One of these days I’ll learn that part-time, half-witted metal bloggers shouldn’t make promises about what they’re going to do. Yesterday I wrote that I would post two round-up’s of new music in an effort to partially catch up on all the new songs that had emerged since the last one I compiled five days earlier, but that obviously didn’t happen.
However, thanks to Austin Weber, we do have two today, with this being the second one. One silver lining to the cloud of my tardiness is that since yesterday I discovered one more item worth recommending to you — and it’s the first one in this post.
For those who haven’t religiously followed my scribbling over the last few years, I will confess that I’m a slavish fan of Sweden’s Mordbrand. It’s not that they have any compromising photos of me, it’s because they’ve been so consistently good at what they do. Out of all the outstanding songs they’ve released, perhaps my favorite track is “That Which Crawls” from their 2014 album Imago — and today they released a video for that very song.
(Austin Weber steps up for round-up duty, with new music from four bands.)
While we already shove enough music down your throat on a daily basis to have your anus crying musical notes for a year, I figured I might as well present some more killer metal to up the rectal/ear discomfort of our readers. Below you’ll find a smattering of new songs by groups about to release new material, as well as a heads-up about a new release worth investing time in. A feast for the fetid-minded awaits you. In either a pleasant or unpleasant way. Your choice.
Oftentimes promising metal bands I’ve been interested in have sadly bitten the dust before they were able to release a proper album or EP. So often, all we have in memoriam is a brief demo or split material. For a number of years now, it’s looked like that very fate might befall German death metal band Cerebric Turmoil. After a 2006 demo, the band started off at a very high level, releasing a split album with none other then Defeated Sanity, which should give you an idea of their sound and also the quality of their music. In fact, at one point, the band actually had Defeated Sanity’s bass player in their ranks, and they also had famed oddball guitarist Fountainhead (now in Obscura) in their line-up at one point too.
After releasing their split with Defeated Sanity in 2008, the band broke up that same year. And while they re-formed in 2010, a full-length statement was nowhere in sight. Only now in 2015 are the band on the cusp of releasing their very promising debut, Neural Net Meltdown (on November 13th) through Amputated Vein Records. They just released the first song from it called “Grotesque Dreaming”, which I’ve embedded below for you to jam.
I haven’t been able to pull together a round-up of news and new music in five days, and you know what that means: I’ve got a backlog that’s so big I’ll never catch up. But instead of just uttering a big sigh and looking ahead instead of behind, I decided I should at least pick some of what interested me out of the last five days’ discoveries (in the hope that they will interest you, too).
The entries in this first part of a two-part post are almost all news items — and they include a ton of great cover art — but since this feature is called Seen and HEARD, I’ve tacked on one new song at the end that you can stream right here. Part 2 will be all music.
This interests me greatly: Through 20 Buck Spin, Ævangelist will release their fourth album on October 9 in the U.S. and October 23 in Europe. A vinyl edition is projected for December. The name of the album is Enthrall To the Void of Bliss. I have to find out who created the cover art, because it’s very good. (UPDATE: I’ve learned that the wonderful art was created by Stephen Wilson [FB page here], and more of his work will appear in the digipak of this album.)
I’m still trying to catch up on recommending new music I discovered earlier this week. I unloaded a bunch yesterday, I have more today, and I’m hoping to pull together some more this weekend (although I’m leaving town today for a short vacation, and that may interfere with my blog compulsions).
As I reported when I first found out, Seattle’s Black Breath have a new record coming from Southern Lord on September 25. It’s their third, with the title Slaves Beyond Death. Kurt Ballou recorded the album, Brad Boatright mastered it, and Paolo Girardi painted the cover art — and that’s some good help to have.
I thought it would be tough for Black Breath to top their great last album, Sentenced To Life, but based on the title track that premiered at Noisey yesterday I think they just might.
I haven’t had time to compile a round-up of new music since Monday. I enjoy posting premieres and accompanying reviews when I like the music, and we’ve had a lot of those this week (more are coming later today), but they do tend to cut into the time available to search out other new songs worth recommending. When three or four days pass without a round-up, it’s not possible to cover everything I’d like to cover — too much good music comes out every day. So this is just an initial group of things I’d like to recommend for now; with luck I hope to prepare another round-up for tomorrow.
