(Comrade Aleks brings us this interview with guitarist and songwriter Richard Nossar of the great Peruvian doom band Matus, who we’ve featured on our site before and who have a new album ready for listening.)
It’s time to relax and let your mind flow with a current of old ’n’ good psychedelic stoner rock. Matus (ex-Don Juan Matus) is a Peruvian band, and we’ll talk about it with Richard Nossar (guitars) as an exception to NCS’s strict rules. Matus celebrate their tenth anniversary this year and they almost have a fifth full-length Claroscuro in their hands, so why not?
“Más allá de este sueño al que el hombre llama vida
Hay un lugar donde el tiempo no es real!”
If you get me right… Anyway, let’s try.
Against Evil hail from Visakhapatnam in India, and their debut album Fatal Assault is slated for release by Transcending Obscurity Distribution on July 20. The band previously unleashed the album’s last track “War Hero”, which led to their deal with Transcending Obscurity, and now that these plans are in place we give you the album’s penultimate song, “Bulletproof”.
In an era when every band must be obsessively slotted into the proper micro-genre, perhaps it’s best in this case just to call the music “heavy metal”. It’s got grooves, it’s got melodic hooks that prove to be sharp and memorable, it’s got a mix of soulful clean vocals and nasty jagged growls, and it comes with slick dual-guitar harmonies and an awfully tasty solo.
(KevinP wrote this introduction to a teaser of new music from Norway’s Madder Mortem.)
There’s nothing more enjoyable than when Islander gets his panties so deeply in a bind over a NO HARSH SINGING band, that it takes the skills of SurgicalBrute to remove them. And as much as I relish his temporary misery, I am grateful that he essentially gives me free reign to talk about what I want (and feel is warranted). Which brings us to perhaps the most important musical thing for me this year, new MADDER MORTEM music.
It’s been 6 years since their last album, Eight Ways, and while the wait has been semi-agonizing, it also makes the heart grow fonder. The band released a 3-minute teaser last week with samples of 3 songs to their forthcoming sixth full length album, Red in Tooth and Claw. Even though it’s only a teaser, it’s enough to get me very very excited, maybe almost too excited.
(Wil Cifer reviews the new album by Pennsylvania’s Clouds Collide.)
Black Gaze, the marriage of shoe-gaze to black metal, has been met with mixed results. Deafheaven and Alcest became two big names of this sub-genre, and of course began to amass many imitators. Clouds Collide is in a sonic zip code closer to where Alcest used to live back when they were more of a metal band.
Never has a project’s name so fittingly conveyed what they sound like. The album floats into the horizon with almost Death Cab For Cutie-like vocals hovering over it. It’s not until the second song that the harsher vocals come in. When they do, they are the only element with an edge to it. The blast beats provide an undercurrent for the vocals to moan over in an abstract path. While the melody becomes more defined the blast beats become a blur.
Once again I find myself awash in new music discovered over the last 24 hours that I want to share with you. I’ve picked three new songs to feature in this collection, and you know I must really like them since I have to send you to other sites to hear two of them.
Every death metal fan worth his or her salt has to be salivating over the prospect of a new Hate Eternal album — and that’s what we’re about to get. The new record is named Infernus and it’s set for North American release by Season of Mist on August 21. In addition to the fact that it will contain Hate Eternal music, it’s also adorned with painted cover art by the masterful Eliran Kantor. And now we also have a new song to hear.
Australia’s Ne Obliviscaris have just released a video for the song “Painters Of The Tempest (Part II): Triptych Lux / Movement III: Curator”, from their 2014 album Citadel. I’m glad they picked that song for a video. The intro to the song probably makes it my favorite on that album — the finger-tapped bass, the plucked violin string, the shimmer of the guitar, it all works. There are of course other things to like about the song, too.
The video was directed by Joe Ritson, with lighting design by Joshua Tanidis. When a live performance is this well-filmed and edited, you don’t really need anything else going on to make it worth watching.
Sunday is an odd day to choose for song premieres. But for a band whose rise to prominence has been as meteoric as Ghost B.C.‘s, I guess it doesn’t really matter — word of a new song will spread regardless of it coming out on one of the sleepiest days of the week. And yes, yesterday Ghost B.C. released a new song, named “Cirice“.
The song will appear on the band’s new album Meliora, which is now scheduled for release on August 21 via Loma Vista Recordings. The new song and the new album feature a new front person, anointed Papa Emeritus III and described as the “three-month-younger brother” of the band’s last Papa Emeritus. What’s more, the song comes with its own cover art — and it’s available for free download, here:
(Andy Synn reviews the crowd-funded solo album of Daniel Cavanagh.)
As the old saying goes, “when the cat’s away, the mice will play”. And with both Islander and Badwolf currently semi-AWOL from the site due to attending MDF, it’s definitely time to play…
In that spirit, and as part of my continued quest to drag down the good name of this site, I hereby present to you the entirely clean-sung, all-acoustic, and almost completely un-metal, covers album by Anathema guitarist/co-vocalist Daniel Cavanagh.
Let the games begin!
(Comrade Aleks returns to NCS with this interview of Luther Veldmark of the multinational group King Heavy.)
It started for me with Hooded Priest’s album Devils Worship Reckoning — I like good old-school doom metal, and this record had enough catchy riffs to make me wait for new release. This record also is remarkable for me because of the really possessed and expressive vocal lines performed by the band’s frontman Luther Veldmark. The new album isn’t ready yet, but at least I got King Heavy, as Hooded Priest has been keeping silent up to now.
King Heavy is the product of a collaboration between Luther (based in The Netherlands) and three members of the Chilean bands Procession and Mourners Lament. King Heavy recorded the EP Horror Absoluto in 2014, so it’s time to ask that will come next. Luther Weldmark himself is here today!
Hail Luther! How are you? How much longer did your beard grow since we talked last time? It was in 2011!
Hello Alex, great hearing from you again. The slower my music the faster time flies!
Since you asked, I suppose my beard is a bit longer than last time, actually I don’t think it’s that extremely long, but yeah right, I don’t go that often to a barber. I do cut my beard on the sides from time to time, that’s about it.
From my wanderings through the interhole and the NCS mailbox yesterday I came across four diverse new songs that grabbed me. So I thought I would put you in their clutches as well.
I paused in my wanderings to hear this new song from Vanum based on the disclosure that the band consists of K. Morgan of Ash Borer and M. Rekevics of Fell Voices, Vorde, and Vilkacis. All those bands are quite good in my estimation, and so I was curious to hear what the union of these talents had produced. Profound Lore must have been intrigued, too, because they’re releasing Vanum’s debut album Realm of Sacrifice in June (digital and CD), with vinyl coming later via Psychic Violence.