(DemiGodRaven helps catch us up on metal news.)

Hey folks, I’ve planted my ass in the underworld for a brief period of time in order to round up all the smaller (and maybe not so small) news stories that may have fallen through the cracks in one way or another. Some of them are simple things like album streams, others are album teasers, there’s some tour news, and hey, occasionally you’ll even get a free song or two, ya hear? Also, if you aren’t reading this in a 50′s news reporters voice after seeing the picture of the hat above YOU ARE DOING IT WRONG. First up is a pretty simple album stream, and then we’ll go on from there.

Lamb of God’s latest album Resolution saw release recently, and so they decided to run a full album stream over at AOL Music to give people a chance to get in a good listen before they decide whether to buy or not. I’ve enjoyed this release much more than Wrath, but it is still largely iterative on the sound that they started building in Sacrament.

It’s a good listen all the way through, but I can imagine it would be pretty dull if you picked a random song instead of the five or six really great ones. In other words, this is not an album built for Ipod shuffle like Amon Amarth’s stuff usually is (for example), so you’ll have to be in a really Lamb of God mood in order to really get into this one.

Also, they used the shotgun blast sample again. The same one they used on Sacrament. I was just waiting for the GOD-DAMN before it. Full review incoming soon. In the meantime, while you wait for me to validate your opinion and tell you how awesome of a metal listener you are, you can stream that fucker over here.

I’m almost to the point of buying a Scion car just to express my gratitude to Scion A/V.  Almost.  Unless you’ve been living in a cave (or the loris compound at the NCS Island), you probably know that Scion A/V has been releasing free EPs and videos from badass metal bands.  But they’re doing more than that.

What I just discovered is that Scion A/V has been enlisting certain metal labels to round up a selection of their artists for performances in Los Angeles before live audiences, professionally recording the shows, and then prepping audio of the performances for free download.

The first team-up was with Nuclear Blast, who helped arrange appearances of Exodus, All Shall Perish, Origin, and Decrepit Birth at The Roxy in West Hollywood on November 12 of last year. As of today, the digital album of those live performances has become available for free download. Here’s the track list, which happens to include many of my favorite songs from each band:

1.  Decrepit Birth: “Metatron”
2.  Decrepit Birth: “The Resonance”
3.  Decrepit Birth: “Polarity”
4.  Origin: “Banishing Illusion”
5.  Origin: “Evolution of Extinction”
6.  Origin: “Swarm”
7.  All Shall Perish: “Wage Slaves”
8.  All Shall Perish: “Procession of Ashes”
9.  All Shall Perish: “Gagged, Bound, Shelved and Forgotten”
10. Exodus: “Beyond the Pale”
11. Exodus: “Blacklist”
12. Exodus: “Metal Command”

(NCS contributor Israel Flanders has found an album by a deathcore band that he actually likes — a lot.)

All Shall Perish is one of those deathcore bands everyone always tells you DON’T suck massive loads of horse shit through a straw, at least from my experience.  If I get into a conversation with someone about whether such a thing as “good” deathcore exists, this band always is mentioned.  I never really checked them out before, but for purposes of this review I actually tracked down the discography up until now and listened to it to evaluate this new album, This Is Where It Ends.  My conclusion: All Shall Perish sucked massive loads of horse shit through a straw . . . until this album.

There is a HUGE line-up change here to take into account, and that is Jason Richardson, now of Born Of Osiris, leaving and in-coming a guitarist by the name of Francesco Artusato.  He put out a solo album recently before this album, and if you are familiar with that solo album you know this dude DESTROYS UNIVERSES!  But to get back on topic . . . this album rules.

This is a whole new band.  The musical similarities between this and their last album, Awaken The Dreamers, are almost nil, if not totally absent.  There is a lot of speed here, a lot of ultimately pure melodeath moments, and a good dose of that death metal atonality, but it feels genuine here — when it comes to the death metal elements on this album, I don’t get that manufactured, half-assed deathcore feel I usually complain about.  (more after the jump . . .)

June is behind us, July lies ahead. Here in the U.S., we’re about to start the long weekend leading up to Independence Day, when Americans celebrate the birth of the nation by buying explosive ordinance wherever fine explosive ordinance is sold and lighting up the night sky (in addition to blowing the shit out of objects and sometimes themselves). People will also be exposing unsightly parts of their bodies wherever sun can be found and eating large quantities of health food prepared on outdoor grills. Our Founding Fathers would be proud of what they wrought!

Because the last month has ended, that means it’s time for another installment of METAL IN THE FORGE, in which we collect news blurbs and press releases we’ve seen over the last month about forthcoming new albums from bands we know and like (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, we cut and paste those announcements and compile them in alphabetical order.

Remember — this isn’t a cumulative list. If we found out about a new album during May or preceding months, we wrote about them in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier. This month’s list begins right after the jump. Look for your favorite bands, or get intrigued about some new ones. And feel free to tell us about how we fucked up by omitting releases that we overlooked.

Time to start mentally gearing up for the weekend. We’re here to help with a couple of killer new songs from Machine Head and All Shall Perish.

Almost four years have passed since Machine Head’s last album, The Blackening, which garnered mountainous heaps of praise. The next album (still untitled) is now finally scheduled for a September 27 release by Roadrunner Records. To begin building excitement for the album, a single called “Locust” will be released on June 14 for digital distribution on iTunes and Amazon MP3. Earlier this week, a 30-second sample of the song surfaced, but now the whole thing is up on YouTube.

It’s about 8 minutes long and it sounds great. It’s multifaceted, both heavy and melodic — a damned good harbinger for the album to come. Have a listen after the jump.

