Oct 042022
 


ColdWorld

(Our friend Gonzo rejoins us with a collection of reviews and music streams for albums released in September that got him enthusiastic.)

Confession time: A lot of the music I was going to feature in this month’s column was already covered by our own Andy Synn and DGR. Such is the nature of contributing to a blog that runs on well-intentioned chaos, but let me tell you – even though seeing my byline is less common these days, I wouldn’t have it any other way here.

Anyway, I could sit here pontificating about life or personal updates or the change of seasons or the fact that we may be closer to armed nuclear conflict than any of us would care to admit, but I’d like to just make this month’s post about the music. Besides, I’m about to see Meshuggah on a live stage for the first time in way too long and I couldn’t be more excited about it.

Here’s some of the September releases I put together that Mr. Synn and DGR didn’t cover – and let me tell you, that took some digging. Continue reading »

Jul 302022
 

 

A couple of updates for you weekend visitors: First, I’ve had to rush today’s roundup, thanks to a late start on the day and way too many new songs and videos to go through in order to make these choices. Due to the rushing, I had to leave lots of good stuff on “the cutting room floor”, despite how many choices I made.

Except in the context of deadly sins and circles of Hell (the violent and bestial one), 7 is a lucky number, so I initially decided to stop there. But I couldn’t help myself, and so pushed it to 10 instead, presented alphabetically by band name.

Second, I’m going to a big party in Seattle tonight. It was originally scheduled to happen in January, but last winter’s covid surge fucked those plans. It will be very late before I get back to the NCS island headquarters, and there’s at least a 50/50 chance I’ll wake up on Sunday with a hangover, and a 100% chance that most of the morning will be gone by the time I open my red eyes. Which means we may not have a Shades of Black column tomorrow. Continue reading »

Mar 062022
 

 

Sometimes I begin these columns with well-known names (only if I think the music is good, of course), in an effort to lure visitors into the music of much less well-known bands. I thought about doing that today with new songs and videos by Dark Funeral and Watain, but decided to just move right into obscurity.

Having chosen new stuff by nine different bands, it was going to be hard enough to write very much about them even without also trying to comment about the new singles by those bigger names (if you haven’t heard those tracks, you’ll find them here and here).

AU-DESSUS (Lithuania)

When I heard the first single (“XI”) from this Lithuanian post-black metal band’s 2017 debut album, End of Chapter, I had a suspicion that we had something very special on our hands.

By the time we ourselves premiered the second one (“XII”), I had a firm conviction that this record would stand well out from the pack and become a highlight of the year. Finally being able to hear the full album provided confirmation. It was a powerful release from beginning to end, and was also home to a track (“VI”) that I included in our list of 2017’s Most Infectious Extreme Metal Songs.

And so it’s exciting news that the band will be releasing a new EP next month through Les Acteurs de l’Ombre Productions. The first single is also exciting. Continue reading »

Mar 232020
 

 

Here’s the second part of this week’s column, which I began here yesterday. As usual, I’ve been unable to write about everything I wanted to write about and have had to be (relatively) brief, but that’s because I have a couple of album reviews to finish writing — they will accompany premiere streams today, both of which will be worth your time.

All of the music you’ll find below was created by one-person bands — one from the UK, one from Germany, and two from Portland, Oregon. In these days of the virus, when most people follow the edicts of social distancing, we may come to increasingly rely on such one-person projects for new music. Not all of that will be as good as what you’re about to discover.

ISKALDE MORKET

This is the UK project I mentioned; its creator lives in Norwich. The album, Metaphysics of Mass Murder, was released on March 17th. The band’s thumbnail description of the music on Bandcamp is “Apex Dissonance. Labyrinthine Technical Black Metal”, and that happens to be not only evocative but also accurate — though it doesn’t go quite far enough. Continue reading »

Jan 292017
 

 

Welcome to the 19th installment of my list of 2016’s Most Infectious Extreme Metal Songs. I’m beginning to feel stressed about this list, because I swore to myself (and may have promised you) that I would bring this to an end on January 31, and yet I still have dozens of worthy candidates. That means there’s going to be an arbitrary cut-off, with a lot of worthy tracks being neglected. But I figured that would happen when I started this list… I’ve never been very good at list-making.

Anyway, here are four more songs. You’ll never guess why I chose to group these four songs together. It will just have to be my little secret.

FALLUJAH

In his NCS review, my colleague Andy Synn called Dreamless the finest of Fallujah’s three albums so far — a creation that “could very well be a game-changing, life-altering release for these Tech-Death titans-in-waiting.” He praised the songwriting, which gave each track its own distinctive personality despite the presence of common ingredients — “nuanced, technical drums, strobing, rapid-fire riffs, dreamy synth waves, and soaring, extravagant lead guitar work” — and the positive direction of the band’s continuing evolution. Continue reading »

Jul 182016
 

ColdWorld-Autumn

 

(Wil Cifer brings us this review of the new album by Germany’s ColdWorld.)

Finally after 8 years, Germany’s ColdWorld has released a new album, Autumn. This world might be more of a slight chill than a cold one, as the sound has certainly changed. With this album, everything is bigger, so the compromise is even up to some of the starkness created by the more lo-fi ambiance of this project’s earlier work. I love depressive black metal; if you have read my other reviews then you know I like it as dark as a band can give it to me. So after hearing the changes, which have made this more of an atmospheric black metal album than a depressive black metal album, I had to pry my stubborn old mind open even further.

The mood has changed; something hopeful lies within the chords propelling the scowling vocals. Things become even more refined when clean vocals appear in the first song, creating a more Porcupine Tree sound. Female vocals are even layered within “Void”. Synths set the stage for “Woods of Emptiness”. There is an emotive pulse to the guitar, but to my ears it’s not what I call dark; instead it paints the song in a hazy, dream-like gray. Continue reading »

Dec 092013
 

(Guest writer Alain Mower is back with recommended releases appropriate for the season.)

As prophesied in ice and fire, winter has come and – as pointed out in Ben’s guest article ”At the Heart of Winter” – with the change of seasons into the most dark and frostbitten of them all, in conjunction with the beginning of hunting list season, we need a little extra something to help offset the fact that we can’t just hibernate this season of stillness and death behind us.

Also, while undeniably a necessary part of any tried and trve vinter, I’m going to try and leave off the classics in favor of featuring some (relatively) modern releases that are more recently bidding for the throne of winter. It’s not that Immortal, Windir, and Ulver haven’t put out the most quintessential albums of the season, it’s just that some young wolves are just getting their first real taste of fresh blood, and they deserve some mentions too.

Also, not all the releases listed here are metal, but I will argue to the death that all of them are Winter. So, without further longwinded gusto, here are ten albums guaranteed to help you meet the heart of winter head on. Continue reading »