As someone who has seen Jucifer before, I have a keen sense of what he means: Jucifer play with gut-liquifying levels of volume — and they do it really well. If you’ve never seen the rituals of this nomadic sludge metal death drone amplifier cult, you need to. Continue reading »

LISTMANIA 2014: REVOLVER’S 20 BEST ALBUMS OF 2014

 LISTMANIA 2014  16 Responses »
Nov 252014
 

 

As part of our year-end Listmania series, we re-publish “best metal album” lists compiled by certain “big platform” web sites and selected print zines. Today, we bring you what Revolver magazine thinks are the 20 best albums of 2014, as posted yesterday on the magazine’s web site.

Let me be very clear, because someone always seems to misunderstand what we’re doing here: We’re not endorsing these lists we filtch from other places (though some are certainly better than others). We’re especially not endorsing this one. To be fair, Revolver doesn’t pretend to limit its coverage to metal. And to be even more fair, I haven’t listened to half the albums on this list, so what do I know?

Still… not endorsing this one. Continue reading »

AN NCS INTERVIEW: THE MORNINGSIDE — “ECLECTICISM CRAWLED INTO ITS HOLE”

 Interviews  2 Responses »
Nov 242014
 

 

(In this post we present an interview of The Morningside from Moscow, Russia, conducted by A. Strunitzkij and introduced by our contributor Comrade Aleks. All photos are by Olga Goleva.)

We could discuss for a damned long time how much of Katatonia and Agalloch has left the works of The Morningside since they released their first album The Wind, The Trees And The Shadows of the Past in 2007. But the new album by this band from far Moscow, Letters From The Empty Towns, only pours oil onto the flames of this controversy. Highly energetic, fierce, and ghostly cold, this album returns us to the dark and melancholic world of The Morningside.

The whole band is here today. Let me introduce you to The Morningside with its most constant (and I hope – eternal) line-up. They are Igor Nikitin (vocals, guitars), Ilya Egorychev (bass), Sergey Chelyadinov (guitars), and Boris Sergeev (drums). I would like to thank my comrade-at-metal A.Strunitzkij for this interview. Continue reading »

AN INTERLUDE: SOEN — “THE WORDS” (A NEW VIDEO)

 RANDOM FUCKING MUSIC  4 Responses »
Nov 242014
 

 

I was going to save this new video for a round-up of new things that I hope to write for tomorrow, since time is short at the moment. But then I thought, why wait?

The band is Soen and the song is “The Words”, from their new album Tellurian, released earlier this month by Spinefarm Records. If you’re unfamiliar with Soen, the members are drummer Martin Lopez (ex-OPETH, AMON AMARTH), bassist Stefan Stenberg, vocalist Joel Ekelöf, and guitarist Kim Platbarzdis.

“The Words” is a beautiful, haunting, heartbreaking song, and so is the black and white video that was made for the music. It’s light years away from what we usually feature at this site, a true exception to our “rule”, but very much worth hearing and seeing — which you can do next. Continue reading »

GOATWHORE: “CONSTRICTING RAGE OF THE MERCILESS”

 Album Reviews  5 Responses »
Nov 242014
 

 

(DGR provides this review of the latest album by NOLA’s Goatwhore.)

Stupid late, and we know it, but as the end of the year approaches one of our worst habits is to panic  — or more correctly, I panic, because most of the guys on the site are pretty relaxed — about the massive number of albums that came out during the year that we didn’t get around to reviewing. Not only that, but there’s always two or three un-reviewed albums where it feels right to provide a forum for our users to discuss the disc alongside our own feelings on the album. Goatwhore’s Constricting Rage Of The Merciless is one such disc.

It was an album that, as far as I know, was suddenly just “Out”, and the only review we were able to stammer out for it at the time was one of Andy’s haiku reviews. While those are great and a fun exercise, and I do recognize the difficulty in trying to hammer a disc down to just three lines where I prefer to go the opposite route and provide massive walls of text, sometimes there’s an album in there that I generally regret not being able to give the full “review tome” treatment. Continue reading »

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