Sep 012014
 

(Our guest Gemma Alexander, who recently brought us a three-part report on this summer’s Eistnaflug festival in Iceland, has delivered one more gift from visit to the festival: An interview with Guðmundur Óli Pálmason, the drummer of Sólstafir. As a bonus, we’re also including at the end of the interview a new video of Sólstafir performing the title track from their new album Ótta live at a large hunting cabin in the Austrian Alps. Visit Gemma’s own excellent blog here 

When I talked to Sólstafir’s drummer, Guðmundur (Gummi) Óli Pálmason on the Monday after Eistnaflug, hardly anyone had heard their new album, Ótta. Some of the songs I had only heard played live at Eistnaflug. So at the time, neither of us knew what kind of response Ótta was going to get. If Gummi suspected that it was going to be the Sunbather of 2014, he didn’t let on.

Even without the glowing album reviews that have erupted since, it was already obvious that Sólstafir are swimming in bigger ponds than they were when I first spoke with them (here) in 2012. Then, touring the U.S. seemed like a pipe dream. This year marked their first small tour in North America, five shows plus Maryland Deathfest. Finding a supporting slot on a full U.S. tour seems like a reasonable next step. A headlining tour in Europe is planned for November. Have Sólstafir hit the big time?

“I don’t know. We’re still broke,” said Gummi before admitting, “People think that as bands get bigger things get easier. Actually, the opposite is true. You play more festivals, go on more tours, get less time off, and things get more expensive. We played 15 festivals this summer.” When a schedule change at Hellfest landed Sólstafir in the same time slot as Emperor, people started giving them condolences, and even their label warned them to expect a small turnout. In the event, their venue was packed. “People came to see us anyway. It was a big change to see crowds like that.” Continue reading »

Aug 272014
 


Eistnaflug revelers.

(Gemma Alexander is a Seattle-based writer and NCS fan who visited Iceland in the fall of 2012 during the Iceland Airwaves festival and was generous enough to send us interviews with such bands as AngistBeneathKontinuumSólstafirGone Postal, and Skálmöld. In July of this year she returned to Iceland for the Eistnaflug metal and rock festival (“Eistnaflug” being Icelandic for “flying testicles”), and we are once again the beneficiary of her writing. Today we present Part 2 of a three-part report on the festival, illustrated with Gemma’s own photos. Visit her own excellent blog here and check out more of her reporting on the festival at KEXP’s web site. Part 1 of her report for us is here and Part 2 is here.)

 

For the few of us who bothered with the hours before – or even slightly after – noon on Saturday, the desperate drunkenness of Friday night had given way to a comfortable morning buzz. Fewer than two dozen made it to the first show of the day at 1 p.m., AMFJ.

Which was too bad. Aðalstein Motherfucking Jörundsson is one barefoot guy at a little table in the middle of the floor. There wasn’t much to see, but there was a lot to hear. The set started out doomy and moved into a rave-worthy beat supporting vocals distorted beyond recognition. It was some killer industrial noise.

https://amfj1.bandcamp.com/ Continue reading »

Aug 262014
 


Sólstafir’s Addi Tryggvason with Skálmöld at Eistnaflug

 

(Gemma Alexander is a Seattle-based writer and NCS fan who visited Iceland in the fall of 2012 during the Iceland Airwaves festival and was generous enough to send us interviews with such bands as AngistBeneathKontinuumSólstafirGone Postal, and Skálmöld. In July of this year she returned to Iceland for the Eistnaflug metal and rock festival (“Eistnaflug” being Icelandic for “flying testicles”), and we are once again the beneficiary of her writing. Today we present Part 2 of a three-part report on the festival, illustrated with Gemma’s own photos. Visit her own excellent blog here and check out more of her reporting on the festival at KEXP’s web site. Part 1 of her report for us is here.)

