Yeah, I know I’m taxing your attention span with our third post of the day, but I continue to see eye-catching items and just can’t resist. But I will keep this one short and sweet. It’s about breaking news from three of our favorite bands.
ITEM ONE
You’re looking at Item One: The just-released cover art for Amon Amarth‘s new album, Surtur Rising. Talk about a fucking metal album cover. The art is by Tom Thiel. The album will be released in North America on March 29, 2011 via Metal Blade Records.
The track listing for the album is out, too, and includes such juicy titles as “Destroyer of the Universe”, “Live Without Regrets”, “For Victory Or Death”, and my favorite: “A Beast Am I”. I’m expecting epic levels of epicness.
Did you know that Surtur was (is?) the leader of the fire giants of Muspelheim (“flame land”) and the oldest being in the nine worlds of Norse mythology? Oh, fuck me, sorry about that; I said I would keep this short. On to the next item (after the jump).
Ladies and gentlemen, this is the debut of a new column which Islander has kindly allowed me to write and display here at NoCleanSinging.
Each week (ok, whenever I get round to it, they may not be weekly – or they may be more frequent, we’ll see) I’m going to be providing an introduction, a retrospective, or simply a re-consideration of a band which I feel merits the treatment. Certain bands will be more well known than others, and primarily these bands will be part of THE SYNN REPORT simply because I feel that with all the bullshit media hype in the world, the band in question has been perhaps judged unfairly due to the influence of matters non-musical. Certain bands, however, you may not have heard of before at all, as although I do not consider myself a paragon of underground taste, there is only so much time each of us can devote to finding new music and really exploring it. Hopefully this column will help a little!
Each column will deal with a single musical entity, considering their works and progression in turn. Certain columns will be dedicated perhaps simply to eras in a band’s career and progression, considering and evaluating changes in style and direction with the benefit of hindsight and (hopefully) critical objectivity. Although that probably won’t last very long!
Anyway, for my first column I would like to introduce you to the Greek band ASTARTE. (more after the jump, including sample songs from the band’s discography . . .)
HAPPY NEW YEAR! Did you see what we did? We had to change the logo for this edition of SICKNESS. Because 2010 is behind us, and the new year lies ahead.
We spent the last 30 days, as we’ve been doing for the last year, collecting news blurbs and press releases about forthcoming new albums from bands we know and like, or from bands that look interesting, even though we don’t know them yet. And in this post, we’ve cut and pasted the announcements and compiled them in alphabetical order.
All of our previous monthly updates can be found via the “Forthcoming Albums” category link on the right side of our pages, and because we’re not keeping a cumulative list, you might want to check the last couple months of these posts if you want to get a full picture of what’s coming. The list that follows, in alphabetical order, are albums we didn’t know about at the time of our last installment when November ended, or updated info about albums we’d previously heard were on the way. And be forewarned: This is a really long list. There’s a massive slag of new metal coming our way, and man, does it look hot.
So, without further ado, let’s get started. See if there’s anything on the list that makes you moist, or tumescent, or just generally slobbery.
ABORTED: “Good news is that we are starting pre-productions for our upcoming record on January 4th. This means we will demo all the songs for the record, make sure everything sounds good and make the necessary adjustments to make sure they are all more lethal than a chainsaw in Mr. Leatherface’s hands. We’re all very excited about the material thus far and can’t wait to get this over with and proceed to the actual recordings later this year. Expect a fall 2011 release through our culprates in mayhem Century Media.”
AGNOSTIC FRONT: “The Godfathers of New York Hardcore, Agnostic Front, have just finished recording their highly anticipated follow up to their 2007 release, Warriors. The yet to be titled album features 13 new powerful and anthemic songs laid down by Erik Rutan (Madball, Goatwhore, Cannibal Corpse) at his Mana Recording Studio in Tampa, FL under the watchful guide of producer Freddy Cricien of Madball. The record was mastered by Alan Douches (Nile, Mastodon) and will be released in Europe of March 4, 2011 and in North America on March 22, 2011.”
(the list continues after the jump . . .)
