January ended four days ago, so it’s past time for our usual monthly round-up of news about forthcoming albums. I have to confess that this list is even more spotty and sporadically assembled than usual — which is saying something. Various distractions prevented me from keeping a sharp eye out for news about new releases, so I have no doubt this list is incomplete.

Here’s how this round-up usually works: In these METAL IN THE FORGE posts, I collect news blurbs and press releases I’ve seen over the last month about forthcoming new albums from bands we know and like at NCS (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, I cut and paste those announcements and compile them in alphabetical order.

Remember — THIS ISN’T A CUMULATIVE LIST. If we found out about a new forthcoming album earlier than the last 30 days, we probably wrote about it in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier. For example, on this list you won’t see such notable releases as the forthcoming albums from Meshuggah, Enthroned, Unleashed, Psycroptic, Goatwhore, Asphyx, Naglfar, or Autopsy, because we’ve mentioned them elsewhere. Or at least I think we did.

Having said all that, please feel free to leave Comments and tell all of us what I missed when I put this list together. Let us know about albums on the way that  you’re stoked about, even if you don’t see them here!

I’ve never been in a metal band. I fantasize about it sometimes. I’d guess most fans do that at one time or another. But there’s at least one aspect of band life that I think I’d get tired of pretty fast — touring in cramped, dysfunctional vans, sleeping on people’s floors, and eating crap food while on tour. When I was younger, I didn’t think anything about living (and smelling) like an animal. But now that I’m older than dirt, it don’t sound so appetizing any more.

It’s easier to fantasize about being in a band who are successful enough to tour in style, in a big full-comfort bus with a road crew to take care of some of the heavy lifting and assorted other bullshit you’d otherwise have to do for yourself. But even bands like that don’t get to travel in style all the time. Like when the bus breaks down and 15 of you have to get in a van and drive for hours across the flat, featureless landscape of the Canadian prairie. Which is what happened to The Devin Townsend Project and Septic Flesh on the road from Saskatoon to Winnipeg not long ago.

Most hand-made tour videos that I see aren’t all that interesting. Basically, you’ve seen one, you’ve seen ‘em all. But Devin Townsend, being the evil creative genius that he is, put together a short video of this cramped van trip that I enjoyed. In terms of what you see, it’s still pretty much in the category of “seen one, seen ‘em all”, but the editing and especially the musical soundtrack are cool. Plus, I saw these bands on their current tour (along with Obscura and Children of Bodom), and they were both so tremendous that I couldn’t resist watching this. The video is after the jump.

Also after the jump — news about a newly released 3-song single from 7 Horns 7 Eyes that we recommend highly.

Last week you may have seen, either here at NCS or elsewhere, the announcement of the line-up for this year’s SUMMER SLAUGHTER tour and the chance to vote for the band that will fill the last slot on the tour. One of the 10 bands on the voting ballot is a Seattle group with whom you may not be familiar. So, allow us to introduce you to 7 Horns 7 Eyes.

We first saw this band in early 2010 when they opened for Hypno5e, Revocation, and The Binary Code at the Seattle stop of the METAL AS ART tour (reviewed here), and then we saw them again on other occasions, including their supporting slot on a tour featuring The Dillinger Escape Plan, Darkest Hour, and Animals As Leaders (reviewed here), and at the 2010 edition of THE FINNISH METAL TOUR (which we described here). Every time, they wowed us with their music and their live performances. Here’s what we said about their performance with the Finns:

This was the third time we’d seen these dudes this year as local support for a national tour, and they continue to impress in a big way. Every time we hear them, we adjust the description of their music, but we think we’ve just about got it down now: technical, somewhat blackened, melodic mathcore progressive death metal. Got that?

This is music you can get lost in just as much as you can bang your head to it. It’s a creative blend of styles that works really well, and their live playing continues to be sharp as tacks. We’re hungry for the album they’ve got in the works.

Well, that album — Throes of Absolution — is about to get a bang-up release, because last week it was announced that the band have been signed by Century Media, with the European release being handled by Basick Records. One song from the forthcoming debut album is available for streaming, and you can hear it after the jump . . .

On the night of April 21, The Finnish Metal Tour 2010 played Seattle’s El Corazon, and two of your NCS Co-Authors were there to bear witness and file this report — along with a big batch of our amateurish photos.

