(Greek writer John Sleepwalker of Avopolis.gr returns to NCS with this interview of Chelsea Wolfe conducted in advance of her appearance in Athens on April 29 at the Smoke the Fuzz Fest with Amenra, Oathbreaker, and Skull & Dawn. )
Your style has reached out to audiences unfamiliar with experimental sounds, thanks to its remarkable accessibility. Do you believe diversity can be an obstacle when aiming at new horizons, and how much do you see your sound further developing? When should we expect a new full-length release?
CW: I think sometimes being difficult to define can hold an artist back from certain opportunities, but I’ve been really lucky to still have support from a lot of really great people despite being sort of in-between genres. When I’m writing a new album I just follow my instincts and pay attention to what my bandmates and I are writing naturally, and then we hone in on that and refine it. We actually just finished recording a new album and if all goes well, it’ll be out later this year.
(Krieg’s Neill Jameson recently completed a very well-read three-part NCS series on obscure black metal from the ’90s (collected behind this link), and now he returns to our site with a different kind of mixtape.)
Even though we’re still in the middle of the season where your chances of getting skin cancer AND being irritated at all times is still going strong, I’m attempting to be forward-thinking. Thus to take my mind off the heat, I’ve decided to write about miserable and morose music this time around. I figure if places are trying to shove pumpkin beer up our asses in the middle of summer then I might as well shove some gloomy music up whatever orifice you prefer. I’m trying to be considerate.
As some of these artists have wildly varying styles across recordings I’m just going to hone in on one specific one per, but the majority of these fine and well-adjusted folks have a lengthy resume to choose from, so don’t just take my preference as gospel, which I’m sure no one does anyway.
This is a collection of new songs and videos, most of which I intended to share yesterday before I discovered a torrent of other hot-off-the-presses debuts that appeared the same day. And of course, as a result of the delay I spotted more new things that appeared since then — including the first and last items in this round-up.
As previously reported a couple of weeks ago, Atlanta’s Withered are primed to release their first new album in more than five years. This one is entitled Grief Relic and it’s coming out on May 27 via Season of Mist. One song named “Husk” got its debut at DECIBEL on March 7, and today Revolver brought us another one named “Feeble Gasp”. Here’s a statement about the song from guitarist/vocalist Mike Thompson:
(Wil Cifer presents some thoughts about the new album by Chelsea Wolfe — Abyss.)
It is no secret that Chelsea Wolfe has managed to gather a fan base in the metal community without actually playing metal, aside from a Burzum cover. Rumors have been abounding that Abyss was going to be her metal album. Considering some of the stylistic shifts she has made with each album, going in a heavier direction would make sense — but how do the rumors line up against the actual album?
Well, this is a spoiler alert as to just how metal Abyss is.
Oh what the hell, even though it’s well past the time when we usually stop posting, I think you should listen to this new Chelsea Wolfe song, the name of which is “Iron Moon“.
My NCS comrade BadWolf told me about the song; there was a lot of heat coming off him when he did. He has talked my ear off (actually, both of them) about Chelsea Wolfe over the last year or two. He lusts after her music (and I think her as well) with the fervor of a true zealot.
I do understand the attraction(s), but I have a pretty simple, one-track mind when it comes to music. In general, if it’s not incinerating (and “Iron Moon” isn’t that), it needs to be very heavy or very terrifying. “Iron Moon” gets pretty close to both of those comfort zones.