The experimental, Chicago-based metal band Scientist have recorded a follow-up to their self-titled debut album. This new album includes more vocals than the debut (contributed in part by some notable guests), but that doesn’t mean the music is any more conventional. It simply adds more dimensions to music that is still fascinatingly difficult to pin down.
The album’s title is 10100II00101, and it’s scheduled for digital and CD release on December 11 (with vinyl coming later from Hell Comes Home). For those who haven’t yet encountered Scientist, it’s the collaborative vehicle of these talented musicians: guitarist, vocalist, and founder Eric Plonka (Yakuza), guitarist/vocalist Patrick Auclair (Taken By The Sun), drummer Justin Cape (Taken By The Sun), and bassist Mathew Milligan (Making Ghosts).
I’ll also mention up-front the names of the guest vocalists: Stavros Giannopoulos (The Atlas Moth), Andre Almaraz (Pale Horseman), Anthony Cwan (Without Waves), and James Clayton Bowman. Aw hell, I might as well mention a few more notable names who are associated with this unpronounceable new album:
As you can see, I decided to give the “Seen and Heard” title a rest for today, but that’s still what this post really is — another selection of music I’ve come across in recent days that I thought you might enjoy as much as I have. Most of what’s in here is new, some of it only newly discovered by yours truly. As is usually the case, the featured music is stylistically diverse. And because this is a birthday weekend at NCS, I decided to really load up this post with a lot of listening.
We’ll start this collection of music with the debut EP from Norway’s Nachash, a four-track offering entitled Conjuring the Red Death Eclipse. Though it was released in February of this year (through Unborn Productions), I only discovered it recently, and what a discovery it has been.
The four long songs on the EP are rich and multifaceted. The final track “A Necromancer’s Lament”, which is set to play first on Bandcamp, is like a melding of stoner doom and black metal; the riffs are so goddamn delicious that I got pulled headfirst into the rest of the EP as if I’d been sucked into a whirlpool.
There’s something about the cover art for Jonbar Hinge’s debut album that gives me the shivers. Maybe it’s the fact that the eyes look like shivered panes of glass, with no one home behind them — or at least no one you might really want to meet. This Swiss band’s name is equally fascinating. It appears to refer to a concept (derived from science fiction) for “a crucial point of divergence between two outcomes” — a “forking place” in time where a choice must be made that will lead to a lasting and dramatic change in the unfolding of the future. Or at least that’s what The Font of All Human Knowledge tells us. Between the artwork and the band’s name, I was very intrigued by what the album might hold in store.
This self-titled record, which will be released by Division Records on November 20, consists of five tracks. At the end of this post you’ll have the chance to stream all of them. I’ll warn you up-front that the album is often an exception to our “rule” (the one about singing), and it’s not quite as extreme as most of the vicious monsters to which we devote most of our time. But you’re seeing the premiere here for a reason — Jonbar Hinge will get your head moving, and repeatedly slug you in the spine while it does that.
This would normally be titled as a “Seen and Heard” post, but I was in an alliterative mood this morning. This is a selection of new songs (and a pair of older ones) that I discovered over the last 24 hours and want to commend to your ears. As usual, I’ve tried to include a variety of sounds, but they’re all deliciously devastating in their own ways.
Tongues are a duo from Aarhus, Denmark. Their debut EP Thelésis Ignis was released last year by I, Voidhanger Records, and they’re now at work on their first full-length album, which I, Voidhanger hopes to release in 2016. In the meantime, Tongues have posted a new song named “Golden Crown of Death” to their Bandcamp page as a “name your price” download. It will appear on a vinyl compilation entitled Roam The Streets II: Fuck You – We’re From Aarhus, to be released in December by VoxHall.
I had to make a whirlwind trip to Dallas, Texas, for my fucking day job, leaving Sunday morning and returning to Seattle late yesterday. I didn’t have much time to myself, which means I fell behind in listening to new metal. On the plus side, I was put up in a swanky hotel, the corridors of which were lined with large framed photos from ’60s and ’70s fashion magazines. Every time I walked past the one above, I did a double-take. And that wasn’t the only one that stopped me in my tracks. So there’s that.
Anyway, last night and this morning I enjoyed the following new music streams and videos, presented here in alphabetical order by band name except for the last one, which is a twist on what I usually feature in these pages.