All Shall Perish also have a new album on the way, one we’re really looking forward to. It will be called This Is Where It Ends, and it’s due for  North American release on June 26 by Nuclear Blast. Two days ago, Lambgoat premiered the second song from the album to receive advance display. It’s called “Procession of Ashes”. It’s a crusher, as you would expect, but it includes a few musical surprises from this band, including an extended outro that I really didn’t see coming.

Both these songs are rockin’ my head this morning. You can hear both after the jump.

Damn, I’m finally able to go outside without shivering and being beaten about the head and shoulders with high winds and rain blowing sideways. That must mean it’s June in Seattle!  And so it is. A largely dismal May is behind us, the Seattle Mariners are astonishingly only a game and a half out of first place in their division (that’s baseball for you outlanders), and the summer lies ahead.

What else lies ahead? A bunch of new metal, of course. And because it’s the beginning of a new month, we’re bringing you another installment of METAL IN THE FORGE, in which we collect news blurbs and press releases we’ve seen over the last month about forthcoming new albums from bands we know and like (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, we cut and paste those announcements and compile them in alphabetical order.

Remember — this isn’t a cumulative list. If we found out about a new album during April or preceding months, we wrote about them in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier. This month’s list begins right after the jump. Look for your favorite bands, or get intrigued about some new ones.

The first month of the year has come and gone. January brought those of us in Seattle some typically ass-sucking winter weather, though it wasn’t nearly as bad as the brutality dished out by the weather gods on our metal brothers and sisters in the Midwest and Northeast of the U.S. And of course, our readers ins places like Russia, and Finland, and Sweden are probably laughing their asses off reading our complaints about our winter weather. So, we’ll just shut up about that.

Besides, January brought all sorts of great new metal to our tender ears, so who gives a shit about the weather anyway? And you know what else January brought? It brought news of still more metal goodness on the way — great bursts of audio sunshine in our collective futures that will part these winter clouds and leave them whimpering in cloudy tatters.

Okay, maybe we should leave poetry to the poets and just get on with this next monthly installment of METAL IN THE FORGE, where we collect news blurbs and press releases we’ve seen over the last 30 days about forthcoming new albums from bands we know and like, or from bands that look interesting, even though we don’t know them yet. And in this post, we’ve cut and pasted the announcements and compiled them in alphabetical order. Look for your favorite bands, or get intrigued about some new ones:

AJATARRA: “AJATTARA — the Finnish band featuring former AMORPHIS frontman Pasi Koskinen (a.k.a. Itse Ruoja Suruntuoj) — will release its seventh album, Murhat (“Murders”) on February 2 via Osasto-A Records. Murhat is available for streaming in its entirety on the AJATTARA Facebook page.”  (much more after the jump . . .)

This year’s edition of THE SUMMER SLAUGHTER tour was a celebration of death metal in some of its more brutal and technical flavors — and one out-of-place wild card that stole the show. In this case, “stealing the show” is a relative term, because the line-up of bands was so strong.

In fact, with allowances for the extremity of our musical tastes here at NCS, this was as consistently solid a line-up, from start to finish, as any tour in recent memory: Vital Remains, Animals As Leaders, Carnifex, Decrepit Birth, Cephalic Carnage, Veil of Maya, The Red Chord, All Shall Perish, The Faceless, and Decapitated.

In fact, we were so stoked about this tour that we decided to see it both in Seattle last Friday and again in Portland the next day. The tour’s last show is in San Francisco tonight, so we were catching the bands near the end of a long summer haul that no doubt wore them out. But you couldn’t tell that from the way they played. If we didn’t have day jobs and were closer to SF, we’d be tempted to take in a third performance — it was that good.

As usual, we took a crapload of photos at both performances. And in fact, most of them are crap. But we’ve been painstakingly sorting through them to find the least crappy ones that we wouldn’t be too embarrassed to share.

So, today, we’ve got some high-level reactions to what we heard from all the bands, plus photos from the Seattle tour stop. Tomorrow (now at this location), we’ll have some random observations about the scene and the crowds and a few other thoughts that aren’t really in the nature of a review, plus the best photos from the Portland show (which are a bit better than the ones we’re posting today).  (continue after the jump . . .)

We do our best to keep up with news in the world of extreme metal. We read a few web sites every day that collect news items, we get press releases via e-mail, and we get alerts about MySpace and Facebook posts by bands we’re following. Put it all together, and it’s a daily flood of words — almost all of which are just completely forgettable, or worse. Usually, we find items that are either intentionally or (more often) unintentionally funny. Rarely, we find something we think is worth writing about on this site.

We’re kinda behind on putting together reviews of new music we’ve been cranking, and that may have lowered our newsworthiness threshold today, but whatever. Today, we’re just gonna dump a bunch of news on you that we read over the weekend, including one of those funny items and one new video that put us in a party mood. Not a lot of rhyme or reason to our choices, but there’s not much rhyme or reason to anything we do, so what the fuck?

Our topics? They involve Heaven Shall Burn, Hour of Penance, French Bat-Shit Grindcore, All Shall Perish, and The Ghost Inside.

HEAVEN SHALL BURN

Last Friday, German death metal and hardcore fusionists Heaven Shall Burn announced that their new album Invictus, which has already been released in Europe and will be released in North America tomorrow, landed on the official chart in Germany at position No. 9. According to the announcement, this marks Heaven Shall Burn’s and Century Media Records‘ first-ever Top 10 release in Germany.

The press release included this comment from guitarist Maik Weichert: ”Top Ten! This is insane! It is a dream come true and we thank everybody who had something to do with it! Everything will be awesome! However, when the police stopped my car yesterday they were still quite unpleasant to deal with, so I am assuming they hadn’t heard the news yet . . .”  (lots more after the jump — stay with us . . .)