 

The second day of Eistnaflug began at noon with sets from Pink Street Boys and Oni. I, on the other hand, began less ambitiously, arriving at the venue after 2 p.m. I don’t know anything about the first band, but was sorry to have missed the sludgy, Neskaupstaður-based Oni.

http://oniiceland.bandcamp.com/releases

 

The first band I saw on Friday was In the Company of Men. Billed as mathcore, the effect was individuals doing their own thing in the company of others. But they each went to eleven with it, and maybe my math isn’t very good.

https://www.facebook.com/InTheCompanyOfMen/timeline

 

I had heard that Morð (“murder” in Icelandic) was divisive in the local black metal community. In the event, I couldn’t really see what was so unorthodox. Was their corpse paint all wrong, or was it a slight tendency to slip into groove? Whether tr00 or transgressive, Morð put on a good show.

http://morth.bandcamp.com/ Continue reading »

Aug 252014
 


Azoic at Eistnaflug

(Gemma Alexander is a Seattle-based writer and NCS fan who visited Iceland in the fall of 2012 during the Iceland Airwaves festival and was generous enough to send us interviews with such bands as AngistBeneathKontinuumSólstafirGone Postal, and Skálmöld. In July of this year she returned to Iceland for the Eistnaflug metal and rock festival (“Eistnaflug” being Icelandic for “flying testicles”), and we are once again the beneficiary of her writing. Today we present Part 1 of a three-part report on the festival, illustrated with Gemma’s own photos. Visit her own excellent blog here and check out more of her reporting on the festival at KEXP’s web site.)

 

When I arrived in the remote fjord town of Neskaupstadur, I was determined to catch as many of the nearly 50 bands as possible. But a late night drinking with new friends and a breakfast that may have included beer interfered with my good intentions. Although the first band on Thursday didn’t take the stage until almost 3 p.m., I missed them.

The first band I did see was Azoic. With Ragnar (Raggi) Sverisson on the drums, I expected great things, and got them. What I didn’t get was vocals – it was an entirely instrumental set.

I ran into Raggi later and he explained that the set was all new music, and they hadn’t finished the lyrics yet. Okay, that’s one choice. Azoic’s 2012 Gateways can be found here: Continue reading »

Dec 172012
 

(photo by Matthieu Fabert)

EDITOR’S PREFACE: Gemma Alexander is a Seattle writer and NCS fan who visited Iceland this fall, timing her visit to coincide with the Iceland Airwaves festival. While in Iceland, Gemma generously arranged to conduct interviews of some Icelandic bands for NCS. So far, we’ve posted her interviews of AngistBeneathKontinuum, Sólstafir., and Gone Postal.

Today we give you Gemma’s interview of Skálmöld’s Snæbjörn Ragnarssonin. Gemma wasn’t able to catch up with the band in Iceland, and we thank them for agreeing to do this one by e-mail. Except for the photo above, Gemma also took all the pics that accompanying her interview.

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Throughout the ages, the greatest minds in metal have sought a satisfactory definition for the term “Viking metal.” It seemed that their best efforts were doomed to be fruitless when Amon Amarth, the one band universally agreed to belong to the genre, went on record with this statement:

“We play death metal. We write about Vikings so, therefore, some refer us to Viking metal, but I have no idea what that is. I can’t imagine the Vikings were into metal at all except on the swords and stuff. And musically, I guess they only played these strange lip instruments and some bongos or whatever.”

The Metal Web’s interview with Johan Hegg Continue reading »

Dec 062012
 

EDITOR’S NOTE: In May I got on an impulsive kick and wrote about as many Icelandic metal bands as I could find. One of them was Gone Postal, a band who won the Wacken Metal Battle contest in Iceland in March, which gave them the right to perform at Wacken Open Air this summer. Another was Svartidauði, a black metal band whose debut album Flesh Cathedral was recently released n the U.S. by Daemon Worship Productions. I didn’t know there was a connection between these two bands, but as you’ll see, there is.

Which brings me to the thoroughly awesome Gemma Alexander, a Seattle writer and NCS fan who visited Iceland this fall, timing her visit to coincide with the Iceland Airwaves festival. While in Iceland, Gemma generously arranged to conduct interviews of some Icelandic bands for NCS. So far, we’ve posted her interviews of AngistBeneathKontinuum, and Sólstafir. And today, we give you her interview in Iceland  of the following members of Gone Postal:

Nökkvi G. Gylfason (guitar), Ævar Örn Sigurðsson (bass), Þorbjörn Steingrímsson (Vocals, guitar), Stefán A. Stefánsson (drums), and the band’s manager.

Unless otherwise noted, Gemma took all the photographs accompanying. Be sure to read Gemma’s blog about her entire Icelandic trip here.

_____________________________________________________________________

Gone Postal closed Iceland Airwaves’ heavy metal showcase at Amsterdam, turning the decent little bar into something unholy with their atmospheric, blackened-death sound and a few sticks of incense.  After the show, Amsterdam staff swept up broken glass while the four members of the band loaded up their gear. A man who introduced himself as their manager grilled me on my journalistic credentials and then hit me up for weed. Continue reading »

Dec 032012
 

EDITOR’S NOTE: Seattle-based writer and NCS reader Gemma Alexander journeyed to Iceland in late October to see the country, and she timed her visit to coincide with the Iceland Airwaves festival, which included over 420 bands playing all over Reykjavík for five days, plus 400 more unofficial, off-venue performances.

While in Iceland, Gemma generously arranged to conduct interviews of some Icelandic bands for NCS. So far, we’ve posted  her interview of Angist, her interview of Beneath, and her interview of Kontinuum. Today we’re publishing Gemma’s interview of Guðmundur Óli Pálmason, the drummer of what is today probably Iceland’s best known metal band, and a huge NCS favorite: Sólstafir.

The interview is accompanied by Gemma’s photos of Sólstafir on stage at the Harpa concert hall as well as photos she took at the performance they gave at the KEX Hostel — a show that Gemma said changed her life. You’ll also find some truly amazing videos of the KEX Hostel performance at the end of this interview.

And if you haven’t yet checked out Gemma’s blog about her entire Icelandic vacation, do that via this link. You’ll be glad you did.

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Sólstafir are a band who need no introduction to readers of No Clean Singing. At last count, this web site had written about the band a full dozen times. It is with great pleasure that I am able to add this interview with Sólstafir drummer Guðmundur Óli Pálmason. Guðmundur gave me a good chunk of his afternoon just hours before sharing a stage with Skálmöld and HAM at the largest heavy metal show ever hosted by the Iceland Airwaves festival. After wandering downtown Reykjavík in search of a place to sit that wasn’t blasting live music, we finally settled in a café for a meaty discussion of Sólstafir’s music, with a side of politics and Eistnaflug. Continue reading »

Nov 272012
 

EDITOR’S NOTE: Seattle-based writer and NCS reader Gemma Alexander recently journeyed to Iceland in late October to see the country, and she timed her visit to coincide with the Iceland Airwaves festival, which included over 420 bands playing all over Reykjavík for five days, plus 400 more unofficial, off-venue performances.

While in Iceland, Gemma generously arranged to conduct interviews of some Icelandic bands for NCS. So far, we’ve published  her interview of Angist and her interview of Beneath. Today we’re giving you part of Gemma’s fascinating interview of Kontinuum’s Birgir Thorgeirsson. It’s the metal part of the interview. Given the nature of Kontinuum’s music, there were “less metal” parts as well, and you’ll be able to find those at another blog for which Gemma writes regularly, Three Imaginary Girls, by following this link.

To hear Kontinuum’s well-received debut album Earth Blood Magic, you can stream it in full via the player located at the end of this interview. The album can be purchased from Amazon as an import, or preordered directly from Candlelight. Kontinuum is on Facebook here.

And if you haven’t yet checked out Gemma’s beautifully written blog about her entire Icelandic vacation, do yourself a favor and do that via this link. And now, here’s Gemma’s interview, preceded by her own introduction:

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Birgir Thorgeirsson may be familiar to the tr00 and cvlt from his work in Potentiam, one of the first black metal bands in Iceland, and one of the few to ever release albums internationally. After a stint abroad, Birgir is back with a new project, Kontinuum. They are the first Icelandic band to sign with Candlelight, which will release their debut album Earth Blood Magic in North America on January 8th, 2013.

