Montreal’s Éohum have completed work on their second EP — entitled Ealdfaeder — and it’s now scheduled for release by Mycelium Networks on March 18. From this five-track, 30-minute release, we bring you today the premiere of a distinctive and moving song called “The Apathetic Plague“.
When you listen to the track, it may help to understand the thematic concept of Ealdfaeder and the reflections that inspired the music, because from the band’s perspective they seem to be inseparable. As Éohum’s founder and guitarist Jeremy Perkins explains, “The album speaks generally about the lost voice of past cultures who were colonized and the decaying relationship humanity has with nature due to the societies we live in. The loss of traditions we held and relationships we had with nature.”
Are you sitting down? If you’re not sitting down, you should probably sit down. In a big heavy chair that’s hard for you to turn over. Maybe get someone to tie you to the chair, strap on a neck brace, and put a rawhide dog toy between your teeth so you don’t bite your tongue off. Okay, I might be exaggerating a little bit, but since I know what’s coming, I thought it might be better to be safe than sorry.
The name of the song we’re premiering is “Physical Torture” and it’s the lead-off track from Lifeless Forms, a four-song 7″ EP recorded by a one-man Swedish band named Extermination Temple. The EP will be released on March 4 by Apocalyptic Visions, which is not only the name of the label but also a decent description of what you’ll have when you listen to this.
In mid-December we had the pleasure of premiering a full stream of Sentenced By the Cross, the new album by Germany’s Supreme Carnage, which has now been released by Redefining Darkness Records. Today we bring you another Supreme Carnage premiere — the new video for one of the album’s hard-hitting songs: “Skin Turns Black“.
“Skin Turns Black” is a great example of why Sentenced By the Cross is so much fun. It affects your head in many different ways: It slugs you in the head; it gets your head banging; and it’s laced with a dark melody that gets stuck in your head. It’s death metal that’s both grim and galloping, mixing heavy grooves and racing riffs with seductive guitar leads and a scintillating solo.
What do you get when you put Athenian-born, classically trained soprano Sanna Salou together with current and former members of Aborted, System Divide, and Abigail Williams? You get Oracles, a band whose debut album Miserycorde will be released by the French label Deadlight Entertainment on July 1. To give you an advance taste of what’s coming in July we bring you the premiere of a video for an album track called “Scorn“.
In addition to Ms. Salou, the Oracles line-up includes names that will be familiar to fans of extreme metal:
Sven De Caluwé (Aborted) – vocals
Sanna Salou (ex-Dimlight) – vocals
Mendel Bij de Leij (Aborted) – guitar
Steve Miller (ex-System Divide, Loculus) – guitar
Andrei Aframov (ex-System Divide) – bass
Ken Bedene (Aborted, ex-Abigail Williams) – drums
I discovered Argentina’s Infernal Curse when Iron Bonehead Productions released their EP The End Upon Us in 2014 (on Bandcamp here), which I gather represented an evolution in sound from their 2012 debut album Awakening of the Damned. Iron Bonehead is now poised to release the band’s second album, aptly entitled Apocalipsis, and it represents even further movement — not forward, or backward, but through some interdimensional membrane on a course that takes them (and us) into a realm where horrors reign supreme.
“Litanies Unto Djinn” is the album’s second track, and we bring it to you today, as a ghastly offering to the dark things the lurk in your mind. With the rhythmic tick of a cymbal and slow, dismal, distorted chords, the band launch the song with a foreshadowing of the doom to come — and then the true carnage begins.
On March 11, 2016, Metal Blade Records will release Fear Itself, the eighth studio album by the band Criminal and the group’s first full-length since 2011. One electrifying song from Fear Itself (“Down Driven”) debuted near the end of last month, and now we bring you another one: “Shock Doctrine“.
The new album is the latest chapter in a story that began in about 1991, when Chilean guitarist/vocalist Anton Reisenegger founded the band in Santiago after the break-up of the Chilean death metal band Pentagram. After achieving considerable success during the ’90s, Reisenegger reconstituted the band following his move to the UK in 2001, and continued to release albums (including two on Metal Blade in 2004 and 2005).
Based in Hickory, North Carolina, Rapheumets Well are a group of storytellers who are in the process of weaving a complex science fiction saga through their music. The story began in their 2014 debut album Dimensions, and on March 18 it will continue through the release of their second album, The Exile. As sci-fi fans ourselves, today we’re pleased to bring you the premiere of a lyric video for the new album’s opening track, a song named “Resurrecting the Blood Gate“.
The band’s name is itself drawn from this interdimensional, world-spanning tale of conflict and perseverance. Within the fictitious universe of Sovael, ancient architects known as the Atai have aided in the propagation of sentient life throughout the cosmos. As the band explain, Rapheumet is the name of a deity personified as a trickster, “a master of portals and interdimensional travel” who “often creates chaos for unsuspecting voyagers”, and in the band’s name “Well” refers to gravity wells, “which like black holes are catalysts of change and gateways between the cosmic plains.”
In recent years, Iceland has developed a reputation as a spawning ground for excellent black metal bands, but the country’s contributions to extreme metal go well beyond those black arts. And as convincing proof of that, I give you Severed.
I first came across the band’s music back in 2012 when they were using the name Severed Crotch. Even then, I was late to the party. By that point they had released a couple of demos in 2007 and a debut album in 2010 (The Nature of Entropy). Now brandishing a more truncated name (suggestive of more generalized and less crotch-specific violence), the band have recorded a new five-song promo that’s intended to lay the groundwork for their next full-length album.
The band have been gradually releasing songs from the album for streaming since last fall, and today we’re fortunate to bring you the fourth one, a track named “Edge of the Abyss“.
The UK quartet Horrified released an impressive debut album in 2014 by the name of Descent Into Putridity. As the album’s name implies, the music was the kind of nasty, primal death metal that paid its respects to the likes of Autopsy and Pestilence. They’ve now completed work on a second full-length entitled Of Despair, which was mastered by Damian Herring (Horrendous) at Subterranean Watchtower Studios and will be released by Stormspell Records on March 25.
As you’re about to hear (and as you might even guess from the style of the album’s eye-catching cover art by Raul Gonzales), the band have broadened their musical horizons since their debut, taking inspiration from such Scandinavian greats as Dissection, Unanimated, and Sacramentum.
The band’s vocalist/guitarist Dan Alderson described the band’s musical approach for the new album in this way:
Twenty years is a long time between albums. In such a span of time, musicians grow and mature as people, and inevitably the lives they’ve lived and the changes in their thinking will work their way into their music. That doesn’t mean the history no longer matters — for some bands it’s still a living, breathing part of who they are now, as people and musicians.
Twenty years ago the Polish black metal band Sacrilegium released their debut album Wicher, and on March 18 of this year, Pagan Records will release their second full-length, Anima Lucifera — a title that refers to a line from a poem by Leopold Staff (excerpts of which have also been used in the new Sacrilegium tracks). Leaving aside a single from the album that appeared last year (“Angelus“), it’s the first new music from the band since about 1999.
What we have for you today is a sign of where Sacrilegium stand today, a reflection of their past and their present, as we premiere a song from the album called “Venomous Spell of Fate“.