Here’s part two of a round-up post I began earlier today. Collected here are the best of the new songs and videos that I saw and heard over the last 24 hours.
We reported last month that after the passage of four years since Sweden’s The Crown released their comeback album Doomsday King, which Andy Synn praised in one of his earliest posts for our site as “a masterpiece of wild fury and calculated aggression, blurring the lines between razor-sharp thrash and full-speed death metal”, they will be returning in January with their eighth album, Death Is Not Dead.
Century Media has also just released a 7″ vinyl single from the band that includes one of the new songs — “Headhunter” — plus the band’s cover of “Unfit Earth” by Napalm Death. And yesterday the band unveiled a music video for “Headhunter”.
While wading through the interhole yesterday I discovered quite a few gems floating shining like tiny beacons of light in the ever-present fecal flow. To avoid over-taxing your attenuated attention spans I’ve divided this collection of nuggets into two posts, this being the first.
Psycroptic and Prosthetic Records announced their union yesterday. Prosthetic will be released the band’s new self-titled album worldwide next spring (EVP Recordings will be handling the release in Australia, New Zealand, and Japan). And once again we can begin scratching our heads about the decision of a band with a full and widely admired discography to self-title an album. What do that mean?
Although next spring is very far away, yesterday’s announcement also included the news that on November 4 the band will release a digital single from the new album, a song named “Echoes To Come”. And there’s a teaser of music from this single as well — which you can hear right here (all 19 seconds of it):
Demons, the new second album by Bloodshot Dawn from the UK has now been officially released, and with the release has come a full stream of the album on Bandcamp.
We’ve been singing the praises of this album since the first advance track appeared, culminating in an enthusiastic review of Demons by TheMadIsraeli, who calls it “the pinnacle of what melodic death metal could still strive to be, but seems largely unwilling to be at the moment” and his likely album-of-the-year winner.
But you don’t have to take our word for it — right after the jump you can listen to Demons in its entirety. The album is available on CD at this location (along with related merch), and a digital download can be obtained here:
Here are a couple of items that were brought to my attention this morning. I thought you might want to know about them, too.
This Australian band’s eagerly anticipated second album Citadel will be released by Season of Mist on November 7. Through a timely e-mail from one of our supporters, I learned that the entire album is now streaming on KillYourStereo.com. I presume the album will eventually be streaming at other sites scattered around the world, but this seems to be the first one. Go here to listen:
I’m still in Texas visiting family and friends and not listening to much new metal, but before I once again leave the interhole for the real world for the rest of the day, I thought I would share a few things that have been wrecking my earholes this morning.
The Deathtrip are a two-man band consisting of UK guitarist Host (Thine) and vocalist Aldrahn (Thorns, Dødheimsgard, ex-Zyklon-B). Their debut album, which was mixed by Thorns‘ Snorre Ruch, is scheduled for release by Svart Records on November 14 and its title is Deep Drone Master. It includes session drums by Dan “Storm” Mullins and Jon Wesseltoft on bass.
Two songs from the album are available for listening — “Flag of Betrayal”, which premiered two days ago on Metal Hammer, and “A Foot In Each Hell”, which surfaced earlier this month. They’re hell-ripping storms of vintage Norwegian black metal with razoring riffs that penetrate deeply and a monstrous offering of inflamed vocal passion — searing music surrounded by the flames of arcane energy.
Hey motherfuckers, happy Saturday. I’m still in central Texas visiting family and friends and spending a lot more time yakking than listening to new music. But this morning I did discover some infernally excellent new songs that put a charge in the reptile part of my brain, which is basically everything enclosed by my skull. Hope you dig this nastiness as much as I have.
Antiversum are from Zurich, Switzerland. Based on this interview, it appears that the band’s members are also involved in numerous other projects, with names such as Blakk Old Blood, Deathcult, Asag, Goatfukk, none of which I’m familiar with — yet. I learned about Antiversum through a tip from KevinP. Their musical output so far consists of two tracks that first appeared on Soundcloud in August — “Total Vacuum” and “Finis Aeternitum”.
The comparisons with Bölzer are inevitable, both because of the bands’ shared nationality and also because of certain similarities of style. The music is highly atmospheric black/death, with the band churning out a dense, poisonous fog of morbid riffs driven by attention-grabbing drum-and-cymbal assaults. The vibrating haze of sulfurous murk generated by the riffs is cold, hostile, and malignant, and the eerie cosmic melodies suggest that this impenetrable haze is populated with alien entities.
I’m about to bolt for the airport — not because of the fucking day job, for a change, but to visit family in Austin and maybe have time for a bit of the Housecore Horror Film Festival. If the wi-fi works on the airplane, I might turn up again, but otherwise this round-up of new music will be today’s final post. Although this post isn’t a long one, trust me, it’s a good one.
I have BadWolf to thank for the discovery of this first new song. It comes from a band named Perdition Temple. Despite the fact that they have two albums out in the world (Edict of the Antichrist Elect from 2010 and 2014′s Sovereign of the Desolate), I don’t think I’ve previously explored their music.
The band’s line-up, which includes some veteran names, is as follows:
Here’s the second part of a round-up of new things that I began earlier today, collecting some of the news and music I discovered over the last 24 hours that I thought would be worth your time, because they were worth mine.
Where Greater Men Have Fallen is the name of the new Primordial album, due for release by Metal Blade on November 25. The title track premiered previously, and a couple of days ago Stereogum premiered another song, “Come the Flood”. It’s powerfully heart-wrenching and melancholy in its atmosphere, driven at first by heavy, thumping drumbeats and a flowing curtain wall of guitars, and later by percussion that sounds like gunshots and a vital lead guitar melody. But at the center of the song is its most arresting feature — Nemtheanga’s high, soul-stirring, dramatic voice. Amazing.
Listen here (Primordial’s FB page is at this location):
Yesterday brought a flood of new music and announcements that peaked my interest. I didn’t have time to post about any of them yesterday, so I’ve got a lot to cover this morning. Which is why this round-up is divided into two parts, with the second one coming later on.
Wolfheart’s self-released 2013 debut album Winterborn was fantastic. It was exactly the balm needed to salve the wounds that Tuomas Saukkonen temporarily inflicted on fans when he folded all of his other projects (including Before the Dawn and Black Sun Aeon) to start fresh. Yesterday brought the announcement that Spinefarm Records has now signed Wolfheart and will be re-releasing Winterborn on February 3, 2015, with two additional bonus tracks — “Isolation” and “Into the Wild”. This will be the first physical edition of the album to be made available worldwide.
But even more exciting than that was the news that next year Spinefarm will also be releasing Wolfheart’s second album Shadow World, which the band is now in the process of completing. And here’s one more titillating tidbit of Wolfheart news from the same announcement:
Here are a few things that caught my eye yesterday.
There aren’t many bands that all the long-tenured writers at this site like, but West Virginia’s Byzantine are one of them. Their 2013 comeback album got loads of praise here and elsewhere, and so we were stoked to find out that the band had launched a crowd-funding campaign to help finance production of a new album — To Release Is To Resolve.
That campaign surpassed its goal (though contributions can still be made here, which will get you a pre-order of the album), and yesterday brought the announcement that the band have now finished recording all the music for the new record, with only Chris “OJ” Ojeda’s vocal tracking left to be done. But one thing will happen first — and that’s the second piece of Byzantine news we want to spread around: Beginning today, the band are embarking on a tour that will run through the end of October, with Thy Will Be Done and IKILLYA. The dates are after the jump…