Oct 292023
 

Yesterday’s roundup was a very, very big one. With so much time on my hands this weekend, I planned to make today’s blackened roundup equally large, paying no attention to whether anyone would have the fortitude to go through a dozen entries yesterday and another dozen today.

When I woke up this morning I somewhat came to my senses and decided to cut this back from what I’d initially selected — providing seven recommendations instead of 12 — mainly because I didn’t think I’d have the time to get a dozen ready to go before I have to go. I hope to say something about the others in the near future.

PHANTOM WINTER (Germany)

I’m going to begin with a regrettably rare example of a great song presented through a great video, each one complementing the other. Continue reading »

Feb 072021
 

 

I’ll be so bold as to say that lovers of black metal, or at least those whose tastes aren’t rigidly hemmed in by convention, are in the midst of a musical Renaissance. I don’t mean to say that every band and every variant are worth our time or our devotion — as in all art, there is wheat and there is chaff to be separated. But there are giant bushelfuls of wheat to fall into!

Sadly, out of the many noteworthy releases I discovered during the last week, the timing of which perhaps had something to do with Bandcamp Friday, I only have time to feature a couple, and I chose these two. Even with just these two, time prevents me from going into great depth about them

MISOTHEIST

I’ve been impatiently waiting for a new Misotheist album ever since coming across a preliminary version of a new song named “Benefactor of Wounds” in the spring of 2019. I had thought that Terratur Possessions would release the album that year, but the year passed, and so did 2020, and we continued to wait — though the debut of the album version of that same song last November did bring with it the news that the album would finally arrive this month. And so it has. In a word, it’s stunning. Continue reading »

Nov 082020
 

 

I spent a joyful day yesterday, though I was rooted in front of the TV instead of listening to metal. But the good feeling carried over into this morning as I began listening to things, and in rapid succession found music that just seemed to fit together beautifully for this column. The arc of sounds as I’ve arranged them here was almost exactly the sequence in which I heard them, and I’ve kept it that way even though not everything here qualifies as black metal.

What made the experience even more thrilling was that five of the seven bands here were new to my ears (some of the music comes from debut releases).

STORMKEEP (U.S.)

I don’t have to spend a lot of time formulating words to describe Stormkeep’sGlass Caverns Of Dragon Kings“, because Jon Rosenthal did his usual excellent job in writing about it when Invisible Oranges premiered the track two days ago: Continue reading »

Jun 072020
 

 

I’m way behind in putting together compilations of new music and videos that I want to recommend. Yesterday, after hours of listening, I assembled more than two dozen of them that I discovered just over the last week. I had the fantasy of presenting all of them in alphabetical order in this Overflowing Streams format (short on words and visual art but long on music).

This morning I realized that would be a herculean task, and I’m no Hercules. So I abandoned the alphabetical idea and have arranged the collection with different ideas in mind and divided the post into Parts — because I’m not sure how far I’ll get. There should be at least one or two more installments today.

By the way, I decided to do this instead of the usual SHADES OF BLACK post today, though I’ve made sure to include new black metal in the collection, beginning with…

AKVAN (Iran)

The Persian tar (a type of four-stringed lute) is the star of this first song, along with the mesmerizing, melancholy melody that it voices. It provides the beating heart of the song even after the music rises into a tumultuous storm of thundering drums, scathing riffs, and scorching vocals. Fascinating, fierce, otherworldly, and glorious, the song is a tremendous thrill to hear. Continue reading »

Sep 162018
 

 

As you can see, I had enough time yesterday and this morning to pick twice the usual number of selections for this Sunday’s column. Maybe this will make up for the likelihood that there will be no S.O.B. column next week because this SOB will be going on a short vacation next weekend with Ms. Islander and some friends.

Although I had time to assemble a two-part collection this week, that only somewhat eased the agony of picking from among such a massive number of deserving advance tracks and new releases. I wish I could have done more.

CARPE NOCTEM

I christened May 2012 “Iceland Metal Month“, calling attention to a series of posts I wrote which exclusively focused on metal bands from Iceland, a country that I wrote was “starting to seem close to Finland in the ratio of killer metal bands per capita of population”. Now, almost five and a half years later, it no longer seems like a close call, particularly in the genre of black metal. Continue reading »

May 012017
 

 

This is the second part of a large post I began yesterday (here). It reflects why I chose SHADES OF BLACK as the name for this series many years ago, in that all of the music has connections to the traditions of black metal, but those connections vary, sometimes significantly.

Two of the songs in this post come from forthcoming albums, and one is a stand-alone single, but I picked all the rest from recent albums or EPs. Lacking the time to review most of those full releases, I thought it better (with one exception) to confine myself to specific songs rather than neglect the releases altogether. But they’re all good, and you’ll be able to stream them in their entirety if you like what you hear.

ACHERONTAS

The sixth album by the formidable Greek black metal coven Acherontas is named Amarta अमर्त (Formulas of Reptilian Unification Part II), and thereby draws a connection to the band’s last album, 2015’s Ma​-​IoN (Formulas of Reptilian Unification). It includes participation by Naas Alcameth (Nightbringer, Akhlys, Bestia Arcana) (synths) and Indra (Naer Mataron) (additional guitars). The cover art was created by Karl NE/Nachzehrer (Ex-Nastrond/Shibalba), and W.T.C. Productions plans to release it on Walpurgis Night (May 31st). Continue reading »

Jan 082017
 

 

I was again torn between writing a “That’s Metal!” post, which I foolishly promised to do on the first Sunday of each month and still haven’t done for December — or January — and compiling another collection of recent music in a blackened vein. You can see how that internal struggle ended.

KJELD and WEDERGANGER

This split by these two distinctive Dutch bands was released on December 16 by Ván Records and is now available on Bandcamp. It includes three tracks by Kjeld and two by Wederganger. I had intended to write about it prior to release, but failed. It’s very good, and deserves more extensive discussion than I’m able to give it now. But with a full stream now available, it can speak quite well for itself. Continue reading »