Nov 212017

 

(Comrade Aleks brings us yet another fascinating interview, and this time a very detailed and in-depth one, with Lasse Pyykkö of Hooded Menace, whose new album will be released in January.)

This year Hooded Menace celebrate their tenth anniversary of spreading darkest death doom in the underground scene. Though some might not tag the band as an “underground” one when their albums have been released on such labels as Relapse Records, Profound Lore, and Season Of Mist.

The last of those labels proclaimed that the new Hooded Menace album, Ossuarium Silhouettes Unhallowed, will be released on January 26, 2018. And if you take a look, you’ll find that the Hooded Menace lineup went through big changes once more, though Lasse Pyykkö remains, as always, its core.

Did these changes influence Hooded Menace’s recognizable sound? How many of the Blind Dead will return from their tombs in the new songs? Lasse gave me answers to these and others questions, I’d like to thank him again for this deep and detailed interview.

Oct 272017

 

Happy Friday. And if you actually happen to be happy because it’s Friday, instead of boiling with rage because you’ve just endured four-plus days of bullshit, you may not relish the music you’re about to hear. On the other hand, maybe your preferred means of matching your happiness (or your rage) to music involves abrading your ear drums, losing your mind, and mercilessly kicking open the spigot on your adrenaline glands. In which case, brothers and sisters, you’re right where you need to be — right here.

This is Part 2 of a round-up I began yesterday (here). And even though I didn’t finish this in time to post it yesterday, it’s exactly what I intended to post then. In other words, I decided to close my ears to the flood of other new songs that surfaced between then and now. There’s always time to catch up with that on Saturday, though I have a bad tendency to wound myself with intoxicants on Friday nights, so I ain’t promising nothing.

HOODED MENACE

The fifth Hooded Menace album will arrive on January 26 via Season of Mist, with the title Ossuarium Silhouettes Unhallowed and cover art by Adam Burke, who continues to kill everything this year. The first advance track, “Carnal Reflections“, debuted at DECIBEL two days ago. Or was it three?

Feb 162017

 

On New Year’s Day of this year I posted a large round-up of new music that included brief teasers of music from a vinyl split release by Finland’s Hooded Menace and the Canadian band AlgomA. At that point, release of the split by Doomentia Records had been delayed past its originally scheduled November 2016 release date, but it finally became available at the end of January (and the limited-edition splattered-color version of the vinyl is already sold out), and full streams of both songs are now up on Bandcamp.

The artwork for the split was painted by the Italian maestro Paolo Girardi. My own admiration for his work probably appears slavish to regular readers here, but man, what he did for this split really makes me drool. I’ve ordered the split on vinyl just to be able to hold it in my hands, though I didn’t find out about the vinyl release until too late to grab one of these:

Jan 012017


Partied hard, smiling big.

 

Happy New Year to one and all. I hope you survived whatever you did last night, intact and with only a modicum of blood loss and brain-cell death. I would tell you in detail what I did but I’m not sure you could stand the excitement. Even I was so drained after both putting down the robot uprising and preventing the savagery of the loris horde’s celebration from overflowing their compound, armed with nothing but a few blow darts, that I was asleep by 10:30, stone cold sober and vomit-free.

I’m beginning the new year at NCS the way I ended the old one (here), by assembling a giant batch of the new music I heard in recent days that I thought would be worth your time, plus one older release I came across only recently.

As a trained medical professional (ha!), I’ll warn you that if you did suffer more than a modicum of blood loss or neuronal cell death, you might want to wait another day before exploring what awaits you below. It won’t help your recovery, and it’s no sane person’s idea of a hangover cure. Damned good metal, though.

I’ll also mention that because this post takes the place of my usual Sunday Shades of Black feature, the music is mainly in a blackened vein, though not entirely.

Oct 182016

cdf-monday-morning3

Monday morning, Oakland waterfront

This wraps up our coverage of the second installment of CALIFORNIA DEATHFEST, which took place from October 14-16, 2016, in Oakland, California. As was true of my posts on Day One and Day Two, I haven’t written fulsome reviews of the performances I saw on the final day, though this time I have included a few more impressions than in the earlier installments — but I’ve once again included photos and videos I made using my iPhone.

Yes, this is a half-assed way to document a festival compared to what you will probably see from a few of the more well-healed metal publications out there who employed professional photographers and videographers. However, because “Half-Assed” is in fact my middle name, I’m being true to myself.

Nov 032015

Hooded Menace-Darkness Drips Forth

 

(Wil Cifer reviews the new album by Finland’s Hooded Menace.)