This one comes with a warning: it’s an Exception to the Rule – the NCS rule, and most other rules you can think of. Mostly clean vocals lean to the gothic. The music, too, is right on the edge of NCS territory, extreme primarily in its disregard for conventional genre boundaries. Like other notable Icelandic bands, Kontinuum are doing whatever the fuck they want with their music, without particularly giving a rat’s ass what anyone thinks about it. If you use spellings like tr00 and cvlt, as Angist’s Halli tells people when they discover that he’s in a band, “You’re not gonna like it.” Continue reading »

Nov 192012
 

EDITOR’S NOTE: Seattle-based writer and NCS reader Gemma Alexander happens to be a fan and student of all things Icelandic. After months of planning, Gemma journeyed to Iceland in late October to see the country, and she timed her visit to coincide with the Iceland Airwaves festival, which includes over 420 bands playing all over Reykjavík for five days, plus 400 more unofficial, off-venue performances.

Though Airwaves may be best known as an indie pop fest, it also includes performances by an impressive array of Icelandic metal bands. Knowing of NCS’ own appreciation for Icelandic metal and the attention we’ve paid to Icelandic bands this year, Gemma offered to arrange interviews with several of them. We previously posted her interview of Angist, and today we’re privileged to give you Gemma’s interview of two of the members of Beneath, whose killer debut album was released earlier this year by Unique Leader (featured at NCS here).

Gemma has also been blogging about her entire Icelandic vacation — and it’s wonderful. Do yourself a favor and check it out HERE. And now, here’s Gemma’s interview — with some Beneath death metal at the end.

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Beneath is fairly new, but the musicians behind the name are some of the heaviest hitters in Icelandic metal. Fronted by Gísli Sigmundsson of the historic Sororicide, with Unnar Sigurðsson of Ophidian I fame on guitar, and with drums provided by Atrum’s Ragnar Sverisson, Beneath came out swinging in 2009, winning Iceland’s first Wacken Metal Battle. An EP followed in 2010, with their first full-length, Enslaved by Fear, released this July. Needless to say, all of the usual metaphors involving blunt force trauma apply.

I was fortunate to meet with Gísli and Ragnar at Dillon Whiskey Bar in Reykjavík before the Iceland Airwaves festival. We talked about the band, their music, and the state of Icelandic heavy metal. Continue reading »

Nov 122012
 

Angist: Halli (bass), Edda (vocals/guitar), Gyða (guitar), Tumi (drums); photo by Jose Carlos Santos

EDITOR’S NOTE: Sometimes great things happen to you when you least expect or deserve it.  Case in point: We have become acquainted over the ether with a Seattle-based writer and NCS reader named Gemma Alexander, who happens to be a fan and student of all things Icelandic. After months of planning, Gemma journeyed to Iceland in late October to see the country, and she timed her visit to coincide with the Iceland Airwaves festival, which includes over 420 bands playing all over Reykjavík for five days, plus 400 more unofficial, off-venue performances.

Though Airwaves may be best known as an indie pop fest, it also includes performances by an impressive array of Icelandic metal bands. Knowing of NCS’ own appreciation for Icelandic metal and the attention we’ve paid to Icelandic bands this year, Gemma offered to arrange interviews with several of them, and today we’re privileged to give you the first of those — Gemma’s interview of three of the four members of Angist, a very talented band we’ve featured previously at this site.

Gemma has also been blogging about her entire Icelandic vacation — which is still in progress. I’ve been reading her travelogue on a daily basis since it began, and it’s immensely entertaining. Not only is the subject matter fascinating, but Gemma is a superb writer. Do yourself a favor and check it out HERE. And now, here’s Gemma’s interview with Angist — with music at the end.

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NCS has talked about Angist before, when we were impressed by their EP, Circle of Suffering. Theirs is an impure take on death metal, featuring precision drumming from Ophidian I’s Tumi Snær Gíslason, and vocals that alternate between brutal growls and a banshee black metal shriek. Gyða Hrund Þorvaldsdóttir, and siblings Edda Tegeder Óskarsdóttir and Haraldur (Halli) Ingi Shoshan met me before the rúntur on the Friday before the Iceland Airwaves festival at Reykjavík’s Irish pub, Celtic Cross, to talk about the band and heavy metal in Iceland. Continue reading »