(Austin Weber brings us the premiere — and a free download — of a new song by The Universe Divide from Atlanta, Georgia.)
In their heyday, Canvas Solaris were an instrumental act of considerable skill and prowess, taking a death metal, jazz, and prog-infused path of constructing instrumental metal music that was far ahead of its time. It’s been a few years since that group bit the dust in 2011, though the band is writing new material, but that is a long ways away from coming to life.
What people familiar with that group may not know, is that two of its members, guitarist Chris Rushing and bassist Gaël Pirlot, have been crafting a new instrumental metal vision in their latest group, The Universe Divide. The band previously released an impressive EP in 2011 called Dust Settles on the Odontophobes, and they certainly carry over some of the aggressive nature of Canvas Solaris that is missing from a lot of instrumental metal.
(In this 6th installment of a multi-part piece, Austin Weber continues rolling out recommended releases from his latest exploratory forays through the underground. Previous installments are linked at the end of this post.)
￼￼Let’s start off this installment with the technical death metal band Dungortheb, a French group from the world of Lord Of The Rings that I’ve been a fan of for years. Somehow, in spite of being a massive fan of their first two albums, Intended To… and Waiting For Silence, I failed to realize they had a new record out until recently, when I was checking out the roster for Great Dane Records on Metal-Archives. Seeing their name on the roster inevitably led me to click on the Dungortheb page on M-A where I saw the new album. Luckily I was not too far behind, as this latest release, Extracting Souls, just dropped on August 30th of this year.
Not only is it a continuation of their heavily lead-focused, melodically entrenched, often mid-paced death metal style, but it’s quite an evolution as well. Extracting Souls sees an influx of ￼Death- and Coroner-style thrash influences seep into their sound, giving their latest a Gory Blister-type headbangable take on technical death metal.
In this round-up to begin our new week here at NCS, I’ve brought you a trio of recommended videos I spied yesterday plus news of a free music sampler from Napalm Records that’s worth checking out.
I discovered this first video via a link sent by our friend “deckard cain“. It’s for a song named “Ocean”, which appears on the debut album (The Artifact) by a band from Gothenburg, Sweden, named Deceptic. deckard wrote that the music reminded him of Textures, Scar Symmetry, and Soilwork, and after I heard the jolting song I thought that was a good summing up of stylistic references.
But the video as a whole is really what landed it at the top of this post. It was made by Igor Omodei, and it is truly a feast for the eyes, with both excellent camera work and editing of the band footage and superb animation and visual effects. I had a smile on my face all the way through, and then my eyes really popped wide in the final 30 seconds. Kudos to Mr. Omodei.
Here are a trio of randomly chosen new things I discovered over the weekend.
Ilenkus are five men from Galway, Ireland, whose second album The Crossing will be released on vinyl on September 15. The album is available for pre-order on Bandcamp along with a stream of one song, which can be downloaded now if you make the pre-order. I wrote about that song — “Over the Fire, Under the Smoke” — back in July. It hits hard right from the beginning, with big Mastodonian riffs, attention-grabbing drum rhythms, and clawing vocals. The high-voltage music flashes with jolting, progressive-minded lead-guitar flurries — and then takes a sharp left turn into something dreamlike and drifting before building again, with a rising sense of urgency, into a high burn and then a cooling-off period. Impressive guitar work and an equally impressive rhythm section make this song stand out.
Late last week Ilenkus released a music video for the song, which has racked up over 22,000 views in short order. In a nutshell, it shows one of the band’s three rotating vocalists, Chris Brennan, walking along a Galway pedestrian thoroughfare on a busy day. The camera stays focused on him, and he stays focused on the camera as the crowd flows around him. He’s singing the song as he walks — and from the looks he gets, I’m pretty sure he was actually shrieking and growling the words at full volume rather than lip-syncing (though we’re hearing the studio track in the video).
Here are a trio of discoveries I made last night and early this morning that I believe will be worth your time.
The next album by Britain’s Winterfylleth, The Divination of Antiquity, will be coming our way via Candlelight on October 7 (October 6 in the UK). I’ve been very eager to hear the new music. The first single from the album, “Whisper of the Elements”, was released on August 5, and this morning a lyric video for the song got its premiere.
