Jun 012013


(Bolt Thrower — photo credit Fred Pessaro and Invisible Oranges)

Live metal was all up in Seattle this past week. I can’t remember another week like it. I went to shows on Monday, Wednesday, and Friday. I could have seen Kylesa and Blood Ceremony on Tuesday night and Hate Eternal and Fear Factory, or Bell Witch and Usnea, on Thursday night if I’d wanted to. But in theory I had a day job I was supposed to tend to, so I tried to moderate things just a bit. The shows I did see were fantastic, ranging from killer sets by a group of local bands to the likes of Bolt Thrower, Benediction, and Gorod.

Old fart that I am, I’m exhausted from all those late nights and early mornings, suffering from a weeklong hangover/bangover, and black and blue from being caught in a couple of mosh pits, but this was definitely a week to remember. I didn’t take my camera to any of the shows I saw, so I’m using other images to pretty up this post. I’m mainly writing this to thank all the bands for killing it this week, and to introduce you to a few new names along the way.

MONDAY, May 27

On Monday night I went to the 2 Bit Saloon to catch the latest show by Seattle’s Carnotaurus (I’ve written about them before). Normally a three-man combine, they were missing their bass player due to a miscommunication about transportation to the venue, but that didn’t stop vocalist/guitarist Travis “The Virus” Helton and drummer Brad Navratil from tearing everyone a new asshole with a blast of vicious Mesozoic death metal. Travis gets so much low-end radioactivity out of his Jackson Kelly guitar and his riffing and soloing are so fast that the absence of the bass wasn’t a deal breaker. Carnotaurus are working on a new album that should be out this summer. Stoked for that.

Nov 272012

Travis “The Virus” Helton is a friend of mine who’s the vocalist and guitarist in a three-man Seattle death metal group named Carnotaurus. I’ve talked with him about the band numerous times and listened to some of the band’s early recordings (when “the band” was just Travis and a drum machine), but had never made it to one of their gigs until last night. They played at Seattle’s 2 Bit Saloon (a very cool place, btw), and I showed up along with a group of other mutual friends of Travis and mine.

To be honest, I was a little nervous. Travis is a wonderful person and a walking encyclopedia when it comes to metal, but what if his band turned out not to be very good? I mean, I’m not a very good liar, except when I’m making up stories about the NCS loris horde. What would I say if the music proved to be disappointing?

Well, thankfully, I needn’t have worried, because I had a fuckin’ blast listening to Carnotaurus. In fact, I liked them so much I thought their show deserved this post. Also, my confounding camera decided to play nice with me for a change and I got some decent pics of the venue and the Carnotaurus set. I’m including some of those at the end of this review.

In a nutshell, Carnotaurus sound like a full-throttle battle tank. I don’t mean one of those slick, modern-day, high-tech M1’s that cost about $5 million a copy. I’m talking about something from the last World War that has somehow survived the decades while remaining just as destructive as ever — loud, heavy, rusted-out, belching noxious fumes, scattering metal shards, throwing pistons and treads, and just crushing everything in its path.

© 2009-2017 NO CLEAN SINGING Banner design by Dan Dubois, background design by groverXIII. Suffusion WordPress theme by Sayontan Sinha