May 082017
 

 

(Comrade Aleks brings us this interview with guitarist Mat Davis of the North American heavy doom band Castle.)

Castle is one of the most powerful bands of the States’ heavy scene. They’ve combined doom and heavy metal since 2009, and each of their four albums is an impressive and focused work filled with concentrated energy.

The recording lineup hasn’t changed since the band’s founding: Elizabeth Blackwell on vocals and bass, Mat Davis on guitars, and Al McCartney on drums. Liz’s voice is thick and charged; each line she sings and each chord Mat produces really count.

Their latest album Welcome to the Graveyard was released in July 2016 by Ván Records and since then Castle has played a damn lot of shows, so I wondered if they’ve had time to compose some new tunes. Are you wondering this too? Okay, then this interview with Mat will shed some light on the band’s past, present, and a bit of future. Continue reading »

Mar 182014
 

As explained in an earlier pissing-and-moaning post today, I was way out of touch yesterday and have been spending some time today catching up on what I missed. But of course I found a whole lot of new likable things that appeared today as well. To avoid falling too far behind, I’m gathering a few of today’s goodies in this post and will collect some of those catch-up items in a piece for tomorrow.

TEITANBLOOD

Teitanblood from Madrid, Spain, were one of my first introductions to the kind of apocalyptic music that some people call blackened death metal and others term war metal. I wrote about them here, not long after making the discovery, in a post that also included music from Blasphemophagher and Diocletian. At the time, I was hunting for the right phrase to describe the music — “Atmospheric death metal”? “Apocalyptic prog”? “Post-death metal?” I decided “war metal” was as good as any label.

Teitanblood’s second full-length, entitled Death, is now scheduled for release on May 13 — five years after Seven Chalices. It’s available on CD and double LP from The Ajna Offensive. It features suitably black cover art (and to see a much larger image, click the one above.)

I’m pleased to say that I have an advance copy of the music. I’m displeased to say that I haven’t yet listened to it. BUT, I have heard one song that has became available on YouTube — “Anteinfierno”. Continue reading »