I’m a day or two late reporting the schedule for Amon Amarth‘s European tour, but I forgive myself. What other U.S. metal blog is going to say anything about a European tour at all?

Exactly.   So there.

Yes, Amon Amarth will be embarking on a 15-country tour of the UK and the Continent beginning on October 12 in Stuttgart, Germany. Can you guess who will be supporting them on that tour? Go ahead — close your eyes so you don’t see the answer and take a guess.

If you guessed As I Lay Dying, then you’re a fucking genius. I sure wouldn’t have guessed that match-up, even though I like both bands and they’re both in the Metal Blade stable. If you do a word-association exercise, and you say the first band that comes to mind when someone says “AMON AMARTH!”, the odds are you’re not going to say “AS I LAY DYING!”

A band like Entombed would have been closer to what I would have guessed. But as it happens, you can sort of have that cake and eat it, too, because LG Petrov of Entombed provided guest vocals on “Guardians of Asgard” with Amon Amarth when the band played the Metalfest festival in Switzerland on May 29 — and of course it was captured on video. This is fan-filmed footage, so the audio quality isn’t ideal (though it isn’t terrible), but the video quality is pretty good.

Plus, I mean, it’s LG Petrov singing with Amon Amarth on “Guardians of Asgard”. If you’re as big a metal geek as I am (no need for you to confess out loud), you know you have to watch this, just so you’ll be able to die happy if you get flattened by a beer truck while crossing the street today. So, after the jump — Euro tour dates and that video.

(I swear this was a coincidence. I wrote a post that went up earlier today on metal covers based on a single by Anachronaeon we received yesterday, and then our UK contributor Andy Synn delivered this special edition of THE SYNN REPORT about . . . covers. This is the kind of occurrence that sends me back to the dictionary once again to figure out the difference between synchronicity and serenditpity. Or maybe it’s both.)

Covers are a strange breed of song – they’re the equivalent of a parallel universe, an alternate history, a What If? Comic, an adaptation of your favourite book starring an unexpected actor, a Shakespeare play set in an average American high school…

Seriously though, they have a huge amount of potential, both to be intriguingly inventive and woefully horrendous. Their success (or lack thereof) depends on many factors, but mainly on the song-choice itself – is it a natural fit for the band? Do they have the intelligence to re-work it in a distinctive manner? Or is it simply enough to tear through it in their own inimitable style, making few changes, but relying on sheer power to see them through?

I have chosen 15 artists who have produced some of my own personal favourite covers, showcasing a variety of approaches, some fully traditional takes on the original, others totally reworked variations. If there’s one thing that these covers show however, it is the subtle threads that inter-link all different sub-genres of rock and metal, which allow bands to re-work them organically. (more after the jump . . .)

So far, we’ve named 14 songs to our list of 2010′s most infectious tunes, and so far the songs have been without clean singing. No shock there, of course. But today we’re including a couple of exceptions to the normal rule around here, with songs from Soilwork and As I Lay Dying.

Both of these bands have been favorites of this site’s founders for many years. We’ve always found something to like in their albums, even when the overall album strength has dipped a bit, and 2010 was no exception. Plus, both bands put on great live shows, and we snap up tickets whenever they venture into the PNW.

Both bands released new albums in 2010 that we reviewed, and both albums contained multiple songs that made our master list of “most infectious” candidates. In the end, we picked one song from each. For a full explanation of what we mean by “most infectious”, read this. And to see the songs we’ve named so far, click the Category link over on the right called MOST INFECTIOUS SONGS-2010.

To read about and hear the songs we picked for our final list from Soilwork and As I Lay Dying, continue on after the jump.

[EDITOR'S NOTE: Today's guest post comes to us from Dan, who apparently is now called The Artist Formerly Known As Dan. Dan is an American temporarily transplanted to Adelaide, Australia. He has a list for you.]

So, I realize it’s cliche to make one of these lists (and maybe a bit premature?), but they’re usually useful for several reasons.  Firstly, it allows me to shamelessly plug the bands I like and push my agenda on you.  Secondly, it allows you to post lists of the records I forgot and tell me why my first list was wrong.  I can then subsequently go back to the records I may have forgotten or never owned in the first place.  Everyone should theoretically win here, since there is always music overlooked or forgotten about throughout the year.  So, let’s begin.

