Here’s another entry in the part of our annual LISTMANIA orgy where we re-post lists of metal from “big platform” web sites and print zines — the kind of places that get a lot more eyeballs on them than festering little metal-only hovels like ours.
To justify our selection of Noisey for this part of the series, consider these statistics: Noisey is the on-line music channel of Vice Media, which began as a Montreal-based print magazine in 1994 and has expanded into a global media presence. Noisey was started in 2011 and now has 1,132,220 Facebook followers and (according to this site) receives about 839,500 unique visitors and 1,477,520 page views per day.
Yesterday Noisey published its staff’s list of “The Best 100 Albums of the Year“. By my count, 10 of those albums are metal. Nine of those 10 appear to have made the list as a result of recommendations by Noisey editor Kim Kelly, whose by-line appears on the mini-reviews that accompany those 9 picks. The 10th one is Devil Is Fine by Zeal and Ardor, and a different author’s by-line accompanies that feature.
As part of our LISTMANIA 2016 series, we’re re-posting a list of the “20 Best Albums of 2016” published by Revolver magazine yesterday.
Revolver bills itself as “the No. 1 hard-rock and heavy-metal destination in the world”. Their online site boasts 13 million page views over the last year, and the ad rate sheet for the print publication claims a total monthly reach of 300,000 readers.
(Andy Synn reviews the new album by Sahg from Bergen, Norway.)
I have something to confess. Something that’s probably going to cut deep into my well established metal cred (ha!). You see, I don’t really like Black Sabbath.
There, I said it. Let the shaming begin.
It’s not that I actually dislike them. Far from it. As a matter of fact I enjoy them whenever I hear them (particularly the Dio era), and fully respect the band’s timeless legacy (more on that in a moment).
But they’re just not the sort of band whose albums I’d ever spin for my own enjoyment.
However, in the same way that although I’m not really much of a Slayer fan (there goes the last of my credibility), yet still absolutely love many bands who count them as a major influence, there’s a number of artists in my collection who cite Sabbath as their prime reason for being, and who can trace the roots of their sound right back to the Brummie masters (of reality).
And one of those bands is Norwegian doom-groove quartet Sahg.
Oneironaut is the new album by Crimson Moon, this project’s first full-length in more than a decade and only the third since its inception in 1994. The album is an imposing, hour-long work, with five of its six tracks exceeding 8 minutes in length, including the closing title track, which nears the 20-minute mark. But it’s also one of the most captivating, most multifaceted, and most compelling black metal albums you’ll encounter this year, even as it comes when 2016 is about to gasp its last breaths.
Oneironaut is being released today by W.T.C. Productions, and to help spread the word of its advent, we have a full album stream for you.
The song you’re about to hear bears numerous hallmarks of skull-cleaving brutality even before you hear a single note. The song’s name is “Horrific Existence“. The album’s name is Horrific Existence. The band call themselves Cranial Engorgement. And feast your eyes on that album art up there by the renowned Pär Olofsson. The message comes through loud and clear, doesn’t it?
But all of those hallmarks still may not prepare you for the traumatic effect of the music itself, which we’re bringing your way through an official music video, or for the album as a whole, which is this California band’s debut full-length, scheduled for release on February 10 by Gore House Productions.
NekroRegime is the second album by the Swedish black/death band Omnizide, and it will be released on December 16 by Carnal Records in Europe and Daemon Worship Productions in the U.S. The album’s title track has already surfaced, and now we bring you another one, a massively infectious dark beast named “Deathwomb“.
Omnizide was originally created under the name Belzen by AE and Nox in 1995. A few years later, it split up before releasing any recordings, with AE moving on in the band Avsky and Nox becoming the frontman for Craft. Years later the two joined forces again under the banner of Omnizide, and with additional allies in the line-up they released a debut album named Death Metal Holocaust in 2014.
Ten years after Black Hole Generator released the debut EP Black Karma, they have returned with a debut album. Bearing the title A Requiem For Terra, it has now been released by Dark Essence Records, and today we are delighted to share with you the premiere of a fascinating video for the album’s third track, “Moloch“.
The song has a cold, midnight-dark, hallucinatory quality as well as an occult atmosphere of building tension and threatening peril that spills over into fusillades of violence. The video created by Romanian artist and musician Costin Chioreanu (a name that will be well known to our readers) makes a perfect match for this gripping but unnerving song, and is also an unsettling but thoroughly engrossing panorama of bleak visions all by itself.
Happy Monday. Through the miracles of modern technology, I’m writing this at roughly 38,000 feet above the earth, somewhere across the deserts of northern Utah, the Rocky Mountains of Colorado, and the barren panhandle of Texas. Under duress from my fucking day job, I’m bound for Houston for the next couple of days.
Actually, it’s not exactly a miracle, not something like turning water into wine, more like turning water into weak tea — because although I can get online, the service isn’t good enough to stream music or videos. So some of the items I’m including in this round-up are things I can see but can’t hear.
I’m beginning with an item that I could have heard over the weekend if I had known it was out there. Unfortunately, I discovered it only today after boarding this jet I’m on. It’s a video for a new song by Finland’s Wolfheart named “Boneyard“.
With the new album A Waltz for Apophenia, A Dream of Poe concludes a conceptual trilogy that began with The Mirror of Deliverance (2011) and continued with An Infinity Emerged (2015). The new album is being released today by Solitude Productions, and to help spread the word we bring you the premiere of all 8 new songs.
On the new album, composer and instrumentalist Miguel Santos (a native of The Azores islands but now living in Edinburgh, Scotland) is again joined by lyricist Paulo Pacheco and clean vocalist Kaivan Saraei, with both Santos and João Melo voicing the harsh growls.