(Austin Weber brings us the full streaming premiere of the new EP by Blurring, along with an introductory review.)
After the breakup of Brutal Truth, the band’s members have continued on in multiple outfits, one of the finest of which is Rochester, New York-based technical grindcore act Blurring.
Blurring is a new vehicle for legendary bassist Dan Lilker (Brutal Truth, Nuclear Assault, former founding member of Anthrax, countless others) and multi-instrumentalist Erik Burke (Sulaco, ex-Kalibas, ex-Lethargy, countless others) on drums, combining their immense talents with other like-minded top-notch musicians to form one of the absolute best grindcore bands currently active.
While the band had some demos and other releases preceding their 2015 self-titled album, it was that release that really got me hooked on their complex and disturbing brand of grindcore. Some of you might have caught my review for it here at NCS; if not, now’s your chance to check out Blurring — don’t fuck up. The band is set to release Cloud Burner on April 28th, a fantastic five-song EP that we’re streaming early in full today.
I whittled the great limb of blackened music I found over the last week down to a spear, but it was a spear with 10 barbs. I organized the music alphabetically by band name and decided, as I stared at what I’d done, that music from 10 bands was too much for a single post. So, I’ve divided it into two parts, while maintaining the alphabetical ordering. I haven’t finished writing Part 2, so not sure if it will come later today or tomorrow (but probably tomorrow).
Of Forsworn Vows is the debut EP of a two-man project named ÆRA (the creator of all the music seems to be from Chile, the vocalist from Missouri). It was digitally released in February, but it’s now available on tape through Desolated Woods Records, and it appears that Aeternitas Tenebrarum plans to make a CD release (the Bandcamp download has been updated so that the tracks now consist of the CD masters).
“Amnutseba has risen from the gutters of the Parisian black metal scene to propose a glimpse into the vortex of insanity.” So say the mysterious figures behind this new band, and they have said little else except through the music on their first demo, which will be released today on tape by Caligari Records. But as you’re about to hear, the music speaks with a powerful and mesmerizing voice.
The demo is untitled, as are the four songs it includes (identified only by Roman numerals). The stream we’re providing runs like the tape, as one continuous track rather than divided into four separate streams, though you’ll be able to tell when one song ends and the next begins.
This collection of new music is perhaps more eclectic and quirky than usual. Certainly, some of the tracks collected here are difficult to categorize, and in some cases almost impossible to describe. As a playlist, I found it appealing in part because it threw me off-balance. As usual, I also tried to include under-the-radar names, as well as (somewhat) better known ones, though I doubt any of these names have reached beyond the crevices of the underground.
This makes the third time I’ve emblazoned our site with that wonderful piece of artwork by Elijah Gwhedhú Tamu at the top of this post, but the first time I’ve been able to share any music from the album it adorns. I’ve been eager to find out what kind of music would be wrapped within this imagery, and now I know that it’s as interesting and as attention-grabbing as the visual art.
No sooner had I finished last week’s 4-part new-music round-up on Saturday than I began exploring other things, and of course found other things I’d like to recommend. But I’ll be smart this week and not forecast further installments. I’ll do this one, and we’ll see how the rest of the week plays out.
I chose the following music (and a new video) in an effort to cross through a few different metal territories, stylistically speaking. Someone said variety is the spice of life, and so it is.
I found this new EP through a link on Facebook by Black Bow Records. Spellcaster is the debut release of a crushing UK sludge/doom trio named Witchapter. It’s available digitally now, and it seems that a physical release via Black Bow will happen on July 4th.
I wrote this post yesterday afternoon. At that point it included two new EPs, two tracks from recently released albums, and one song from a forthcoming release. I picked those items in part because the collection provides diversity of extremity, and also (of course) because I really like all of it.
However, since I finished writing this I discovered more music I thought was worth your time. So there will be a Part 2 tomorrow.
Seattle’s Bréag Naofa (pronounced Bray-G Nay-Fuh) explain that they took their name from an old Irish Gaelic phrase that means “holy lie”, reflecting the members’ shared conviction that “religion still poisons every aspect of the human experience”. They haven’t been prolific, until now releasing only one album (self-titled, in 2012) and two splits (in 2013 and 2014), but they’re in the process of expanding their recorded output significantly.
I didn’t damage myself too badly last night, only moderately, and so I was able to prepare this selection of music that I thought was worth recommending. I’m beginning with songs from forthcoming albums by four bands and concluding with two recent EPs.
Much of the music in this collection isn’t strictly black metal, but has enough kinship to the genre that I can justify including it. Hope you find some things to like.
In another one of these SHADES OF BLACK posts last month I reported that Prosthetic Records would be releasing the debut album Strike Mortal Soil by Vancouver, BC’s Wormwitch on May 12. At that point I didn’t have any music to share with you, but now I do.
Medico Peste are human beings (I presume, but cannot be sure) who have mastered the art of creating music that appears to be a gateway for the emergence of inhuman forces.
Discordance and delirium reign on their new EP, Herzogian Darkness. The music seethes with arcane energies, creating an experience that is terrifying and hallucinatory — and so intricate, so different, so highly accomplished, and so unnerving that it rooted this listener in place as if turned to stone.
To help you gauge its on effect on yourself, I’m including a full stream of the EP at the end of this review; it was released just yesterday by W.TC. Productions.
This is the second part of a collection of short reviews that I began earlier today (here). The idea was to focus on new EP-length releases I had recently discovered and enjoyed, though the ones addressed below are substantial — all of them in the 24-to-26-minute range.
CAGE OF CREATION
The first release in this collection (III) is the final part of a trilogy of EPs by the Russian trio Cage of Creation. It was released on March 4th. I became enamored of it almost immediately, from the first ringing, scratchy notes, the burly bass line, and the dark chant in the opening track, “Act IX”.
I decided to devote a couple of this Saturday’s posts to new or newly discovered short releases. I’ve also started work on a SEEN AND HEARD round-up of advance tracks from forthcoming releases, though I’m not sure when I’ll finish that one. Maybe tomorrow, maybe Monday. There will be a SHADES OF BLACK feature tomorrow as well. Hope you enjoy these first three EPs.
When last we heard from Sweden’s Puteraeon back in 2014 they had inflicted The Crawling Chaos upon us, which was their third album. They have returned this month with a new three-song EP, The Empires of Death. They’ve launched videos for two of those songs so far, “Providence” and “At the Altars” (which was just released today), and there will be one for the third track, “Epitaph“, as well.