The music is beautiful, intensely melodic and atmospheric, more so than anything the band have done before, and the nature-cenric lyrics well suit the dramatic emotional power of the sounds. Listen next…
I intended to finish this collection and post it yesterday, making it Part 3 of a big Wednesday round-up of news and new music, but the old fucking day job interfered, and so I’m beginning our Thursday with it. This collection is a bit different from the usual “Seen and Heard” because it includes a couple of items at the end that aren’t new — I’ve just been really drag-ass in bringing them to your attention.
I first came across Hetroertzen last May when I impulsively decided to explore (and write about) some of the releases by an underground Swedish label named Lamech Records. The band are originally from Puerto Varas, Chile, but are now located in Sweden. They have completed recording a fifth full-length album, entitled Ain Soph Aur. It’s currently projected for release on December 6, 2014, in a variety of formats by Lamech Records, Terratur Possessions, and Amor Fati Productions.
In recent days, two songs from the album have been made available for streaming — “Blood Royale” and “The Rose and the Cross”. Both are long pieces, in the seven-and-a-half minute range, and both are very good.
The people at A389 Recordings may have temporarily lost their minds, but their lost sanity is our gain. First, at the A389 webstore all orders are 25 percent off this week with the following code: A3892014MIXTAPE. Second, all downloads at the label’s Bandcamp site are set to free/pay what you want for the week as well.
And third, A389 has released a free mixtape that includes more than 50 tracks by a host of excellent bands — and many of the tracks are brand new.
I don’t recognize the names of all 50+ bands, but I sure do recognize a lot of them, and it’s a great list — the kind of list that makes you eager to explore the names of the bands you don’t know.
In our continuing efforts to make you aware of high-quality free metal, we bring you new free shit from the dependable Hells Headbangers label. Today, the label made available on Bandcamp a free digital compilation of music from 21 bands, including brand new and upcoming songs from these groups:
Children of Technology
Fans of the underground arts will also recognize many other names on this vile offering (the track list is at the end of this post), including bands as diverse as High Spirits and Inquisition.
For those who may be unaware of Misantrof ANTIRecords, it’s a nonprofit organization headed by Daniel Vrangsinn of Carpathian Forest that among other things distributes music for free download, allowing the artists to keep all rights to their own music. Misantrof’s latest release is Oriental Flavors, a free compilation of songs by 19 metal bands from countries across the Middle East. The comp was assembled in collaboration with Middle Eastern Mayhem and Mohareb Records, and it’s also available from Misantrof as a limited 2-CD set for fans who prefer a physical format.
Making extreme metal and getting it noticed is a challenge almost everywhere, but as Vrangsinn observes in his introduction to Oriental Flavors, doing that in certain parts of the Islamic world can be downright dangerous to the welfare of the bands. But as this comp demonstrates, metal lives and grows in even the most inhospitable places.
The music is described by Misantrof as a mix of black metal, death metal, thrash, “and other kinds of lovely extreme metal from extreme people, for extreme people!” Of the bands on the comp, I was previously familiar with only one — Tunisia’s Barzakh, who were included in a series on North African metal that I wrote almost four years ago (here).
I only discovered the existence of Oriental Flavors this morning (it has just been released), so I haven’t had a chance to listen to all of it yet. But I have taken the liberty of uploading three tracks to our Soundcloud so I can stream them for you here, as a sample.
Your humble editor has fallen down on the job. Due to a variety of personal and work-related interferences I haven’t been as diligent as I would like in spotting and writing about new developments in the wide world of metal over the last couple of days. With luck, I can do some catching up today, beginning with this collection of items that I thought were worth your attention.
How many times have you seen Incantation’s name as a reference point for releases by new death metal bands? Dozens of times? Hundreds? I know I’ve used them many times myself in attempting to capture a certain kind of sound in writing about the music of more recent groups. And now we have new music from Incantation themselves.
But before getting to that, is that album artwork cool or what? It’s by the phenomenally talented Eliran Kantor, whose work we’ve praised frequently at this site. We’ve obtained a hi-res version of the cover, which you can see in all its glory by clicking on the image above.
The album’s name is Dirges of Elysium and it’s due for North American release by Listenable Records on June 24. The song that premiered yesterday is named “Carrion Prophecy”, and man, it’s a monster — monstrous pounding riffs that ooze radioactive sickness, monstrous abyssal growls, and an atmosphere of monstrous menace. When the song begins to gallop and race, heads will bang hard, and when it descends again into a pit of decay and depravity, you may feel tumors begin to thicken your organs.