Aug 142017

 

(Austin Weber reviews an album that has made a deep impact on him, and many others — the fascinating debut by the quartet who’ve named themselves John Frum, out now on Relapse Records.)

Typically, if I run too far behind on turning a review in, I have to accept that my time is probably better spent moving on to something newer. For once, I’ve felt a pressing urge to break that self-imposed rule, because John Frum, and the demented form of death metal found on A Stirring in the Noos, are simply too brilliant not to provide a full and proper review here at NCS.

Like most people new to John Frum, I was curious what the album as a whole would sound like, and hopeful that their enormous combined talents would make for something special. I was not, however, ready to have my brain scrambled, and my expectations destroyed, to the immense degree that A Stirring in the Noos has managed to do for me. I’ll admit that during my initial phase of listening, I was unsure how I felt about this release, sensing weaknesses in some of the tracks that I’ve now come to appreciate as crucial and important within the context of the full experience they’re delivering. But we’ll touch on that point more in a bit.

Jul 262017

 

(Austin Weber introduces our premiere of a guitar playthrough video for a new song by the star-studded Canadian group Conflux Collective.)

Last year an interesting new death metal project from guitarist Chase Fraser (Continuum, Scour, ex-Son of Aurelius, ex-Decrepit Birth, ex-Animosity) was launched. Called Conflux Collective, the group consists of an array of the best death metal musicians in Canada, including bassist Derek Engemann (Cattle Decapitation, Scour).

The group’s three song EP from 2016, The Inception, which I put on my year-end list at NCS for good reason, featured a different well known Canadian death metal vocalist on each song, utilizing the talents of Cryptopsy vocalist Matt McGachy, Beneath The Massacre vocalist Elliot Desgagnés, and Coma Cluster Void, Akurion, and ex-Cryptopsy vocalist Mike Disalvo.

In addition, the release also featured the talents of highly skilled drummer Tommy McKinnon (Akurion,ex-Neuraxis) on all three songs, plus contributions from bassist Hugo Doyon-Karout (Equipoise, Beyond Creation, Brought By Pain) and ex-Aborted guitarist Eran Segal. To say the talent level on The Inception was stacked is an understatement.

Jul 032017

 

(Austin Weber introduces our premiere of a single off the debut EP by Indiana’s Emulsified.)

The Indiana death metal scene has been on a roll lately, birthing multiple talented new acts, including ones we’ve covered here before such as Breeding Filth. Two of their members can now be found in a new project called Emulsified, whose debut single we’re premiering today. This new project leans even more heavily toward the endlessly brutal and bludgeoning side of death metal, yet with a fresh twist on it that’s their own thing.

The project started in 2016 and currently consists of two Breeding Filth members, Derick Harshbarger on guitar and vocals and Angel Gaeta on bass and vocals. Rounding out the line-up is drummer Kevin Baum, who also plays in Human Filleted.

Today we’re bringing you the exclusive premiere of the group’s debut song, a filthy and deranged ode to sonic savagery called “Cadaveric Abdominal Inflation”.

May 242017

 

(Austin Weber introduces our premiere of a new single by NY’s Buckshot Facelift.)

For many of us, the metal scene is a family of its own, and when one of our own passes, we often try to pay tribute in some form, and in some situations help raise funds for their families who are left behind. As a band who have always viewed their local scene as their family, Buckshot Facelift are releasing a new song we’re premiering today called “Bobby Boy”, in honor of their local deceased friend Rob McAllister.

The song is a chaotic and interesting slice of weird, genre-bending grind, which is oddly the norm for Buckshot Facelift. It’s a raging elegy for a fallen comrade, one that’s played tightly, but in a free-flowing manner, cycling and rampaging through genres and passages with wild abandon like a drunken rhino on LSD.

May 082017

 

(Austin Weber brings us this premiere of the new EP by New York’s Black Harvest, along with some introductory impressions of the music.)

Some musicians are content to play within traditional sounds and genre boundaries, while others (Devin Townsend comes to mind) see all of music’s many genres as a vast palette that one can draw from and combine in new ways to paint a musical world all their own. This form of vast experimentation lies at the heart of all that Kishor Haulenbeek does, as both an incredibly talented visual artist and also as a musician with multiple musical projects that he has used to explore different facets of his interests, all of which convey an honest emotional feeling yet cover dramatically  different musical terrain.

