Mar 192024
 

(Andy Synn can’t resist the pull of the new album from Hadit, out now on I, Voidhanger)

I recently stumbled across some online… let’s call it “discourse”, to be polite… about how the Metal scene is dying (it isn’t, obviously) because no-one values innovation any more.

Digging deeper, the gist of the argument appeared to be that Metal fans hate anything new and that only the originators of any particular style have anything worthwhile to offer.

Now, glossing over the inherent contradiction in this (as well as the fact that it ignores the iterative nature of musical evolution) what really saddened me about this attitude – in addition to its shamelessly self-righteous nature – was that, despite pretending to be more “enlightened”, it basically ignores the central idea that art is, primarily, a means of expression and communication, through melody, tone, and rhythm, in favour of a view that seems to see music as little more than an extension of the capitalist growth machine, one which must always be “innovating” to provide fresh “product”… regardless of whether it actually has anything meaningful to say.

This doesn’t mean, of course, that bands shouldn’t grow and evolve, it’s just that it should only be done on their own terms and in their own time – as Hadit so clearly demonstrate on their recently-released second album.

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May 052021
 

(The long-awaited debut album from Italian Black/Death duo Hadit is set for release this Friday via Sentient Ruin/Caligari Records, and Andy Synn has volunteered to act as Virgil on this journey into the inferno)

After my shameless flirtation with – dare I say it – the “mainstream” (ok, not really, but you know what I mean) earlier this week, it’s high time I got back to the underground, the underdogs, and the underappreciated.

And what better way to do so than with a quick look at the long-awaited, soon-to-be-released, debut album from Italian Death-duo Hadit, whose elaborately titled new album conjures up a sound that is distinctly more occult and “old school” in demeanour and delivery than that of the band’s more popular and blast-happy contemporaries/countrymen?

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Apr 212021
 

 

We’ve all had the experience of being misled by PR descriptions of forthcoming metallic extremity, when the night-blooming rhetoric proves to be an exaggeration or a calculated inaccuracy. And so we take such linguistic previews with a grain of salt, even when they generate a reflexive eagerness to listen.

In the case of the new album by the Italian death metal band Hadit (from Varese), the advance press variously portrays the music as “an obfuscating spell of dark cosmological death metal destruction”, “occult ritualistic divinations of total aural chaos”, “sonically annihilating and aesthetically majestic”, “impenetrable and supernatural”, and “hallucinations shrouded in mysticism and esotericism”.

How sad it would be if such evocative and enticing written flourishes weren’t well-founded! Even though Hadit’s last release, the 2015 EP Introspective Contemplation of the Microcosmus, already provided a solid foundation for those descriptions, that was six years ago after all. The question is whether their debut full-length, With Joy and Ardour Through the Incommensurable Path, lives up to the advance billing.

Well, you know where we’re going with this: The answer is Hell Yes It Does. The fact that it’s being jointly released (on May 7th) by such tasteful labels as Caligari Records, Sentient Ruin, and Terror From Hell Records is evidence of that, and so is the song we’re premiering today: “The Quest for Hearts and Conquest of Time“. Continue reading »

May 122015
 

 

From my wanderings through the interhole and the NCS mailbox yesterday I came across four diverse new songs that grabbed me. So I thought I would put you in their clutches as well.

VANUM

I paused in my wanderings to hear this new song from Vanum based on the disclosure that the band consists of K. Morgan of Ash Borer and M. Rekevics of Fell Voices, Vorde, and Vilkacis. All those bands are quite good in my estimation, and so I was curious to hear what the union of these talents had produced. Profound Lore must have been intrigued, too, because they’re releasing Vanum’s debut album Realm of Sacrifice in June (digital and CD), with vinyl coming later via Psychic Violence. Continue reading »