With the likes of Finntroll, Moonsorrow, and Swallow the Sun on the bill, we expected nothing less than excellence on stage, and that’s what we got. Which brings to mind a question we’ve had before:

How does a country with only 5.4 million people produce so many awesome metal bands? We still don’t know the answer. But whatever the explanation, here’s hoping it doesn’t stop. Judging by the reaction of the full house at El Corazon, we’re not alone in feeling that way.

Before the procession of Finns took the stage, two local bands got the growing crowd nice and warmed up.

BLOOD AND THUNDER

This five-piece Seattle band plays Gothenburg-flavored, melodic death metal, driven at a galloping pace by some flashy keyboard and guitar work. They’ve got some good song-writing chops, too. The songs were memorable, and we’ve been drawn to the band’s MySpace page to listen again.

They’re one of those rare bands whose lead vocalist is the guy behind the drum kit, and his evil, death-metal vocals make a nice contrast with the memorable melodies. We were told that the band has finished tracking a debut album, to follow an EP released last year. We definitely want to hear it. A strong start to the night!  (our concert notes continue after the jump, plus lots of photos at the end . . .)

We got caught in a temporal vise. On one side was The Finnish Metal Tour 2010 at El Corazon in Seattle last night. Two of your NCS Co-Authors hit that up, and man, was it awesome! Finntroll (pictured above in one of our photos from last night), Moonsorrow, Swallow the Sun, and two very good local bands (7 Horns 7 Eyes and Blood and Thunder).

Those Finns don’t do half-measures. They all played long and late. We’re not complaining — but let’s just say it was the wee hours of the morning before we hit the rack. That’s one side of the temporal vise. And on the other side? The fucking day job. And the time in between the two just got squeezed down into a wafer-thin layer of almost nothingness. Certainly not enough time to finish messing with all the photos we took or to write our reactions to what we saw and heard.

So, to tide you over until tomorrow, when we can post our review and a batch of photos, we’re doing this: After the jump, we’ll post one photo from each of the Finnish band’s sets last night plus one album track to stream of a song from each of those sets. So, you’ll get songs from Swallow the Sun, Moonsorrow, and Finntroll to hear as you gaze at the photos — and imagine just how ridiculously good this concert was.  (all that, after the jump . . .)

“Doin’ It Live ‘Til We’re Dead” appears to be the motto of The Dillinger Escape Plan for 2010. They passed through Seattle and stopped for a show at El Corazon on the night of April 10, with support from Darkest Hour, Animals As Leaders, and local favorites 7 Horns 7 Eyes. Two of your three NCS Co-Authors were on hand for the fun, and we file this report. In a word, the show was just amazing from start to finish. And for a change, we got some decent photos. You can see a lot more of them at the end of the write-up.

7HORNS 7 EYES

We last saw this local quintet (featuring two pairs of brothers) on January 26 as support for the Metal As Art tour. We hadn’t seen or heard them before that show, but they made a huge impression. We wrote then: “‘Epic” is an overused word in our community, but it truly suits the music that 7H7E delivers. The music is atmospheric but technical . . . It’s some mesmerizing shit!”

And it was more of the same last night: Complex, mid-tempo rhythms, sweeping melodies, a mix of growly and high-pitched vocals, tight instrumental interludes — and their own light show, with the fog machine pumping out the smoke. This is some mighty tasty progressive/death-metal fusion. And based on some mid-set comments from the stage, it appears we will finally have a debut album in the next couple of months. An awesome way to start the night!

(lots more after the jump . . .)

We have seen the future of extreme metal, and it is bright!

The METAL AS ART tour featuring Hypno5e, Revocation, and The Binary Code is one we’ve been waiting for with bated breath for months. We’ve been curious about Hypno5e and huge fans of Revocation and The Binary Code for a while now (we’ve written about our admiration for Revocation here and The Binary Code here and here).

On January 26, the wait ended as the tour rolled into Seattle’s Studio Seven, with support from local band 7 Horns 7 Eyes — which was the biggest revelation of the night — and two of your NCS Authors were there.

This was, bar none, one of the best shows from end to end that we’ve seen in many moons. These are young bands that are capable of carrying the future of extreme metal on their shoulders.  If merit counts for anything (and unfortunately, it doesn’t always), these hard-working dudes will find a place in the vanguard and the kind of widespread notice they deserve.

For our detailed review of the performances and a big collection of our amateurish photos, continue on after the jump . . . .