More than two and a half years have passed since I last wrote about the Slovenian black metal band Cvinger, in connection with their excellent 2013 EP, Monastery of Fallen — and then failed to pay proper attention to the band’s debut album, 2014’s Enthronement ov Diabolical Souls. But I’m not making that mistake again.
Cvinger’s new album Embodied In Incense will be released by Art Gates Records worldwide on May 30, and it definitely should not be missed. To make sure you don’t miss it, we’re helping to premiere a full album stream in this very post.
When I first heard the name Sludgehammer, I was guessing slow, crushing, dreary, doomy… sludge. But when I heard the song we’re premiering for you today from their debut album The Fallen Sun, I quickly realized I was largely off-base — but far from disappointed by the surprise.
Sludgehammer make their home in Toronto, Canada. The Fallen Sun is set for release on June 10 and follows their 2014 EP, Organ Harvester. When asked to comment on this new song you’re about to hear, guitarist Jeff Wilson responded as follows:
Today Debemur Morti Productions releases the new fifth album by the infamous Finnish horde Behexen. Its name is The Poisonous Path, and we’re helping deliver the stream to your ears.
The smart move would be to skip down to the bottom of this post and start playing the album, even if you intend to read the following paragraphs. The album is so good that there’s no reason to lose any time before inviting it into your head, where it will trigger the release of adrenaline and then drive all other thoughts away with blades and fire.
Two striking black metal bands separated by the Pacific have joined forces in a new split release coming out tomorrow on 7″ vinyl from Iron Bonehead Productions. The split’s title, Pestilential Hierophanies, is a conjunction of the two track names on the album, with Australia’s Ill Omen contributing “Whited, Pestilent Sepulchre…” and Chile’s Slaughtbbath providing “Inverted Hierophany”.
You can — and should — listen to both tracks below. I have a brief review first, and in a nutshell, this is one of the best splits I’ve come across this year.
The lone artist behind Ill Omen (“IV”) has quite a resume of participation in other groups, including his membership in Temple Nightside and previous work in Austere. Under the Ill Omen banner he has produced many short releases as well as three albums, including this year’s Æ.Thy.Rift.
On June 6, Satanath Records will release a new album named The Age of Aquarius by the Finnish horror-prone black metal band Gloomy Grim. To whet your appetite for the album, today we bring you the stream of one of the new songs, “A Lady In White“.
This premiere marks Gloomy Grim’s first appearance at our putrid site, and so a word of introduction may be in order. The band first took shape in the mid-’90s as the solo project of vocalist/multi-instrumentalist Agathon. Since then, Gloomy Grim evolved into a full band and have released six albums (including this new one), along with a few shorter releases. They have consistently been inspired by horror movies and their soundtracks, as well as by the darkness of life in general.
(Fair warning… there’s a band photo after the jump that’s NSFW.)
The Montreal black metal band Gevurah made deep and lasting impressions in these quarters with their 2013 debut EP Necheshirion (discussed here) and their 2015 two-song demo Dialogue of Broken Stars (reviewed here). In less than 10 days the band’s stupendous debut album Hallelujah! will be released by Profound Lore Records, and we bring you the chance to hear all of it today.
The album is the creation of multi-instrumentalist/vocalist/songwriter X.T. (who also recorded and mixed the album) and guitarist/bassist A.L. It consists of seven tracks and more than 60 minutes of music. As described by the band, “Hallelujah! is a seven-step spiritual journey of Alchemical transformation, through the death and rebirth of the Self as a pure entity of praise, a vessel for the powers beyond. It is an exhalation of worship, a humbling vow of unwavering devotion to the Lord of unbound Light.”
Singularity is the new album by the Swiss band Stortregn, and it’s an electrifying adrenaline rush from start to finish. The album will be released by the Dutch label Non Serviam Records on May 27, and today we give you the chance to hear all of it in advance of the release.
This is the band’s third album, and it sets a high-water mark for Stortregn, both in songwriting and in performance, as well as displaying a continued evolution in the band’s musical style.
EvnaR was born through the collaboration between two brothers who were members of a Spanish black metal band named Between the Frost, a band whose roots were planted in the early ’90s — guitarist J.M. and vocalist R.M. They began work on EvnaR’s debut album roughly six years ago, eventually enlisting the aid of Slovenian drummer Robert Kovačič, who has performed with such bands as Scaffold, Belphegor, and Nothnegal. Their debut album E.V.N.A.R has now been prepared for joint release by Winter Demons and The Vinyl Division, and today we bring you the album’s opening track, “Blasphemia Manifesta“.
The sounds of a mounting storm begin this track, and then the music unleashes that storm in a torrent of flashing riffs and thundering drums. The music is blazing fast and intense, spurred on by a head-spinning lead-guitar performance and by feral, ferocious vocals. It’s the sound of barely contained chaos, a melding of black and death metal that gets the blood pumping immediately.
Qliphothic Rites of Death has been seething in the underground for many years, like a vein of radioactive ore covered in deep black earth, waiting to be unearthed so that its arcane energies and spectral light could spread and be experienced. This week that will happen, as Iron Bonehead Productions releases this rarity on 7″ vinyl, and today we premiere both of its songs.
Qliphothic Rites of Death, originally recorded in 2010 and circulated then in small quantities, is the lone release of Seventh Xul, a unique collaboration between two luminaries of the Greek black metal scene — vocalist Acherontas V.Priest of Acherontas (and many other projects) and guitarist/bassist N.E.C.R.O of Burial Hordes, Enshadowed, and other groups — with session drumming by Fotis Benardo (Necromantia, ex-Septicflesh).
In the band’s own words, “The Ayin of Creation and Destruction Forces crowned this effort, and the necromantical vision took form in 2010 only for this release.The band split up immediately, as we felt that this was our only goal from the beginning. A unique release serving that period of wondering & isolation….”
In December 2014 we had the pleasure of premiering a full stream of Hit the Head, the fascinating debut album by the French noisemongers Corbeaux, and today we’re fortunate to deliver a full stream of their full-length follow-up, Kind Words.
But there’s very little about this new album that’s kind. If anything, it’s more bleak, more unsettling, and more cataclysmic than its predecessor. It’s also even more accomplished and self-assured, even if you’ll find almost no solid ground on which to plant your feet or comfort for your addled mind.