For the 15th installment in our Most Infectious Song series I decided to create a death metal immersion, with three songs that all have old school flavors, the first most strongly of all, but are all different from each other in interesting ways, too. I’ll also mention that all three of these tracks were recommendations from my comrade DGR, who has a thing about speed and a certain kind of drumwork, although a couple of these songs were also on my own list of candidates that grew as 2016 rolled along.
For those who might be joining this rollout only now, you can browse the previous 14 parts by clicking this link.
After eight albums going back to 1992’s Subconscious Lobotomy and a dozen shorter releases, Sweden’s Centinex disbanded in 2006 — but they crawled out of their grave in 2014 and released a comeback album named Redeeming Filth, which was a hell of a comeback. And I put a deliciously morbid track from that album (“Moist Purple Skin”) on my 2014 Most Infectious Song list. In 2016 they released a killer follow-up with Doomsday Rituals, which is the source of the first song in this installment of the 2016 list.
I’ve let two days go by without a further installment of our Most Infectious Song list, because my time is not wholly within my control, but whose is? To make up for lost time, I’m doubling up on the size of today’s edition.
But the goal of catching up isn’t the only explanation. As I pondered which songs to roll out today, these six seemed to step forward and proclaim “We belong together”. When you hear them one after another perhaps you’ll perceive the connections between them as I did, and if you do, perhaps you should seek psychiatric care. (The preceding songs on this list can be seen here.)
The first track today is “Flammen im Vakuum“, and it comes packaged with a very well-produced video by Melanie Werner that I enjoy watching almost as much as I enjoy the song.
Welcome to the lucky 13th Part of our list of 2016’s Most Infectious Extreme Metal Songs. To scroll through the preceding 12 parts, click this link.
For the trio of songs I’ve collected in this installment, I decided to dive deeper into the underground than I have for most of the songs that I’ve chosen for this list so far — deep enough that no one else suggested songs by any of these bands when I solicited input from readers and other NCS writers. But they happen to be favorites of mine (and as it also happens, the first of these isn’t likely to remain deep underground for very much longe)r. I also picked these songs because all the bands are cross-genre alchemists.
My happy acquaintance with Australia’s Rebel Wizard began back in the fall of 2015 when I discovered Negative Wizard Metal, the fourth of five EPs that Rebel Wizard released that year. I frothed at the mouth about it on our site, and then did more frothing later in the year when the fifth EP (Invocation of the Miserable Ones) reared its head.
I feel like wallowing in the warmth of a certain kind of guitar tone today, along with a certain kind of delicious death-metal gut churn and head battering.
Yes, you’ve arrived at the 12th part of our growing list of 2016’s Most Infectious Extreme Metal Songs. Should you be inclined to explore the tracks that preceded these three beasts, click this link.
Astoundingly in this day and age, when more venerable metal bands with prominent names are phoning it in than showing they still have fire in their bellies, Asphyx released one of 2016’s mod satisfying death metal records.
There was a time not so long ago, relative to the entire span of my life, when I wouldn’t have considered any of these four songs to be infectious. Certainly 10 years ago, and maybe even 7, I probably would have considered them almost unlistenable. But my own tastes and appreciation for metal have evolved, and now I would get depressed imagining life without these songs. For me, they are all so compelling that I go back to each of them repeatedly, even with as much time as I spend listening to new music. And that’s kind of the main criterion for this list.
To hear the other songs that were added before these, go here. After you listen to these songs, I don’t think there will be any mystery why I grouped them together.
As you know, I get very excited about new music on almost a daily basis. But this song… this song nearly made my heart explode the first time I heard it, and it brings my heart near to exploding every damned time I hear it. How many songs do that to you?
We have arrived at Part 10 of our growing list of last year’s Most Infectious Extreme Metal Songs. After the three songs I’m adding to the list today, we’ll be up to a total of 27, with about two and a half weeks left to go before my self-imposed deadline for finishing this thing. To check out the songs preceding these three, click this link.
I probably have some kind of twisted reason for grouping these three songs together, but if I do, it has eluded my conscious mind, and at the moment I don’t have time to plumb the murky depths of my subconscious to determine what it is.
On the 20th of last May, In Mourning released the fourth album of their career with Afterglow. My NCS comrade DGR wrote one of his typically lengthy reviews (here), which included a discussion of how the album fits within the band’s evolving discography. I’m going to excerpt his words about the song from Afterglow that I’m adding to our list — “Below Rise To Above“:
I know it’s damned late in the day for another post — probably past bed-time for some of our readers across the Atlantic — but I’ll be damned if I let another day go by without resuming the rollout of this Most Infectious Song series. This train must keep on rolling! (If you’d like to see the songs that preceded these three or learn what we mean by “most infectious”, go here.)
I continue to have fun picking combinations of songs for each installment. The three songs in this one are musically quite distinct, although all of them display phenomenal musicianship, but they do have a few things in common. Perhaps the most obvious one is a fascination with SPAAAAAAAAAAAAAAACE….
I assume I don’t need to provide much of an introduction to the new Mithras album, On Strange Loops. Nevertheless, I assume I’d have to pay some wretched price if I mentioned Mithras without quoting from my friend Andy Synn’s review, so here goes:
Welcome to the 8th Part of this evolving list of Most Infectious Songs from releases that appeared in 2016. To see the previous installments of the list and to learn the grounds for selection, click here.
I’ve again decided to group three songs together in this episode of the list rather than two, and I’ve again amused myself (and hopefully you) by combining tracks that I feel have a certain kinship among them, even though each one is distinctively different from the others.
Experiment of Existence, the new album by the Chilean band Ripper, was for me a big highlight of 2016. We got the chance to premiere a full album stream, and that was preceded by a review from Todd Manning (aka Allen Griffin) that included these words of praise:
I took a break yesterday from my rollout of this year’s Most Infectious Song list but am back at it again today, and every day this week, barring a meteor strike. For those who have just blundered into this evolving list for the first time, you can check out the previous picks and an explanation for what the list is about by clicking this link.
Some days I include two songs in the installments of this list, and sometimes three, which is what I have today. This is another instance when this particular grouping made sense to me, but I don’t pretend that I have good sense so you be the judge. And if the inclusion of clean vocals in this collection rubs you the wrong way, be patient. Tomorrow I’m returning to much nastier fare.
I’m going to start with some “Mass Darkness“, which will be found on Arktis, the latest solo album by Vegard Sverre Tveitan, aka Ihsahn. My colleague Andy Synn wrote our review of the album, characterizing it as “easily the most gleamingly melodic, intimately accessible… and, yes, poppy, album that the ever-adversarial artiste has put his name to thus far”, while “still very much a Progressive album underneath the glitz and glamour”.
Here’s Part 6 of this evolving list, in which I’m adding two more songs, one that I would guess will be well-known to most readers and one that may have been overlooked by most, or possibly forgotten because it appeared relatively early in 2016. Apart from the fun of running back through lots of good music over the last year, I entertain myself in putting this list together by deciding how to group songs for each of its Parts. I discovered some interesting similarities in these two songs that I thought would make them a good pairing.
To see the other selections for the list so far, as well as an explanation of what criteria were used in making it, go here.
We received hundreds upon hundreds of reader suggestions for this list. I aggregated and alphabetized all of them, and that master list revealed that Gojira’s album Magma was the source of more reader recommendations than anything else released last year (narrowly edging Anaal Nathrakh). But the recommendations were split almost evenly between two songs: “Silvera” and “Stranded”, with one vote cast in favor of combining “Magma” and “Pray” into a single selection.