Thanks to Andy Synn, we’ve previously reviewed the excellent new album by Abigail Williams, The Accuser, which will be released by Candlelight Records on October 30. Yesterday CVLT Nation premiered a video for one of the new songs named “Nuumite”. It’s the track that ends the album, and takes a sharp turn from what preceded it (though if you listen closely to the preceding songs, you’ll realize that the twist was forecast all along). Here’s what Andy wrote about the song:
Well, I’m back in the saddle after getting repeatedly thrown off my horse by an exhilarating ride at California Deathfest over a long weekend in Oakland. I do plan to finish writing about the event and posting more of my crappy cell phone photos, but just to prove that things are getting back to (ab)normal here at the site, I thought I’d collect some outstanding songs and eye-opening videos that I discovered over the last 24 hours while recovering from a cataclysmic hangover-and-bangover. Presented in alphabetical order by band name…
The very cool cover art that appears at the top of this post attracted me to a new EP that has just been released today on tape by Broken Limbs Recordings for a Floridian band named Ad Nauseum. Two of the songs from this four-track release — “Walls” and “Locked In” — are currently streaming on Bandcamp, where the EP is available as a “name your price” download, and the cassette can be ordered HERE. And those two songs are hellishly good.
Yesterday I compiled a massive round-up featuring new songs and/or videos by seven bands. But that still didn’t exhaust what I had found in the preceding days. And, metal being such an explosively metastasizing tumor, I’ve found still more things to get excited about since I wrote yesterday’s compilation. So, what the hell, I’ve decided to throw caution to the winds and prepare another even more jam-packed post, with good things from eight bands. Once again, I’m choking back my tendency to shower many words over the music… I’ll just scatter a few droplets instead.
I’m going to start by telling you about a full-album stream that came rushing up like a freight train at night with the lights off. Which is a way of saying that although we here at NCS are enormous fans of Vreid, we received no advance copy of their new album Sólverv, and just learned that all the songs have now been officially uploaded to YouTube for streaming.
(Comrade Aleks presents this in-depth interview with Tommy Eriksson of the Swedish band Saturnalia Temple. Music is included, of course)
Swedish bloody dark and heavy doom outfit Saturnalia Temple produced their second full-length album in 2015; it’s name is To The Other. If you think that you know something about the occult because you previously heard a few songs about goats, rituals, and naked chicks, then just forget it. I wouldn’t like to continue this game of associations and assumptions, because Saturnalia Temple’s high priest Tommie tells it better.
Hail Tommie! First of all, thanks for the time you found for this interview! What’s Saturnalia Temple status at the current moment?
We are entering the dark part of the year, especially here in Sweden, and we have done some great festivals during the summer, the Sonnenwende in Abtenau, Navajo Calling in Parma, Metal Magic, Geggan, and Chaos Descends. We played London some weeks ago with Cult of Fire and Skan, which was also amazing. We are not booking any more gigs this autumn really, except possibly one very special night in Sweden with some brothers, check our pages for news about that.
In this post I’ve collected some songs I discovered recently that don’t fit our usual mold around here. As most people know by now, we no longer adhere strictly to the rule expressed in the site’s name — though I’m more faithful than some of our other writers. But the songs in this post are exceptions in more ways than simply the use of clean vocals; some of them aren’t even metal. But despite these departures from what I usually enjoy, all the songs have wormed their way into my head, and I thought you might enjoy them, too.
By the way, I spend very little time exploring music outside the boundaries of extreme metal, so these choices are hardly the result of some comprehensive survey. I came across all of them quite by accident.
Untold are based in Bern, Switzerland. Their most recent album (their fourth full-length) is named Towering and it was released in January of this year. The song that’s gotten its hooks in me is a track called “Voice Within”.
Although I never managed to write a complete review of Vulture Industries’ fantastic 2013 album The Tower, I did write about every one of the three songs that premiered before the album’s release and chose the title track for our site’s list of 2013’s “Most Infectious” Songs, so that counts for something. The album is a strange and wondrous creation that sounds like nothing else I heard the year of its release — or since then either — and so I’m delighted that we have the chance to help premiere a new video for yet another song from the album: “Blood On the Trail“.
Apart from the fact that the song kicks large quantities of ass, the video was made by one of our favorite visual creators, Costin Chioreanu (who leads a damned good band himself [Bloodway]). Here’s what Vulture Industries had to say about the high-energy video: