According to Metal-Archives, Cleveland-based Nunslaughter have released more than 140 recordings, only four of which have been full-length albums, the rest mostly consisting of splits, EPs, and live albums. Hells Headbangers is releasing two more splits this fall, and I spent some time with both of them this past weekend.
In this split with a relatively new Chilean band named Perversor, Nunslaughter contribute two tracks — “Impure Thoughts” and “Bless the Dead”. “Impure Thoughts” is a thick, black, boiling cauldron of riff liquor, a mix of d-beat rhythms, skin-flaying black thrash, and grisly corpse-crawling death metal. “Bless the Dead” switches up the beats and the styles, too, and at its core is a head-wrecking chug-stomp, catchy as fuck and impurified with a wash of vocal pollutants. The songs are gone before you know it, but it’s a sweet trip while it lasts.
You’re going to see some temporary changes here at NCS over the next 10 days, and I thought I’d explain why.
I’ve finally accepted the fact that I’m trying to do too much. Partly because of increasing demands on my day job, and partly because NCS has just gotten way busier than it used to be, I can’t do everything at the site that I’d ideally like to do. Something has to give.
I spend a big chunk of time every day reading e-mails and scouring the internet for metal news and for new song and video premieres, and then every day (or every other day) I spend more time writing about at least a few of the new discoveries that I think are worth sharing. I also write about new songs or videos that we ourselves have agreed to premiere. And I do other shit that doesn’t involve my own writing at all.
All of this has left me little time for reviewing new albums and EPs. My NCS comrades do their part, but we don’t make review assignments here — everyone writes about what they want to write about. And we’re diverse enough in our tastes that what I want to write about often doesn’t get reviewed at all if I don’t do it.
(DGR compiled this round-up of news items and music, the theme of which you will figure out… because you’re a geek.)
Ovid’s Withering are releasing a chiptune interpretation of their album Scryers Of The Ibis at the end of the month and calling it Scryers Of The Ibits. It’s being done by a guy named Josh Foreman. Right now the only available pre-order is 50 bucks because you get a poster, the original Scryers, the 8-bit version, A Shirt, and a 7″ sculpture. All physical goods on top of the downloads.
Right now, they’re streaming “Murder To Dissect”, which we named as one of last year’s Most Infectious — so thats a good start — and “Acheron”, another really good track. I’m curious as to how “Panikon Deima” is going to handle the “PANIKON DEEEEIMA….TERMINUS!” yelling section. Also, it has a new intro.
Here are a couple of North American tours announced this morning that I thought were worth spreading around. The music in the two tours lies on divergent ends of the metal spectrum, but both shows should be excellent.
CARNIVAL OF DEATH 2014
This death metal blockbuster is co-headlined by Suffocation and Kataklysm, with Suffocation closing the shows on the US dates and Kataklysm playing the final sets in the Canadian shows. Accompanying those two heavyweight acts on this tour will be Jungle Rot, Pyrexia, and Internal Bleeding.
As the poster up there indicates, the tour schedule hasn’t been announced yet.
Now, changing gears…
(NCS writer TheMadIsraeli would like your assistance in helping him decide what to write about.)
So I’ve been thinking about who to do for the next Higher Criticism series and it’s been rather difficult. I’ve decided to poll all of you for your opinions, based on the bands I’m considering, since the series seems to be rather well-liked and I’m curious to see what results I get.
The bands in the running for consideration are…
Old Man’s Child
Pain of Salvation
Of course, I also want other suggestions if you can think of any. If you’re interested in doing that, there are specific criteria I have in mind to make this legitimately interesting. The requirements for a Higher Criticism series are as follows…
I’ve returned from my vacation, which was better than I deserved, and I will soon be doing my part to contribute to the site on a more regular basis again. Given the quality and diversity of the guest posts while I was gone, this will undoubtedly come as a let-down to many readers. And that brings me to the first subject of this post…
A WORD OF THANKS
That’s a figure of speech, because I have more than one word: I want to send out a huge thank-you to all of the people who sent in guest posts in response to my request for help before leaving on vacation. I have posted every single one that I received — 25 in all, so far – with the final one coming later today. I thoroughly enjoyed reading all of them, and based on the traffic stats for the site, it’s apparent that our readers did, too.
Honestly, I could get used to having other people do my work for me. If any of you guest writers who submitted posts feel like doing more, don’t wait for another invitation. You know how to reach me. And for those of you who may have mused about doing it, but didn’t — muse harder. And then start writing. Check the “Contact” page if you’ve lost my e-mail address.
Now you can hear the title track, because it’s just been released for streaming. Go past the jump, and there it will be, waiting for you, with teeth bared and claws open.
Sometimes I overthink things. I just watched Revocation’s brand new official video for “Invidious” (from their new self-titled album). I had fun watching it, not only because the song is excellent but also because it captures the energy of the band performing live in front of an enthusiastic stage-diving Boston crowd. I hope we get half as good a crowd during Revocation’s set at the SUMMER SLAUGHTER tour stop in Seattle this afternoon (and tonight), because that’s where I’ll be.
But while I watched the video I was also thinking about how much work it took to make this thing. Like, how did they get all these camera shots with the crowd going nuts everywhere? And how did they edit them together so effectively? And how did they sync the hundreds of video segments so well with the album track?
Somebody did some fuckin’ A-grade work on the video. When I find out who, I’ll stick their names in here. For now, watch this:
What you’re looking at is a candid photo of your humble editor taken as the sun rose this morning over my current location. I fell in with a bad crowd last night. They made me stay up really late and forced all manner of intoxicants into me. I told them nothing.
Rather than seek hospital care after I escaped my captors, I had to be at a secret location early this morning where I was expected to engage in the work for which I’m paid. I am now doing things that resemble work, but actually consist of me writing this brief note to you.
The one thing I’ve been unable to do, either last night or this morning, is write a post for NCS. Later in the day, I plan to do that. For now, I must return to the task of appearing to work and moaning softly. Adios.
Well, I guess it had to happen someday. Since we put up our first post at NO CLEAN SINGING in November 2009, we’ve had an unbroken record of posting something on the site every day, weekends and holidays included . . . until yesterday.
Yesterday was just a clusterfuck. The long work project I’ve been whining about prevented me from doing anything NCS-related from the time I woke up until late last night. My NCS comrades Andy Synn and DGR made a valiant effort to bail me out by sending in pieces, but unfortunately I couldn’t even check my e-mail until late afternoon, and even then didn’t have time to get them up on the site. You’ll see what they wrote later today.
I suppose I could have quickly put up some pics of monkeys having sex, just to keep the record going, but that seemed like a pretty lame idea. I mean, I’ve posted some pretty stupid shit here in the past, but I’ve always actually put some effort into being stupid.