Jul 052018
 

 

I know we’ve thrown a ton of music and videos your way recently, but I find myself with a bit of free time left before I have to bid NCS good-by for the day, so I thought I’d do one more thing. To quote the timeless words of Bart in Blazing Saddles, “Excuse me while I whip this out.”

GOROD

Breaking news: A few minutes ago I happened to be loitering on Facebook (only briefly so as not to damage my health) when that eye-catching artwork up there popped into my news feed, accompanied by these words from the band Gorod: Continue reading »

Jan 192018
 

 

I can’t say there was really an organizing theme or strategy that motivated my decision to group together these three new additions to our Most Infectious Song list. They simply happened to be close together on my master list of candidates, which is alphabetized by band name. And they also happened to be easy choices for me… though all three tracks had serious competition among others on the albums from which they came.

IMMOLATION

It was a given. in my mind, that something from Immolation’s new album would be on this list. With Atonement, they proved again (as they have over and over) that they “are one of those untouchable bands”, to quote from TheMadIsraeli’s review of the album. They were pioneers, and they remain inimitable… and they just never give up, never surrendering to the weight of years or the burdens of expectations. Continue reading »

Mar 082017
 

 

(KevinP rejoins us with another installment in his short interview series, and his guest this time is guitarist Alex Bouks (ex-Goreaphobia, ex-Incantation), who is now a member of Immolation. Immolation’s superb new album Atonement is out now on Nuclear Blast.)

******

K:  So how does it feel to be the “new guy” even though you’ve been at this death metal thing yourself for almost 30 years?

A:  It feels real natural, like I have always been there. We have been friends for almost 30 years so its already family.  And musically it is a perfect fit.  I feel I have found my home for sure. Continue reading »

Feb 182017
 

 

This is the last part of a three-part round-up for this Saturday. Unlike Part 1 and Part 2, this installment is devoted to new music and videos released last week from groups whose names have a pretty high profile, and I would guess that all of the following songs have already made the rounds through much of metaldom without me needing to say much about them.

So, I’m going to just present the songs and videos without commentary, preceded only by some basic info about the releases. But, as always, you should certainly feel free to share your own thoughts in the Comment section.

IMMOLATION (U.S.)

Album: Atonement
Label: Nuclear Blast
Release Date: February 24
Facebook: https://www.facebook.com/immolation/ Continue reading »

Feb 012017
 

 

(This is TheMadIsraeli’s review of the new album by Immolation.)

Immolation are the godfathers of the minimalist dissonant heavy brand of death metal. I think in many ways they are the pre-cursors to the Portals, Ulcerates, and latter-day Gorguts of the world. However, those bands have all taken on a more technical, more ornamental approach, while Immolation has remained the absolute king of effective minimalism.

In the last five or so years, death metal in the underground has reveled in attempts to mimic the cavernous mixes and alien sense of melody of Immolation, but from where I sit, few have come close to getting it. In a nutshell, Immolation are one of those untouchable bands. All the major death metal players of the ’90s are, but very few bands have taken influence from Immolation and made it work convincingly. The original remains original. Continue reading »

Dec 142016
 

immolation-atonement

 

For this mid-week round-up of new discoveries I have news about the next Immolation album, excellent advance tracks from three albums coming out early next year, and a full stream of one fine album released yesterday. This collection of items is heavy on the death metal, and it’s also heavy on eye-catching cover art.

IMMOLATION

In a September interview Immolation’s Ross Dolan explained that the band’s new album was finished except for the mixing, that the artwork was done except for a few inside pieces, and that the album would be released early in 2017. I haven’t seen any official announcements about the album since then, but yesterday Bristol Deathfest (here) and UKEM Records leaked some news and the cover art (above) by Pär Olofsson: The name of Immolation’s new tenth studio album is Atonement, and the release is expected on February 24, 2017. Continue reading »

Feb 022014
 

Here’s the 18th Part of our list of the year’s most infectious extreme metal songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the songs I’m announcing today, click here.

I’m adding three tunes to this evolving and potentially never-ending list today. Once again, I’ve grouped these songs together for a reason. Here’s a hint: Fucking Death Metal. Death Fucking Metal. Metal Fucking Death.

TORTURE DIVISION

The three members of this Swedish band – Lord K Philipson (guitar), Tobben Gustafsson (drums), and Jörgen Sandström (bass/vocals) — collectively have over 60 years of combined death metal experience, including membership in bands such as GraveEntombedVicious ArtThe Project Hate MCMXCIXVomitory, and God Among Insects. Their modus operandi is to release short demos and give them away for free on their web site. Every time they finish releasing a group of three demo’s, they package them up and release them as a compilation CD.