There are few bands whose music I admire as much as Thy Catafalque. Thanks to praise about the band I first read at The Number of the Blog back in early 2011, I discovered the wonders of Thy Catafalque’s discography and began writing about the music, which in turn led me to make the acquaintance of the band’s remarkable mastermind Tamás Kátai. And then later that same year I was simply blown away by the band’s newest album, Rengeteg. I’m terrible at making narrowed lists of things I like, but if I were to attempt to make a list of my 10 favorite metal albums of all time, I know it would be a strong contender.
I haven’t taken a poll, but I think most of us here at NCS are long-time fans of Swallow the Sun. And so today’s news about their next album was exciting to see. But I must say that it is also the kind of news that causes some trepidation — because the new album, Songs From the North, is a TRIPLE ALBUM.
It’s due for release in November of this year. For pessimists and cynics, the idea of a triple album will raise the specter of self-indulgence. Only the best single albums are brilliant all the way through; even fewer double albums can make that claim. But three?
With fingers crossed, I present the official statement that appeared on the band’s Facebook page this morning:
I’ve been distracted over the last couple of days by a combination of demands by my fucking day job and time spent with some old friends who decided to escape the furnace that is a Texas summer by visiting Seattle. On top of that, Facebook eliminated my personal profile because it wasn’t under my real legal name, which deep-sixed my friend connections to hundreds of musicians and record labels, whose FB statuses were a constant source of new-music discoveries for me. Put all that together, and the result is that I’m way behind in discovering and writing about new music streams. I’m hoping to re-group in the next day or two, but for now, here are some quick items (the last of which comes to us courtesy of Grant Skelton).
As we previously reported, Season of Mist is releasing a double-live album by the almighty Rotting Christ on August 21. Entitled Lucifer Over Athens, it was recorded in Athens in December 2013, and it’s the band’s first-ever live album.
Yesterday, SoM premiered a full stream of the new album, which you can check out below. It’s available for pre-order at this location.
In preparing these round-ups of new songs I usually try to include music from more obscure underground bands in addition to names most of us would recognize. But I didn’t have much time yesterday to wade through the interhole in search of new things, and by chance two of the new songs I heard come from some of the bigger names; the third one has been out for a month, but there’s a reason I’m including it now. And by chance, catchy melody is the common theme for these songs (which is a big reason these three bands are so well-known).
It’s been over two years since Finland’s Omnium Gatherum released their last album, Beyond. On August 9 they began a North America tour headlined by fellow Finnish melodeath stalwarts Insomnium — who are mounting the tour without growler/bassist Niilo Sevanen, replacing him for this tour with Mike Bear (Artisan, ex-Prototype) from the U.S. And to coincide with the tour, Omnium Gatherum and Insomnium are releasing a 7″ vinyl split, featuring artwork by Olli-Pekka Lappalainen.
Two East Coast bands we’ve been following since early days — Binary Code and Gyre — are about to embark on a short tour, joined by two other powerful bands, Dead Empires and Torrential Downpour, and we’re happy to sponsor the tour and help spread the word about it. And if you’re unfamiliar with the music that will be on display, we’ll help introduce you to some of that as well.
The tour details are listed in the flyer at the top of this post, and repeated here:
Once upon a time I started an irregular feature called “Eye-Catchers” in which I periodically tested the hypothesis that cool album art correlates with cool music. As much as anything else, it was a vehicle for exploring the music of bands I wasn’t familiar with, based solely on the attractiveness of their album or EP covers. There’s still a category link to all those posts on the right side of this page, even though the project has been moribund for quite a while.
This post, though it shares that “Eye-Catchers” title, really isn’t a continuation of the earlier experiment, because I’m already a fan of all the bands whose news and/or new songs are collected below. But the artwork for these new albums is so good that it seemed to be a fitting title. So, here we go….
I originally discovered this two-man Slovenian band in the middle of last month — and that really was an example of the original “Eye-Catchers” experiment. Their second album, Descend… Into Nothingness, features cover art by our beloved Paolo Girardi, and that’s what induced me to explore the music. Having done that (and written about the first advance track from the album here), I immediately became a fan. And so when I learned that Dalkhu released another new song yesterday, I felt confident it was going to be another good one — and so it is.