You see that guy up there straddling that futuristic city like a colossus, preparing to unleash arcane energies upon its helpless inhabitants? If you want to know what’s going through his head, the answer is a vision of a Bloodshot Dawn and the music on a new album named Demons. The first advance song from the album (“Smoke and Mirrors”) premiered earlier this month, and now a second one is out.
This new one is named ‘The Image Faded”, and holy hell, it features solos from Chris Amott, Per Nilsson, Andy James, and Teemu Mäntysaari, as well as the band’s own hot shit guitar duo of Josh McMorran and Ben Ellis. I don’t think guitars get erections, but if they did, the song would need one of those warnings about seeing a doctor if it lasts for more than four hours.
(In this 7th and final installment of a multi-part piece, Austin Weber continues rolling out recommended releases from his latest exploratory forays through the underground. Previous installments are linked at the end of this post.)
Exhausted Prayer are one of my favorite Los Angeles metal bands, and their streamlined yet progressive merger of black and death metal is a thing of wonder to take in. They’ve been at this since 1997, and Ruined marks their fourth full-length as a group, completely self-released by the band. Somebody needs to sign these guys, for real.
Ruined is an organic, often heavily atmospheric and deeply breathing record — one whose airy yet not hollow production perfectly marries their impressive approach to fusing black and death metal together. Ruined sports a natural production, one which will likely require you to turn your speakers up since it isn’t a loud, brickwalled lump of pain. Sometimes it’s nice to listen to a record that isn’t an over-compressed offering that hurts to listen to with headphones.
As mentioned earlier today, I spent a chunk of time yesterday listening to new songs and found many to recommend. By happenstance, most of them were various flavors of death metal, so I altered the usual “Seen and Heard” title of these round-ups. And because I found so much new music I wanted to commend to your earholes, I divided it into two parts. Part One is here.
Necromutilator are a three-man band from Mantua, Italy, whose existence I discovered by browsing the Facebook page of Elektroplasma Musik, who will be distributing the band’s debut album on Terror From Hell Records. The debut album is entitled Eucharistic Mutilations, and the one song from it I’ve found so far on the web is “Fuck With Darkness”.
I plowed through a lot of new songs yesterday and found a lot to like. Most of it happened to be death metal, though not quite all. So I decided to skip the “Seen and Heard” title for this round-up in favor of a more descriptive lead-in. Also, I found so much to recommend that I’ve divided the round-up into two parts. The second one will come a bit later today.
I loved this French band’s previous 2014 EP Deathmanicvs Revelation with an unholy love. I have little reason to doubt that I will experience similarly unnatural attractions to their new one, Interstellar Knowledge of the Purple Entity. Apart from my intense desire to obtain more knowledge about The Purple Entity (!), the advance song that became available for listening this weekend is like an aphrodisiac for the ears.
I’d dashing off for my (fucking) day job, so I’ll make this brief: At the Gates have just debuted a video for the song “Death And The Labyrinth” off their forthcoming album At War With Reality. It was directed by Patric Ullaeus , and here’s what vocalist Tompa Lindberg has to say about it:
“We had a very special idea about the kind of approach we wanted for the first video from ‘At War With Reality’. What we needed was someone gifted enough to throw himself artistically into the project full on. The lyrics to the song are very multi-layered and surreal, so we wanted someone to create a fevered dreamworld that went with the melancholic frustration and dramatic desperation that we feel comes across in the song. This is exactly what Patric has created for us. It’s his vision of the music and lyrics, which compliments the track perfectly in my opinion. I couldn’t be happier!”
Without further ado, watch and listen to “Death and the Labyrinth”. Please leave any reactions you may have in the Comments.
I took a short break from my fucking day job to scan through the NCS e-mail, and what did I see but an alert that Goatwhore had just premiered an official video for the song “Nocturnal Conjuration of the Accursed”, from their most recent album, Constricting Rage of the Merciless.
So I watched it. And you should, too. Because it’s Goatwhore. And they fuckin’ rock.
(and the lighting and colors in the video are cool)
Here’s the video:
We’re pretty damned hyped about the new album from Italy’s Hideous Divinity. We’ve already written about the first track from the album that debuted last month (“Sinister and Demented”), and we helped premiere the second track (“The Alonest of the Alone”) — and now we’ve got one more advance song from the album to bring your way. This new one is the title song.
When we interviewed Hideous Divinity guitarist Enrico Schettino about a week ago (here), he emphasized the importance of writing actual songs, even in the arena of brutal death metal: “We care about the song. We care about its structure and hooks and mood.” You don’t have to look any further for proof of that than “Cobra Verde”.
The song is undeniably bludgeoning — explosively so. For most of its length it moves at the speed of a blast front following a megaton detonation, with a sonic power that’s just as destructive, driven by the off-the-hook percussive militarism and high-speed riff flurries.
As I write this I am sitting on an airplane at about 40,000 feet somewhere over the Rocky Mountains. I am having to fly across the country because of my fucking day job, and once I get where I’m going, I will have to fucking work — pretty much day and night until I make it back to Seattle on Saturday night.
I tell you this not to pique your curiosity — because I can’t tell you what I’m doing, or I could, but would then have to kill you — but as an explanation of why there will be some scarcity in our posts between now and Sunday. Also, the “Seen and Heard” title is only half true:
The wi-fi on this plane isn’t good enough to let me stream music, so I actually haven’t heard anything — other than the guy sitting next to me snorting his phlegm every 10 minutes, the dude in front of me snoring, and the dull roar of the engines. Also, I have to fucking work on the plane beginning pretty damned soon.
Well, enough of my whining. Here are some things I’ve seen in my scampering through the inter hole this morning, and some things I would like to hear when I have the chance.
Here’s a rather large selection of new songs and videos released in the last few days that I decided were worth your time — and who better than me to decide how you should spend your time? Exactly.
I’ve arranged these offerings in alphabetical order by band name. It’s quite a varied selection, so I’m hoping everyone will find something to like.
We’re now two songs into the ramp-up for one of the most highly anticipated extreme metal releases of the year — Grand Morbid Funeral, the first album by Bloodbath since 2008. The second song, “Famine of God’s Word”, was revealed yesterday through a lyric video. I’m of two minds about the song.
On the one hand, the instrumental music is just downright vicious — a brutally heavy, galloping, squalling, skin-flaying, gut-punching romp, with an eerie lead guitar melody that floats through the song like a phantasm.
I’ve had vomit on my mind, and not for the usual reason after a weekend. This time it’s because I happened to notice that I had promos for three new albums by bands with the word “vomit” in their names, and at about the same time as I figured that out, I heard a new song from yet another vomit band on Facebook that I liked. It’s definitely not a distinct genre, this vomit metal. As you’ll see, vomit comes in all kinds of different chunks.
And although I’m joking around about vomit, some of the most fun I’ve had all year with my clothes on has come from listening to the music featured in this post. I do hope you’ll devote your time to it.
DEATH VOMIT (CHILE)
You may have noticed from the headline of this post that it includes two bands named Death Vomit. This first one is from Chile, and their debut album Gutted By Horrors was released this past July by Xtreem Music. I wrote about the first advance track from the album last June, but idiot that I am, I never listened to the whole album until Kunal Choksi reminded me of its existence via a recent e-mail.
I’m so glad I finally paid attention, because Gutted By Horrors punches a whole shitload of my buttons — it’s a supremely well-executed assault of ancient death metal lethality, like a strain of plague bacterium that has begun virulently festering after being unearthed from a crypt and exposed to air once again.