Last year here at NCS, I finally got around to covering his fantastic mathcore-addled technical grindcore band Crisis Actor, and shoehorned in some coverage of his primary project, Black Harvest, at the same time. Today we’re bringing you an early stream of the group’s fantastic new EP, Attrition.

May 012017

 

(Austin Weber brings us this premiere of a video from Buckshot Facelift, and the following introduction.)

We’ve been covering New York/Long Island-based weirdo grinders Buckshot Facelift for several years now, and every time the band drops a new release, it’s always a thrill to see the new direction they go in. The group recently dropped their 4th album, Ulcer Island, and it’s quickly become one of my favorite grind releases of the year so far, chiefly due to how far outside of the short and straightforward grind norm the music is. Buckshot Facelift write very eclectic, intricate, and death-metal-heavy grind on the majority of the songs on Ulcer Island.

As mentioned in our previous writings about Buckshot Facelift, the band rarely perform full tracks of conventional grind, though there are a few cuts like that on Ulcer Island. Overall, the music includes a lot of separate and varied death metal influences, powerviolence, and some doom sprinkled about too.

We’re here today to premiere a music video for “Don’t Hang From the Pipes”. Musically, the track is a wild journey into death-metal-riddled grindcore, delivered in a unique way that doesn’t resemble what most people would think of as deathgrind.

Apr 252017

 

(Austin Weber introduces our premiere of a new split by two Canadian bands, Fumigation and The Path To R’lyeh.)

Split releases are a great way to discover more than one new band at once, and even in the digital age, the split-release tradition runs strong in the metal world. So here we are today offering up an early stream of killer Canadian death metal from Fumigation and The Path To R’lyeh, two bands with quite different sounds within the death metal sphere. A yin and yang type release, if you will, one that I hope our readers will enjoy.

Apr 242017

 

(Austin Weber brings us the full streaming premiere of the new EP by Blurring, along with an introductory review.)

 

After the breakup of Brutal Truth, the band’s members have continued on in multiple outfits, one of the finest of which is Rochester, New York-based technical grindcore act Blurring.

Blurring is a new vehicle for legendary bassist Dan Lilker (Brutal Truth, Nuclear Assault, former founding member of Anthrax, countless others) and multi-instrumentalist Erik Burke (Sulaco, ex-Kalibas, ex-Lethargy, countless others) on drums, combining their immense talents with other like-minded top-notch musicians to form one of the absolute best grindcore bands currently active.

While the band had some demos and other releases preceding their 2015 self-titled album, it was that release that really got me hooked on their complex and disturbing brand of grindcore. Some of you might have caught my review for it here at NCS; if not, now’s your chance to check out Blurring — don’t fuck up. The band is set to release Cloud Burner on April 28th, a fantastic five-song EP that we’re streaming early in full today.

Apr 122017

 

(Austin Weber introduces our premiere of a video by the electrifying Brain Drill from California.)

At this point, most people know Brain Drill and have long since formed an opinion either for or against the band and their frenetic and over-the-top style of technical brutal death metal. As such, I’m not here to preach at length to the unconverted, but I will say this: I think last year’s comeback album from the group, Boundless Obscenity, was by far their strongest effort to date.

In particular, I felt the band really stepped up their game, both rhythm-guitar-wise, with tastier, more complex riffs, and also in the songwriting department. Since it was the band’s first release as an independent band since parting ways with Metal Blade Records, it didn’t get as much press as it should have, though we certainly covered it here at NCS more than once! So we’re here today to premiere a new music video for their song “Infinite Oblivion” to give the band another boost and spread the word about music that deserves more attention.

Apr 032017

 

(Austin Weber introduces our premiere of a track from the debut album of Brooklyn’s Mary Todd.)

The time has come to grind away all the doldrums a Monday tends to bring. Brooklyn-based grindcore trio Mary Todd have a supercharged displacement of energy and venom to unleash on “The Architect” for you today, and it’s the first song to be released from their forthcoming debut album, Bone Stock.

Back in 2015 I covered their EP, Shoot To Kill, on my year-end list here at NCS, and really loved what that release had to offer. Overall, Mary Todd have developed a sound that unites math-grind, tech-grind, and death-grind, integrating each style’s lethality, heft, and other elements into one schizophrenic host, jumping from form to form spastically.

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