Mouchido (pronounced mo-itchy-doe) is the name of the forthcoming EP by Vancouver’s Without Mercy. It’s the Japanese word for “repeat” or “to do one more time”, a title chosen for multiple reasons, in part because it is a re-recording of a previous release that now includes the band’s new vocalist. “In addition to that”, explains the band’s founder and guitarist DJ Temple, “I hold hold close ties with Japanese culture so I thought it would be the perfect time to introduce those lines into our music.” As an introduction to Mouchido, we bring you a video for the song “Burn“, which has a story of its own. Again, from DJ Temple:
“On the surface, ‘Burn‘ shows a decent into hell. The imagery and content seems to follow the rhetoric of a burning and painful afterlife. In reality, ‘Burn‘ is actually about the decent into madness. Your own personal hell while you battle your inner demons and face your own addictions. Listeners of this song can hear references to famous depictions of damnation from other literary worlds and even a very famous video game.”
We bring you the premiere of a new song by The Conjuration, a premiere that we are especially excited to bring you because it includes vocals by a member of the NCS family (more about that later).
For those new to the name, The Conjuration is the genre-bending (and mind-bending) one-man project of Corey Jason from Danville, Virginia. When last we posted about this project, it was Austin Weber’s review (here) of The Conjuration’s last album, 2014’s Surreal, which he described as music that “bends the limits of death metal… pushing it down creepy, wailing, mumbling, singing stairs to hell, and then pulling it back up with proggy keys and synths—only to have it crumble again under the weight of the gleefully insane death metal at the heart” of the album.”
When a band name themselves Revulsion, it’s a safe bet that they’re not going to play break-up songs, narcotic stoner jams, or ambient drone. Of course, that still leaves a lot of open territory, most likely the kind that resembles a war zone. But as much fun as guessing games can be, we won’t leave you guessing for much longer.
Of course, some people reading this will already know about Revulsion, but the two-track 7″ we’re premiering today was my first exposure to what they do. You can probably guess that I think it’s damned good. The name is Drain / Reject Myself.
Sweden’s Blood Mortized have been relatively quiet since the release of their last album, The Demon, The Angel, The Disease, in the fall of 2013. But they have come back to unholy life with a new song and video, and we have it for you right here, right now. The song is called “Salvation“, and you can download it for free.
The punchline of my review of that last album was this: “You can look far and wide and you won’t find a better offering of old school Swedish death metal this year than The Demon, The Angel, The Disease.” We also named a song from the album (“I Leave With Hate”) to our list of 2013’s Most Infectious Extreme Metal Songs. So you can imagine how eager I was to see and hear this new video.
We’ve been closely following all the releases of Minnesota’s Amiensus ever since Andy Synn reviewed their debut album Restoration for us back in January 2013. Their latest album, Ascension, appeared last year (and we reviewed it here). The band wrote a song named “Reflections” that was originally intended for that album, and although they eventually decided not to include it there, they have now recorded it as a stand-alone single that’s being released today — and we have the premiere of “Reflections” for you right here.
The song digs its hooks in almost immediately with an opening riff that pulsates over thundering drums, and the band drive the hooks in even harder with a clean vocal chorus, balanced against the harsh abrasion in the verses. But perhaps the most gripping part of the song is still yet to come at the 3:00 mark, when the lyrical sequence “I am devoid of…” begins.
Everything on that nocturnal album cover up there is either spiky, smoldering, burning, or crackling with electricity. And it well suits the music on the new album by Demonic Obedience, Nocturnal Hymns To the Fallen, which is set for release on May 18 via Satanath Records and Sevared Records. Today we bring you the stream of a song from the album named “Forced Obscenity“.
Though originally created in 2013 as a two-man group based in Thessaloníki, Greece, Demonic Obedience now continues to move forward as the solo project of George Ntavelas, who moved to Edinburgh, Scotland, in 2014. This new album follows the debut full-length Morbid Supremacy of Evil, which was released by the Mexican record label Azermedoth Records in 2014.
Vocalist and rhythm guitarist Matt Oakes of Boston’s Phantom Glue explains: “Worker-less Mill refers to a building that begins to take on the qualities of a giant living entity. It perceives itself as the messianic offspring of the Sumerian goddess Inanna. More broadly it’s about objects taking on living qualities. And the history of graven imagery and idols.”
If this explanation of the concept behind the song you’re about to hear peaks your interest, there’s more where that came from, because through the course of Phantom Glue’s releases to date, the band have been building a mythological occult history of the Americas (and an apocalyptic future). Their new album is named 776, and it “explores an unwritten history of the United States a millennium before the signing of the Declaration of Independence”.
As a lifelong fan of science fiction and fantasy (including alternate histories), I was immediately intrigued after reading these descriptions of 776, before hearing a single note — and then held my breath waiting to find out if the music would be as interesting. A sigh of relief soon followed.
Godless are a new death metal band who have emerged from Hyderabad, India, with their debut EP Centuries of Decadence. The EP was mixed and mastered by Joe Haley of Psycroptic (he also provides a guest solo on the second track) and it will be released on May 7 by by Transcending Obscurity Distribution. Today we give you a taste of the album through our premiere of a song named “Oneiros“.
Fans of Neil Gaiman’s landmark comic series Sandman will be pleased to learn that the song was inspired by his work: “Oneiros” speaks of the shaper of nightmares.
On April 29, the New York label Broken Limbs will release a 7″ vinyl split by two stunningly powerful bands — Fister from St. Louis, Missouri, and California’s TEETH — and at the bottom of this post you’ll have a chance to stream all of it.
I wouldn’t blame you if you just skip to the end and start listening, but in case you want some idea about what you’re in for, continue reading.
(Austin Weber brings us the premiere of a song from the forthcoming debut album by Enthean.)
While, until now, I’ve yet to cover South Carolina progressive black metal/technical death metal horde Enthean here at NCS, I’ve been torturously waiting for these guys to release something ever since hearing their 2013 demo, Tones Of Desecration.
Well, it looks like 2016 is finally the year of Enthean, since their debut full-length, Priests Of Annihilation, finally drops on May 20th. In advance of its release, we’ve got a skull-shattering new jam from the band to premiere for you today called “Before You, I Am”.