10. The Tony Danza Tapdance Extravaganza – Danza III: The Series of Unfortunate Events

Technical, but so brutal.  A perfect recommendation for someone who listens to too much vanilla-breakdown deathcore (and, for some of you, “too much” implies listening to any deathcore at all).  I highly recommend seeing them in concert; they bring tons of energy.  Yippie-Kay-Yay-Motherfucker.

(more after the jump . . .)

Man, have we got some breaking news for those of you who occasionally enjoy the sensation of leaving the caves where you live and spending a night in a different kind of cave — one that’s filled with really loud, skull-splattering metal and other cave-dwellers like yourselves.

We’ve just gotten confirmed dates for two new tours that make us gleeful with anticipation. Bet you can’t guess which ones.

Oh, wait. I guess you can guess which ones.

Well, bet you can’t guess the dates and places where these two tours will descend in order to lay waste to paying cave-dwellers. S’okay, you don’t have to guess, because both tour schedules are laid out in all their glory after the jump.

In our humble opinion, these will be two of the fall’s best tours. Not that it matters to you, but we’re particularly stoked because they’re both coming to a cave near us — way the fuck up here in the Northwest corner of the U.S. And there are Canadian dates on one of them, too.

(check it out after the jump . . .)

Earlier today we posted an album review without naming the band or any of the songs. Standing alone, that was a pretty useless act. What good is a review if readers don’t know who the fuck we’re talking about? But we did have a reason.

The band whose album we reviewed is Impending Doom, and some people tend to love them or dismiss them not because of the music but because they’re a Christian metal band — not just a band whose members happen to be Christians, but a band whose songs are inspired by their faith and who tour in order to spread the message.

The consequence is that you can’t read a review of their music without half the review being about the fact that they’re an unabashed Christian metal band — which is probably just fine with them.

But here at NCS, we don’t love em or detest ‘em because of that fact. We focus on the music and the performances, and we happen to dig both. So we thought, just for the hell of it, we’d see what kind of reactions you had from our review without having those reactions influenced by the fact that this is Impending Doom.

Now that the mystery has been resolved, we’ll run our review again with all the camouflage removed. If you read the earlier review with the identity concealed and aren’t interested in reading it again, even with some details revealed, we’ve added something new at the end of the post (after the jump) under the heading “NEW STUFF”.  As always, feel free to flame or praise or yawn in the comments . . .

As time has passed, we’ve found ourselves listening less and less to metalcore bands that really made a big impression on us a few years back. You could chalk it up partly to changes in our musical tastes and partly to our feeling swamped by the flood of generic metalcore bands trying to capitalize on what used to be the latest fad by combining chug-heavy riffs and growling with rancid emocore clean singing. In fact, we started this blog in part out of frustration with that phenomenon.

But listening less and less doesn’t mean no listening at all. There’s still something about metalcore (done right) that triggers the same positive feeling we had when the genre first emerged.

As I Lay Dying is one of those metalcore bands whose albums have consistently struck a chord with us — and in fact, we’re probably doing them an injustice with the metalcore label, because it’s become something of a bad word in our vernacular.

So, we’ll just toss that label aside and say this: The band’s new album, The Powerless Rise, is song for song their best one yet, and we’re really digging it.

The cool album cover by J. Bannon features a red-eyed skull exploding from below, and a similar image is on the fold-out CD insert, but with the explosion coming out the top of the skull. It’s a fitting image, because The Powerless Rise includes some serious skull-exploders — some of the most intensely aggressive music As I Lay Dying has yet produced. Take off your neck-braces and prepare to injure yourselves all over again, because this album overflows with music that will compel you to bang yo heads.  (more after the jump, including a track to stream . . .)

Resurrected death/thrash band Living Sacrifice has just released a new single, “Rules of Engagement” in advance of their forthcoming CD, The Infinite Order, due for release on January 26. It’s streaming on the band’s MySpace page, it’s available on iTunes, and it kicks ass.

This Arkansas band originally formed in 1988, broke up in 2002, and reunited in 2008 with a six-week US tour (“Stronger Than Hell”) headlined by Seattle metalcore band Demon Hunter. I had lost sight of the band during their hiatus and had not paid any serious attention to them even before the break-up — frankly, because of preconceptions based on their categorization as Christian metal. But I caught the “Stronger Than Hell” tour when it passed through Seattle, and their performance that night was one of the best I saw that year.  Hell, one of the best in many years. They totally tore up the place, and a worshipful packed crowd at El Corazon went crazy over them. So did I.