We just discovered video of Arch Enemy‘s performance on Oct 22 at The Waerdse Tempel in Heerhugowaard, The Netherlands. We had to watch those clips, because Arch Enemy is an NCS favorite and because the band’s live performances in Seattle have been some of the best shows we’ve ever seen.
These are fan-filmed clips, but the video quality is very high and the audio quality is above-average, too. So, they’re worth sharing with you. Besides, featuring Arch Enemy is in keeping with the female-centric nature of our previous post today. As far as we know, Angela Gossow doesn’t swallow swords (or running jackhammers) and hasn’t married herself, but man, can she command a stage.
Here’s the clip of Arch Enemy performing “Ravenous”, which is just a cool fucking song to begin with.
(more clips after the jump . . .)
Fair warning: This will be one extended session of spittle-flecked frothing at the mouth, because we haven’t been this blown away since stumbling into a full-fledged Seattle windstorm last winter. So get the safety glasses on and strap on sanitary masks if you got ‘em.
The subject of our enthusiasm is Nothnegal. They’re a band from The Republic of the Maldives that now includes two non-Maldivian heavyweights — drummer Kevin Talley from Dååth and keyboardist Marco Sneck from those Finnish swamplords Kalmah. They’ve got a four-song EP to their credit called Antidote of Realism and they’ve just signed with Season of Mist for the release of their debut album early next year.
Oh yeah, they’re also playing with Arch Enemy this month and touring Europe in the fall with the likes of Rotting Christ, Samael, and Finntroll.
And we’d wager that most of you have never heard of them. Until earlier this week, we hadn’t either. But this band shows all the seismic signs of an impending Vesuvius-sized eruption onto the scene — and based on the band’s output to date, it would be well-deserved.
If you like technically immaculate, headbangingly compulsive, Scandinavian-style melodic death metal played at autobahn speed, stay with us after the jump. Among other things, we’ll stream all four tracks from that EP and we’ll show you how to download a cut from Nothnegal’s forthcoming debut album.
Arch Enemy comes to town and your NCS Authors turn into moths drawn to a candle flame.
On February 6, 2010, the TYRANTS OF EVIL tour stopped at The Showbox in Seattle and two of us plus our entourage were there to take in the tyranny of evility. We file this report (along with a big batch of our regrettably amateurish photo images at the end of the post).
MUTINY WITHIN
This band first drew our attention through a YouTube video of their transplant-from-England vocalist Chris Clancy singing an operatic aria called “Nessum Dorma.” So, okay, the dude’s got some pipes. But does he belong in a metal band, and is the band itself worth a damn? Someone thinks so, because they’re signed to Roadrunner Records, they’ve got a debut album coming out on February 23, they’re touring with Arch Enemy, and they clearly had a bunch of appreciative fans in the Showbox audience.
But this is power metal, with mostly clean singing, and you know that’s not our thing (see the name of this site). Anything we might say would come off as a put-down, but that wouldn’t be our intent. We’re just not into this kind of metal. So, we’ll pass on the review and move to the next band . . . . (after the jump)
bgg
See those pictures above? In descending order, that’s Arch Enemy, Behemoth, Dragonforce, Dez Fafara, Carnifex, Axl Rose, and the late great Dimebag, all flipping the bird. This is a pretty random selection. If we’d had more time, we could have made this photo gallery a lot longer. For every metal band you’ve got on your personal music player, odds are that somewhere there’s a photo of them giving the finger.
Who are they flipping off? Is it the photographer? Is it you, their adoring fans? Is it the world in general? And why are they doing this? (more after the jump . . .)
Female death metal vocalists are few and far between. Frankly, I don’t understand how dudes can produce those sounds on a regular basis without destroying their voices. I know there’s a secret, I just don’t know what it is. Maybe it’s because I haven’t yet watched Melissa Cook’s The Zen of Screaming instructional video.
But what I really don’t understand is how any woman can produce those harsh, deep, gutteral, death growls — at all. I could tick off on the fingers of one hand the women who are currently carrying it off reasonably well (if I had a six-fingered hand): Angela Gossow of Arch Enemy, Grace Perry of Landmine Marathon, Elizabeth Elliott of Dreaming Dead, Mel Mongeon of Fuck the Facts, Krysta Cameron of iwrestledabearonce, and occasionally Alissa White-Gluz of The Agonist.
