(Andy Synn ventures outside his usual meat and potatoes with this one. I’m not objective, of course, but this post includes many observations that ring true to me, and maybe will to you as well. Also, this post includes a heavy cargo of highly-worth-watching videos.)

I’ve been looking at doing some shorter pieces on various topics for a while now, spreading myself a little more widely and letting the material do most of the talking for me, and Islander’s sabbatical seems like the perfect opportunity to do so.

So I wanted to bring your attention to a couple of music videos which you may have overlooked, and highlight why I like them and what I think makes them a good example of the video “art-form”. Equally, however, the success (relative or otherwise) of these videos highlights some of the regrettably common failures of most metal videos!

Now bear in mind that most metal videos are a missed opportunity. I’m a fan of a good solid performance video, this is true, be it live footage (purpose-shot or amalgamated) or the traditional warehouse/barren-field performance, as long as it gives you a sense of the intensity and power of a band really getting into their music and their instruments. However, this is where most of them fall down, simply giving us a general shot of “hey look, this is what we look like when we’re playing” rather than any sort of “feel” for the intensity of the experience. And I’m not saying this is easy, far from it.

I do, however, want to highlight the issue that for so many bands (and most recently I’m looking at the plethora of metalcore/deathcore/djent bands) videos become merely a case of being SEEN without actually SAYING anything with the opportunity they’ve been given. Just because you’re moving/jumping/posing does not mean you’re coming across as doing anything more than singing into a hair-brush in front of the mirror.  (more after the jump . . .)

Today, Dark Tranquillity and Century Media posted to YouTube a new official video for a new song called “Zero Distance”. The song will appear on a special tour edition of the We Are the Void album, which was originally released in 2010. The special tour edition will be released in Europe on October 24. Here’s a statement from DT’s Niklas Sundin:

“Zero Distance” was recorded at the same time as the “We Are The Void” album, but due to its different nature we decided to keep it for later use. The time is now right to unveil the song, as well as the other rare/bonus material recorded at the same time, in a massive “We Are The Void” tour edition package. In addition to the added songs and liner notes by Mikael, there’s also a live DVD capturing some special moments during the 150-and-counting gigs in support of the album.”

The music video for “Zero Distance” is the first produced by Aduro Labs (www.adurolabs.se), which is a new film/production enterprise co-founded by DT’s own Niklas Sundin. The video is fun to watch, and the song is . . . well, it’s Dark Tranquillity, but you should just listen to it for yourself. The video is right after the jump, along with a track listing for both the CD and the DVD within the tour edition of We Are the Void.

Surely, I’ve done stupider things here at NCS than I’m about to do, though I can’t remember when.

So, in catching up with metal news this morning, I found a whole bunch of shit that peaked my interest. To decide whether it was all worth sharing with you, I needed to listen to some music. I reached for my trusty iPod to get the earbuds and plug them into my laptop, and . . . no fucking iPod. No fucking earbuds.

I’m in Texas visiting my mother and brother, and I think I left my iPod at my mom’s place yesterday, but at the moment I’m earless (and my hearing is too shot to make out very much from the tinny, crappy little speakers on my laptop). But I decided, fuckit, I’m going to share the items I’ve found with you even though I haven’t heard most of them. Maybe you’ll tell me whether it was worthwhile.

Here’s the line-up: Chimaira has debuted two new songs from The Age of Hell album, which is due for release in late August by Long Branch Records in Europe and eOne Music in NorthAm. One is streaming exclusively at MetalSucks (here) and one at Revolver (here). You can buy both of them at iTunes right now. As I said, I haven’t heard them, though I’m a Chimaira fan. I hope they’re good. I bet they will be. If you haven’t already heard, the new Chimaira line-up includes two of the dudes from Daath — Emil Werstler (on bass!) and Sean Z. (on keyboards!).

After the jump . . . performance videos from Mayhem and At the Gates at festivals this past weekend, plus news about full-album streams from In Flames and The Devin Townsend Project.

[EDITOR'S NOTE: Our UK contributor Andy Synn made his way to Oslo, Norway, to catch Dark Tranquillity's live show on November 6. DT was supported at that club show by fellow Swedish metallers Avatar and Marionette. Andy provides this review of the night's offering of metal in Oslo.]

John Dee’s in Oslo is a surprising venue in many ways. As the smaller of the rooms available in the building on Torgatta you immediately expect it to be of perhaps a lower quality than a larger venue, yet overall the entire place was presented with a higher degree of class and quality than most venues of a similar size which I have visited here in the UK. Wide-ranging and extremely clean, well-laid out with two separate bars and a raised area at the back of the room, the venue worked perfectly for a metal show this evening. Kudos to the owners and staff of John Dee.

