For many weeks, today was the date set for Unique Leader’s release of a new single and an accompanying video by the long-running and tremendously influential New York death metal band Internal Bleeding. The name of the single, which is a preview of the band’s new album Corrupting Influence, is “Final Justice“. And then, on the eve of this release, a tragedy happened.
Even long-time fans of Internal Bleeding may not have known that their drummer over the band’s entire decades-long existence, Bill Tolley, was a 14-year veteran of the New York Fire Department. Yesterday, April 20th, Bill Tolley lost his life after falling five stories from a rooftop while battling a two-alarm apartment fire in Queens, New York. He leaves behind his wife Marie and an 8-year-old daughter, Isabella.
Five years ago, during a period of down-time in the affairs of the now-disbanded Agalloch, Jason Walton began working on a new musical endeavor, one in which he indulged a taste (and a yearning) for experimentation that has been manifested in differing ways through other Walton projects such as Self Spiller, Especially Like Sloth, and Nothing. The result is a head-spinning EP named Yeast Mother: An Electroacoustic Mass, which is about to be released under the name chosen by Walton for this particular endeavor — Snares of Sixes.
In order to achieve his kaleidoscopic visions for the recordings, stripped down to the four tracks that appear on Yeast Mother…, Walton enlisted contributions from a significant number of artists, whose names we’ll list below. But first, here are a few reactions to the track from Yeast Mother… that we’re bringing you today in advance of the EP’s May 5 release by Crucial Blast. Its name is “The Mother’s Throat“
“Amnutseba has risen from the gutters of the Parisian black metal scene to propose a glimpse into the vortex of insanity.” So say the mysterious figures behind this new band, and they have said little else except through the music on their first demo, which will be released today on tape by Caligari Records. But as you’re about to hear, the music speaks with a powerful and mesmerizing voice.
The demo is untitled, as are the four songs it includes (identified only by Roman numerals). The stream we’re providing runs like the tape, as one continuous track rather than divided into four separate streams, though you’ll be able to tell when one song ends and the next begins.
Last fall the Indian label Cyclopean Eye Productions released the debut demo of a part-Indian, part-Russian trio who chose Jyotiṣavedāṅga for their name, a name that refers to the Vedāṅga Jyotiṣa, which we’re told is one of the earliest known Indian texts on astronomy and astrology. The demo has the evocative title Cannibal Coronal Mass Ejections. Cyclopean Eye is now releasing that demo in a CD edition that includes not only the original six tracks but also one previously unreleased bonus track, which we have the pleasure of premiering today.
This newly revealed piece of audio murder is “Disintegration To Absolute Void“. Drawing upon musical ingredients that include black metal, harsh power electronics, death metal, and the dying radiations of collapsing galaxies, the song is a shattering, staggering assault on the senses.
Earlier this month I listened to the first advance track from Loyal To the Nightsky, the debut album by a Los Angeles-based black metal band named Highland, in part because this new album features cover art by one of my favorites, Luciana Nedelea. It turned out that the first single, “Abu Sindi“, was strikingly good. And now we have the good fortune to share with you a second song from this very promising album, “Towards the Absolute“, in advance of the album’s release on May 15th.
Highland is a trio of Armenian-Americans — Narek, Gevork, and Michael — who first began performing together in a speed/thrash metal band named Raze. But as time passed they turned their talents in a different direction, building upon the antecedents of Scandinavian black metal from the ’90s, with a self-titled EP in 2013 as their first work in this direction. They’ve performed with the likes of Absu, Vader, Bölzer, and Marduk, but I suspect this new album is going to elevate their profile even more substantially.
Do you feel dead inside? Do you hate your job, and your few friends hate you? Has hope abandoned your life like an empty pack of smokes tossed from the window of a passing car? Does the future seem to hold nothing but a steep and lonely descent into scowling bitterness and a wasteland of forgotten dreams?
If the answer is yes, we’re sorry to say that we haven’t yet mastered the power to call for a re-deal on your life. But we can do one thing for you. At least for a few minutes, we can make you feel explosively alive, like you stepped on a live power line while ringing wet, with all the motherfuckers in your life cowering in fear at the fireball that your head has turned into.
Actually, we can’t do that — but Prayers of Sanity can. Just hit the play button on “Dead Alive” down below.
Sometimes the name that a band chooses for itself can be a significant clue to the kind of music they make. The name Fractal Generator sounds kind of cybernetic and machine-like, although fractal repeating patterns across multiple scales of size are evident in nature as well as mathematics. But then consider further that the members of this band from Sudbury in Ontario, Canada, identify themselves by number: 040118180514 (bass, vocals), 040114090512 (drums), and 102119200914 (guitar, vocals). And then consider that the name of their debut album is Apotheosynthesis.
The album was originally self-released by the band in 2015, but it has now been embraced by Everlasting Spew Records, who will be giving it a CD release on May 19th. For those who may have overlooked the album in its original flowering, we have for you today a video for a multi-faceted track named “Abandon Earth” (and a reprise of another song unveiled not long ago by DECIBEL).
You were meant to suffer, to experience the collapse of empirical foundations you thought could be relied upon, to bend before winds of pestilence, shuddering in a last paroxysm before suffocation claims you and your remains are consumed in a deluge of fire. Raise high a crown for decadence… because Yod Sabbaoth cannot save you.
Judging from the song titles in Goldenpyre‘s debut album, In Eminent Disgrace, all of which I just worked into that first paragraph above, this Portuguese band’s outlook on existence is morbid and brutal… or perhaps not… but they’ve certainly done a hell of a job capturing the ravaging horrors of insanity, disease, and death in their first full-length. The album will be released on April 20 by Signal Rex and a consortium of other labels, and today we present a full stream of its eight songs.
Even the most serious of musicians, across all genres of music, have been known to take whimsical digressions from their main lines of pursuit. Sometimes the results sound like a joke, and sometimes the result is less whimsical, more accomplished, and more fun than we might expect at first blush. Which brings us to the very strange but very addictive first full album by Wolfkhan, Cyber Necro Spirituals.
Wolfkhan is the side-project of Marcin Gąsiorowski, who is the male vocalist and one of the guitarists for the folk/metal band Thy Worshiper (whose most recent album, Klechdy, came out last year). Cyber Necro Spirituals will be released on April 25th by Arachnophobia Records.
Earlier this month I wrote (here) about the two songs that were then available for streaming from J’aurais Dû, the new fourth album by the Swiss black metal project Pure, which will be released on May 13 by Symbol of Domination (Belarus) and Obscure Abhorrence(Germany). And now we bring you the opportunity to experience a third track in addition to those two: “Le jour où je suis mort” (the day I died).
Pure is a solo project founded by Bornyhake, from such bands as Borgne, Enoid, Deathrow, and Darvaza, and also a former member of Kawir.