As of this morning I need to add a seventh name: Jessica Desjardins of Canadian deathcore band Bloodshoteye. (More after the jump, including some video)
Yesterday, NCS Co-Author IntoTheDarkness posted a piece on the brutality of German extreme metal bands. In an episode of synchronicity, this morning I saw three news updates about festivals scheduled for 2010 — one in the U.S. and two in Germany. And the comparison speaks volumes. On the one hand, we have the 2010 Vans Warped Tour spreading across the US next summer like a brain-sucking plague. On that tour, you’ll have the opportunity to see such stupifyingly awful bands as Attack! Attack!, Breathe Carolina, and Eyes Set to Kill. There are a few saving graces on the tour — Parkway Drive, Suicide Silence, and Whitechapel. But suffering through the rest of the 67-band lineup for the opportunity to see those dudes would be worse than a garden-hose colonoscopy without anesthesia.
On the other hand, next year in Germany we’ll have the latest installments of (a) the Summer Breeze festival scheduled for August 19-21 in Dinkelsbühl; and (b) the Wacken Open Air festival scheduled for August 5-7 in (where else) Wacken, Germany. At Summer Breeze, you could see the likes of Asphyx, Barren Earth, Behemoth, Dark Tranquillity, Despised Icon, Dying Fetus, Hypocrisy, Necrophagist, Obituary, Sepultura, Swallow the Sun, The Crown, and Maroon. And Wacken Open Air will feature bands such as Amorphis, Arch Enemy, Caliban, Immortal, Iron Maiden, and Slayer.
What’s really mind-blowing about the contrast is that those German festivals, each spread over just a few days in a single location, will draw tens of thousands (e.g., 70,000 tickets were sold for the 2009 edition of Wacken Open Air more than 200 days in advance). To get that kind of attendance in the U.S. for metal, you apparently need to have a line-up of largely craptastic bands and a schedule of about 40 dates in 40 cities.
To be fair, the German festivals draw crowds from all over Europe, and the U.S. does have some legitimately extreme festivals that are drawing headbangers in increasing numbers (the Maryland Deathfest, now in its 8th year, comes to mind most prominently). But still, so far, it’s no contest.
For full lists of the bands scheduled to date for these 3 tours, continue reading after the jump.
This post is a two-fer. Part 2 concerns the photo above and the story in UK’s The Independent that it accompanied. But first, Part 1: Elise over at the excellent Reign in Blonde site put up an initial list of 2010 winter/spring tours rolling through the NYC area that she’s stoked about, and asked “What’s on your calendar?” On our NW METAL CALENDAR page, we’ve got a pretty complete list of tours scheduled for touch-down in the Seattle area so far, and here are a few I’m particularly psyched about:
JAN 26: Hypnose, Revocation, Binary Code
JAN 27: Nile, Immolation, Krisiun
FEB 6: Arch Enemy, Exodus, Arsis, Mutiny Within
APR 21: Finntroll, Moonsorrow, Swallow the Sun, Survivors Zero
Gonna be some serious headbanging at those shows.
Now for Part 2: A year ago The Independent reported the results of a psychological survey of 36,000 music lovers. (OK, yeah, it’s old news, but I just saw the story.) The survey showed a definite correlation between people’s personality traits and the style of music they enjoy. Check it out:
Fans of indie music, for instance, were found to have low self-esteem and little motivation, but described themselves as creative. Rap enthusiasts, on the other hand, tend to think a lot of themselves and are extremely outgoing. . . . But the study’s most remarkable discovery is that refined lovers of classical music share a high number of personality traits with those who prefer rocking out to heavy metal.
And here is the study’s summary of classical and metal lovers’ personality traits:
Classical: Classical music lovers have high self-esteem, are creative and at ease with themselves, but not outgoing.
Heavy metal: Very creative and at ease with themselves, but not very outgoing or hard-working.
Kinda cool right up til the end, huh?