Unfortunately, the supports were not exactly of the same level of quality.

MARIONETTE

First up was Marionette, a Swedish band of whom I’d heard good things with regard to their brand of modern melo-death, influenced performance-wise by Japanese visual Kei. Unfortunately, they were, and are, routinely terrible. Embodying much of what has gone wrong with the melo-death sound in recent years, the band appeared onstage garbed in black shirts and white ties, each with their own “interesting” hair-style and accompanied by a singer in a pseudo-Japanese mask that lasted all of 30 seconds on his face. They came across as a bad metalcore band using keyboards and “wacky” imagery to appear interesting in a desperate attempt to appeal visually to angsty teens who think that Green Day are punk as fuck and My Chemical Romance have something important to say about the youth of today. (more after the jump . . .)

On the night of May 28, Dark Tranquillity‘s 2010 WE ARE THE VOID TOUR made its scheduled stop at Studio Seven in Seattle, and two of your NCS collaborators were present to take in all the awesomeness this show had to offer.

This was a must-see event for us, because Dark Tranquillity was one of the bands that first hooked us on extreme metal. And apart from the significance of that, we catch their live act whenever possible because they dependably deliver outstanding performances. Of course, they weren’t alone — Threat Signal, Mutiny Within, and local band Blood and Thunder were also on the bill.

So, here’s our report on the concert, plus we’ve got an unusually large batch of performance photos to show you after the all the verbiage.  (And if you think these photos are amateurish, you should see the hundreds we took that didn’t make the cut!)

BLOOD AND THUNDER

We’re not gonna say too much about this band’s performance here  – because we devoted a whole post to them yesterday. In a nutshell, they kicked massive amounts of ass: A great stage presence; technically excellent playing; and one catchy, headbangable song after another. This band churns out modern melodic death metal that deserves a wider audience.  (We do have some photos of the band’s performance that we didn’t put in yesterday’s post — so we’re putting those up at the end of this one.)

(stay with us after the jump for the rest of this review, plus all those photos we promised . . .)

More than a month has passed since we posted our last update about the 70,000 Tons of Metal Cruise, and we figured it was time to check in again.

Since our last update, Exodus, Forbidden, and Testament have signed on. That’s a heavyweight injection of Bay Area thrash into this floating festival (we’ll give you the complete current line-up of 18 bands after the jump). Plus, in related news, the Swedes have gotten in on the act by putting together their own metal cruise (more on that after the jump too).

If you don’t know what this cruise is, we’ll fill you in: The organizers have chartered a cruise ship (Royal Caribbean’s “Majesty of the Seas”) capable of carrying 40 metal bands (which means they’re still targeting 22 more bands to fill out the line-up) and 2,000 fans, departing Miami on January 24, 2011 for a 5-day, 4-night cruise in the Caribbean, including a stop at the Mexican island of Cozumel.

The 70,000 Tons of Metal cruise has got great potential — both good and bad. It could be a truly awesome experience. It could also be a clusterfuck of cosmic proportions. And there’s no way to know which it will be until that cruise ship limps back into port, probably on fire, at the end of the voyage.

We’ve got some thoughts about what could make it orgasmically good, and what could make it suck big-time. But we’d bet the farm that unless Royal Caribbean is run by metalheads (not likely), they have no fucking idea what they’re about to get themselves into, and that increases the risk of suckage.  (more thoughts, and other related stuff, after the jump . . .)

Fetching album cover, isn’t it? It’s for the The Reckoning, the latest release (on Regain Records) from Sweden’s Arise. Arise has been around for almost 15 years, though the band was significantly re-formed in late 2006, with three new members joining the two remaining original members (drummer Daniel Bugno and guitarist LG Jonasson). The Reckoning is the band’s fourth album and the first since the 2006 makeover.

Regain publicized the album for a late-March 2010 release, so I thought it was new. But it turns out the album was also released in the spring of 2009 — or so it seems, because lots of metal blogs reviewed it last year. Puzzling.

At any rate, between the 2009 “release” and the 2010 release, The Reckoning has been reviewed quite a bit, and while most reviewers found things to like, a common snooty critique runs through the write-ups like a monotoned thread: That what Arise is doing has been done before by other, better-known bands in their early days, like At the Gates or Dark Tranquillity or In Flames.

