Dec 132021
 

 

I guess you noticed that we didn’t post anything new at the site on Saturday or Sunday. In 12+ years of our existence that has happened only a couple of other times. I went to holiday events on Friday and Saturday nights, got trashed at both of them, and spent the days after in a state of crippling mental and physical disability. So that’s the explanation in a nutshell.

There’s obviously a lot of catching up to do in the race for staying on top of new songs and videos, which explains why I’ve resorted to this OVERFLOWING STREAMS format. I made a conscious effort to include a fair share of black metal since I failed to post a SHADES OF BLACK column yesterday. Speaking of which, if you haven’t noticed I’ll mention the good news that a new Funeral Mist album is set for release on December 17th HERE (it appears that it will be released in its entirety that day, without any advance song streams).

IMMOLATION (U.S.)

I thought about alphabetizing this collection, as I usually do, but I have to begin with Immolation. Last week one of the best death metal bands of all time divulged a video for the first single from a new album, and it’s a breathtaker — explosive, blazing, bludgeoning, exotic, and crazed. Here’s a band who seem immune to the deleterious effects of aging. Continue reading »

Feb 042021
 

 

(This is Aleksha McLoughlin‘s review of the new album by the Belarusian band Eximperitus, which was released by Willowtip Records on January 29th.)

Eximperitus are a band who have not only lived up to their hype and mystique but surpassed all expectations on Šahrartu in every way imaginable.

It’s been five long years since the band released their full-length debut, and all that time away has resulted in not a second wasted. On their newest release, Eximperitus have focused on atmospherics, dynamics, and an ingenious use of layering to create music that genuinely sounds as alien as the imagery. Continue reading »

Dec 282020
 

 

On the 23rd of April, 2016, I discovered a band from Minsk, Belarus, whose name was Eximperituserqethhzebibšiptugakkathšulweliarzaxułum and promptly wrote (here) about a newly released track from their debut album, the name of which, in truncated form, was:

Prajecyrujučy Sinhuliarnaje Wypramieńwańnie Daktryny Absaliutnaha J Usiopahłynaĺnaha Zła Skroź Šaścihrannuju Pryzmu Sîn​​-​​Ahhī​​-​​Erība Na Hipierpawierchniu Zadyjakaĺnaha Kaŭčęha Zasnawaĺnikaŭ Kosmatęchničnaha Ordęna Palieakantakta​​.​​​.​​.

On our Facebook page a note was left explaining that, in English, this means “Projecting the singular emission ov the Doctrine ov Absolute and All-Absorbing Evil through the hexahedral prism ov Sîn-Ahhī-Erība upon the hypersurface ov zodiacal arc ov the cosmotechnical order ov paleocontact founders the utterly ancient hypostases ov pre-axes civilizations actuate the resonance transformer ov temporally similar to the eternity ov the future in the towers ov Nwn-Hu-Kek-Amon’s obcervatory embodying the ashes ov Alulim into the ethereal matter to the west ov exoplanet PSRB 1620-26b”.

As I wrote at the time, the song I had found kicked massive amounts of ass, even if its title, and that of the album, and that of the band, were guaranteed to defeat all efforts of the human mouth to shape the letters into sound.

More than one year later I found myself in the position of premiering a song from the band’s next release, an EP whose title was far briefer, though no less cryptic: W2246-0526.

And then after that, in 2019, Eximperitus (even with copy/paste functionality I’d rather use this shortened form) released a single named “Tahâdu” that I managed to overlook. “Tahâdu” is also the name of an Eximperitus track that we’re premiering today, and I’m okay using the term “premiere” because I haven’t attempted to determine (and may not be able to determine) whether this is the same song that appeared earlier or has been revised in some way. In any event, it comes from a new Eximperitus album named Šahrartu, which seems to be the Sumerian word for “Devastation”. It will be released by Willowtip on January 29, 2021. Continue reading »

Sep 282017
 

 

Seventeen months ago I posted a track from an album by a band from Minsk, Belarus, named:

Eximperituserqethhzebibšiptugakkathšulweliarzaxułum

Were it not for the copy/paste function, my hands would have been paralyzed trying to type that. My entire body would have become paralyzed if I had attempted to type the full title of the song, or the album title, which consists of a great volume of words and a seemingly endless string of letters. I had no clue what any of it meant, though a comment on our Facebook page at the time explained:

“The name of the record translates to ‘Projecting the singular emission ov the Doctrine ov Absolute and All-Absorbing Evil through the hexahedral prism ov Sîn-Ahhī-Erība upon the hypersurface ov zodiacal arc ov the cosmotechnical order ov paleocontact founders the utterly ancient hypostases ov pre-axes civilizations actuate the resonance transformer ov temporally similar to the eternity ov the future in the towers ov Nwn-Hu-Kek-Amon’s obcervatory embodying the ashes ov Alulim into the ethereal matter to the west ov exoplanet PSRB 1620-26b'”.

Thankfully, the title of the new release by… let’s just call them Eximperitus… is far briefer, though no less cryptic: W2246-0526. It will be discharged on October 20, and today we’re helping spread the word about a new lyric video for one of the new songs — also far briefer in its title: “Deshret“. Continue reading »