By my lights, 2015 hasn’t been a big year for doom. Doom releases have been sparse, and when I say doom I am not talking retro stoner crap, but something that crushes your spirit in a mournful manner. I am pleased to say that the Finnish Doom merchants of Hooded Menace continue to bring it.

They come from the more deathly school of doom but their riffs still weep blood, so the death metal influence doesn’t bother me here. Speaking of weep, most bands would bore you to tears with a twelve-minute opener, but these guys suspend time and keep you in the moment. They are not afraid of picking up the pace without losing their grasp of darkness by going into a stoner rock boogie. Even when indulging in weird breakdowns they maintain their momentum.

Sep 112015

Black Breath-Slaves Beyond Death

 

(Leperkahn steps forward to shoulder round-up duty — and there have been so many noteworthy new songs over the last few days that he’s stepping forward with a three-part post, to which Austin Weber and your humble editor will also be adding a fourth and maybe a fifth before we’re done today.)

I’ve been meaning to get an album review out at some point (don’t have anything written currently, though I will say that you should go and preorder Horrendous’s upcoming album Anareta immediately if you know what’s good for you), but in the meantime an ungodly amount of new tidbits turned up on the web in the last couple days.

Considering that Islander is slaving away in Anchorage for however long his reptilian overlords command him to, I figure I’d take another stab at covering a few of them – and by a few, I mean fifteen. For your sanity (and perhaps mine, though that might be a lost cause), I’ve divided it up into three posts. We’ll go alphabetically, since there’s way too much stuff for me to want to find any other type of pattern.

Aug 272015

Mordbrand vidclip

 

One of these days I’ll learn that part-time, half-witted metal bloggers shouldn’t make promises about what they’re going to do. Yesterday I wrote that I would post two round-up’s of new music in an effort to partially catch up on all the new songs that had emerged since the last one I compiled five days earlier, but that obviously didn’t happen.

However, thanks to Austin Weber, we do have two today, with this being the second one. One silver lining to the cloud of my tardiness is that since yesterday I discovered one more item worth recommending to you — and it’s the first one in this post.

MORDBRAND

For those who haven’t religiously followed my scribbling over the last few years, I will confess that I’m a slavish fan of Sweden’s Mordbrand. It’s not that they have any compromising photos of me, it’s because they’ve been so consistently good at what they do. Out of all the outstanding songs they’ve released, perhaps my favorite track is “That Which Crawls” from their 2014 album Imago — and today they released a video for that very song.

Nov 012013

I’ve been distracted today, more than usual, by my fucking day job (the nerve of them expecting me to work for my pay!), but I didn’t want to let this Friday crawl to a close without one more post. I’ve seen and heard a handful of new things today that are worth spreading around, but time being short, I’ll limit this to two excellent items, and perhaps include the rest tomorrow.

HOODED MENACE

The ultra-crushing, doom-dealing blood drinkers in Finland’s Hooded Menace appear to have been working on a follow-up to their gloriously heartless 2012 album Effigies of Evil. The new work will be released as a 12″ EP by Doomentia entitled Labyrinth of Carrion Breeze. The beautiful cover art (and by “beautiful” I mean loaded with fuckin skulls and ghouls) was unveiled on Halloween, and credit goes to Joshua Brettell (Ilsa’s drummer) and Adam Geyer for the creation (Brettell drew, Geyer did the gorgeous coloring). The front panel is above and the gatefold layout can be viewed after the jump (click for bigger views).

In addition to sharing the cover art, Hooded Menace has also made a part of a song called “Chasm of the Wraith” available for streaming. It’s low, slow . . . and actually beautiful, in a dreadful way.

Sep 282012

(Artwork by Sandro of Undead Creep.)

Not long after I posted that new Gojira video earlier today, I found three more new videos that I thought were worth sharing with our readers. The bands are: Hooded Menace (Finland), Down (US-NOLA), and Red Eleven (Finland).

HOODED MENACE

I’ve been writing a lot about this Finnish group’s new album, Effigies Of Evil, which is out now on Relapse. Of course, the one thing I haven’t yet written is a review, though I haven’t given up hope that I’ll find time to explain in more detail why I think this album is so titanic.

The latest from Hooded Menace is a music video premiered today by Metal Injection for “Crumbling Insanity”. The video was directed by Justin Oakley for Burial Offerings (Ulver). It intersperses footage of the band performing with images of such things as crucifixion, impalement, murder, and the collapse of churches. The song well-represents the talent of Hooded Menace for blending necrotic melodies, hard-charging death metal riffs, and the suffocating weight of funereal doom into a potent brew. Here’s the video:

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