I suppose there’s some truth to that criticism. I just happen not to care, because I’m having too damned much fun listening to this music. It’s thrash-paced death metal embedded with devilishly catchy grooves, seamed with melodic leads and solos, enhanced by razor-sharp modern production, and played quite capably by people who know what they’re doing.  (more after the jump, including a track to stream . . .)

The May/June issue of Revolver magazine arrived in our mailbox over the weekend. What we enjoyed the most was not the cover story about the 2010 “Revolver Golden Gods” awards show (which was largely irrelevant to what we care about in the current extreme metal scene). What we enjoyed the most was Revolver’s verbatim report of a conversation that took place at a dive bar in New York City between Adam Dutkiewicz and Mike D’Antonio of Killswitch Engage and frontman Mikael Stanne of Sweden’s Dark Tranquillity.

As you may know, KSE and DT toured together earlier this year. When Dutkiewicz and D’Antonio formed KSE back in 1999, one thing that united them was their love of Swedish melodic death metal, and Dark Tranquillity in particular. As they got to know Stanne better while touring, they discovered they had more in common than elements of their music. Like a mutual attraction to the Travel Channel (?) and (wait for it) . . . eating competitions.

And green shit.

So after this threesome did some Jack Daniels shots at that dive bar, the conversation eventually turned to the subject of eating competitions, and Revolver was there to record what they said. We thought it was pretty fucking funny.

Granted, our standards of humor here at NCS are pretty low. For example, as you’ll see, we laugh at anything that involves shit. Still, we thought you might find the conversation funny, too. After all, if you’re reading this site, your standards are also pretty low, by definition. So, after the jump, we’ll give you the best excerpts of that Dutkiewicz-D’Antonio-Stanne dialogue from Revolver.

Yesterday, those groundbreaking Swedish melodic death metallers Dark Tranquillity released a video of “Shadow In Our Blood,” one of the songs from the band’s forthcoming ninth album, We Are the Void. Your NCS Co-Authors are a little biased when it comes to Dark Tranquillity: Our presumption is they can do no wrong. So, with the warning that we’ve pretty much lost our objectivity, we gotta say this is a fucking good tune.

The video ain’t bad either (except for the fact that vocalist Mikael Stanne comes off way too much like one of the dozens of crazy homeless people we encounter on a weekly basis walking the streets of downtown Seattle). Here’s his own take on the video:

“If you guys are into torture, you might get a kick out of [our new video]. Imagine being strapped to a speeding motorized vehicle like one of those wooden maidens on pirate ships for 15 hours in the freezing cold forests of Finland and you might get an idea of what the video is all about.”

We Are the Void is due for a North American release on March 9. Dark Tranquillity is currently touring the U.S. with the-now-Howard-Jones-less Killswitch Engage and The Devil Wears Prada. We’ll be there when they hit Seattle on March 10.

Sight of Emptiness plays Gothenburg-style melodic death metal. But they’re not from Sweden, or from anywhere in Europe, or even from the U.S. Sight of Emptiness hails from — of all places — Costa Rica.

Costa Rica isn’t known for its melodic death metal. In fact, until stumbling across Sight of Emptiness, we didn’t know anyone in Costa Rica played any flavor of death metal. And for that reason, we probably wouldn’t have been tempted even to listen to this band’s musical output. But what changed our minds was the news that the band’s second studio album, Absolution of Humanity, which is expected to be released late February/early March, was mastered in Sweden by Jens Bogren, who has done similar duties for the likes of Opeth, Amon Amarth, Soilwork, Bloodbath, Katatonia, and Symphony X.

The band has posted three songs from Absolution of Humanity on its MySpace page, and has released a performance video of a fourth song, “Faceless Dream.” Based on this offering, the band is definitely following the trail blazed by bands such as Dark Tranquillity and At the Gates, but that’s not a bad thing.  As pathfinders go, those bands are peerless. And Sight of Emptiness has both good songwriting skills and solid musical technique, and we particularly liked the impressive vocal range of frontman Eduardo (aka “Filthy”) and the occasional touches of Spanish musical passages added to the mix.

This is some catchy, headbanging fun. The novelty of being an extreme metal band from Costa Rica may be the initial hook for these dudes, but there’s substance here, too. Sight of Emptiness is currently unsigned, but we’re wishing ‘em luck in finding a label.

Check out this video of “Faceless Dream” by Sight of Emptiness:

Sight of Emptiness – Faceless Dream from Sight of Emptiness on Vimeo.