In 2013, Torture Division released two demos, both of them (as usual) mixed and mastered by Dan Swanö at Unisound. The first one was named The Worship, and I reviewed it here. The second one was The Sacrifice, and I reviewed that one, too. They’re both sooooo damned good — crushing guitar and bass tone, bone-breaking percussion, bestial vox, irresistible grooves, grisly infectious melodies, both hard-charging and doomy as a dank crypt, with riffs and rhythms that will make you bang your head so goddamned hard it will come off and bounce around your room like a tennis ball. Continue reading »

Sep 282013
 

Happy Saturday motherfuckers (and of course I mean that in the nicest possible way). You haven’t asked what I’ve been listening to this morning, but I’m going to share that with you anyway, because sometimes people want things that they don’t know they want, and I feel sure this is such a time.

PHANTOM

In listening to the kind of albums I, Voidhanger releases, I’m used to getting my brain pureed in a blender or torn apart by black hurricanes of harrowing noise. But this morning I listened to the first song on a forthcoming I, Voidhanger album that takes a different turn. The album is Incendiary Serum by a Danish band named Phantom, and it’s scheduled for release before the end of this year. The opening track is “Ghostly”, and it is ghostly (and ghastly).

The aura of the music is still very black and bleak, still filled by vocal vomit, but it’s slow, crushing, and melodic. Powerful degraded riffs stomp and moan, twisted tremolo trills flit through the murk, minor-key piano melodies sing the songs of dead, homeless souls. You can headbang, and you can sink into a state of melancholy bereavement. This is an excellent melding of doom, death, and black metal. I, Voidhanger does not disappoint. Here’s “Ghostly”: Continue reading »

May 272013
 

(TheMadIsraeli reviews the new album from Immolation, which is out now on Nuclear Blast and can be ordered here.)

Kingdom Of Conspiracy is fucking excellent and you should buy it and shit.

See ya.

Nah, although I do kinda wish I could leave the review at that, just to have the shortest review in NCS history. I love Immolation, and as I stated in my review of Suffocation’s latest album, they’re another band who have those three key things going for them: Consistency, legacy, and relevancy. No one sounds like Immolation to this day, and yet Immolation continue to be ahead of their time no matter what era they are in.

Kingdom Of Conspiracy is a welcome jolt to the spine as well, because this is definitively the band’s most aggressive and fastest album since Dawn Of Possession, as well as one that includes the signature doom, sludge, and slam moments Immolation know how to throw into the mix. The band have never sounded more intense, Ross Dolan’s trademark roar has never sounded more grotesque and filth-covered, the drums are at an all-time high of double-bass and blast-beat saturation, and the riffs this time around opt more for bleeding you out via your jugular as opposed to the Immolation S.O.P of dragging you into an abyss by your feet. Continue reading »

May 172013
 

(In this post TheMadIsraeli begins what may become a continuing series on notable metal guitarists.)

I’ve outright stated and hinted at numerous other times that I’m a guitar player; even though my choice of instrument within the metal realm is pretty standard, that’s just the one that sucked me in.  I’ve always wanted to do a continuing feature on guitarists whose work I felt was extremely noteworthy, whether or not I was a fan of their work on a personal level.  It should be understandable, though, that I’m mostly gonna pick guitarists to write about who I’m into.  I figured that before reviewing Immolation’s new album, I’d start with someone who I believe has remained an anomaly in the death metal circuit: Robert Vigna of Immolation.

I’m pretty sure no one would disagree with me if I made the statement that as a riff writer, Vigna is just fucking weird.  Out of all of the fantastic guitar players of the 90’s death metal giants, Vigna is definitely the mad scientist of the bunch.  While other bands opted to be simply crushing, Immolation opted in the end to be very eerie, in a very earthy way.  Vigna’s guitar work is both a signature, and a vital component, of that sound.  I’ve heard the term “simple technicality” used to describe Gojira, but I would say that if any band best defined this term, it’s Immolation.

Vigna, of course, like so many musical geniuses, evolved from a place rather far removed from what he became known for.  Immolation’s first record was for the most part straight-up, fast-as-fuck, firebrand death metal, with only hints of the signature Immolation trudge-and-groove that would later become their hallmark.  As such, it didn’t leave a lot of room for what would later come to define Vigna’s playing, although Dawn of Possession definitely stood out nonetheless.  It wouldn’t be until the band’s sophomore album, Here in After, released a full FIVE YEARS LATER, that you’d be hearing a completely different band. Continue reading »