Mar 182024
 


In the context of the song premiere we’re about to bring you now, it’s a relevant coincidence that today is the birthday of Wilfred Owen, one of the first poets to depict the horrifying realities of war, instead of writing glorified, nationalistic verse. He served in the British army during World War I and was killed in battle at the age of 25. Here’s his poem “Anthem for Doomed Youth“:

Continue reading »

Mar 182024
 

(As you can see, we have a song premiere, but first, an album review.)

After listening to parts of Venomous Echoes‘ 2023 debut album, Writhing Tomb Amongst the Stars, this writer immediately spewed forth words while my mind was still boggled, among them such adjectives as “maniacal”, “freakish”, “insane”, and “demented”, and referenced the conjunction of “full-tilt demolition in the low end and spell-like alien wailings that seem to reach our shores from deep space”.

I also quoted a friend’s impressions: “If Choir meets Portal and Impetuous Ritual in Strapping Young Lad’s City is in your wheelhouse you can’t go wrong with this onslaught brought to you by Benjamin Vanweelden.”

Upon learning that Mr. Vanweelden had had recorded a second Venomous Echoes album that I, Voidhanger Records would be releasing this spring, I already knew that I would have to hear it, and that I would have to make sure before listening that I wouldn’t need my brain to function in even its usually disjointed condition for several hours afterward. No great shock to see that the album’s name is Split Formations And Infinite Mania.

Well, now I’ve listened, and I find myself in shuddering but exhilarated agreement with the label’s summing up of the new album as “an intimate and personal experience into a universal cosmic horror apocalypse”. Continue reading »

Mar 152024
 

Seven years have passed since Heresiarch‘s last album Death Ordinance (reviewed here), a long gap in new music segmented only by a pair of splits in 2019 and 2020 (the second of which, with Antediluvian, we premiered here). Now, at last, Heresiarch‘s second album Edifice is on the way, with a release date of April 12th established by Iron Bonehead Productions.

Our review of Death Ordinance referred to the music as “belligerent and bestial”, “militant, violent, and ruthless”, “an obliterating war metal juggernaut”, a “fusion of bloodthirsty primitivism and inhuman mechanisation”, and “a genuine tour de force”, with emphasis on “force”.

Even seven years later, no one would expect Heresiarch to make peace with the world or with their listeners, and on Edifice they haven’t. But as we’ll explain in more detail at a later time, the album’s unforgiving assault on the senses is a multifarious as well as nefarious experience, and the song we’re premiering today — “Noose Above the Abyss” — is a vivid and extremely unsettling sign of that. Continue reading »

Mar 152024
 

Having been first formed in 2012, the Spanish death metal band Devotion haven’t churned out their releases at a breathless pace. Their devotion to the old metal of death has been expressed more deliberately, and both the pacing of their releases and their stylistic evolutions have been influenced by lineup changes along the way.

What 2024 will bring us is the band’s third album in their dozen years of life, a record fittingly entitled Astral Catacombs that will be released by the Memento Mori label on April 22nd. To help introduce it, today we present a song whose title — and music — spawns thoughts of Lovecraftian terrors. Continue reading »

Mar 142024
 

On March 15th — tomorrow! — the Quebec band Backstabber, now featuring a revised lineup since their last album, will release their new EP, a four-song assault called Patterns of Domination, but today we’re giving you a chance to hear all of it without delay.

Before we get into some detailed thoughts about the music, here’s the band’s description of what the EP represents:

“Loosely based on James Redfield’s The Celestine Prophecy, Patterns of Domination delves into the 4 patterns that serve as means to canalize someone else’s attention and energy. Together, they form an endless cycle of consumption that completely breaks down the victim from the inside out. Like fresh air. These are the first songs with the new members of the band and they contributed a lot to this album.” Continue reading »

Mar 142024
 

On April 5th Ripcord Records will release II: Aging & Formless, the second album by the UK band Vnder A Crvmbling Moon, whose lineup features members of Garganjua, Conjurer, and Codex Alimentarius, and whose music could be thought of as a formulation of post-metal that incorporates elements of sludge and doom.

No music from the new album has yet been revealed, and so today’s reveal is a big one — the first single from this 7-song opus. Its name is “Breach The Sky“, and it comes in the middle of the album’s running order. Continue reading »

Mar 122024
 

We are very pleased today to premiere a complete stream of the newest album by the Spanish death/doom metal project Ornamentos del Miedo. Entitled Escapando a Través de la Tierra, it will be released by Tragedy Productions and Meuse Music Records on March 15th.

This stunning new opus is again the solo work of Angel Chicote from Burgos, who was responsible not only for all the vocals and instrumentation but also the mixing, mastering, and artwork.

Lyrically, the songs address “interest disguised as friendship, mental illness, forgotten memories”. “Here there are no more demons, monsters or fantastic beings than those that life gives us”. But while the lyrics may express recognizable vagaries of human life, the intensely atmospheric and emotionally moving music transports the listener to realms far, far away from the mundane. Continue reading »

Mar 112024
 

It’s a public relations cliché, and too often a misrepresentation, to say that a band’s new album is their best work yet. It’s as common to see regression as it is to witness true progress. But in the case of Vorga‘s new album Beyond the Palest Star, the cliché really does hold true — it represents a thrilling advance beyond what this German black metal band have done before (and what they’ve done before has been very good).

As proof of that claim we have for you the premiere of a song from the album appropriately named “The Cataclysm“. Continue reading »

Mar 072024
 

For those of you encountering None for the first time today, it began in 2015 as the solo musical project of Nicholas Mendiola from San José, California, now based in Los Angeles. The music is unconventional, and thus not easily pigeon-holed in genre terms. We can suggest that over time it has involved an alchemical interaction of black metal, neo-folk, industrial, and dark ambient ingredients, but for NicholasThe Dark Gospel” is what he calls the music of None.

That term not only abjures explicit genre references, it also connects with None‘s conception of musical creation as a spiritual endeavor, as a never-ending search for the divine and an expression of its mystical presence both within ourselves as an animating force and external to us.

Last October None played their first hometown show in San José at The Caravan Lounge. There, Nicholas was joined in the representation of None by bassist and guitarist Nathan Nunes. They performed six songs, five of which were new and never-before heard. The show was recorded, and tomorrow (March 8th) it will be released as an album entitled Alive in San Jose. The show was also filmed, and today we’re premiering the video of None‘s live show, as well as the full album stream of the set. Continue reading »

Mar 062024
 

“Canadian tech/prog death metal group Apogean presents their inaugural full-length, Cyberstrictive, scheduled for 08 March 2024 via The Artisan Era on vinyl, CD, and digital. Marking the debut with the new vocalist Mac Smith (who recently served as the live vocalist of Decrepit Birth), the upcoming album poignantly explores the dark side of technology, shedding light on its poisonous effects on our lives.”

That’s the high-level introduction provided in the PR materials previewing this Toronto quintet’s first full-length, which follows their debut EP, Into Madness, released in June 2021. And here’s a further insight into the album’s conceptual themes, which is worth understanding in advance of listening to the album — which you’ll have a chance to do now: Continue reading »