Jul 192017

 

I had a great weekend, thanks for asking. I devoted it to visits by out-of-town family and a two-day picnic, and NCS took a distant back seat, which is why there was no weekend round-up and no SHADES OF BLACK column. We avoided going dark only though the valiant efforts of Andy Synn and DGR.

Predictably, I now have a big list of new songs and videos to share around, too many for one post. We’ll start with offerings from five bands, and I’ll have at least one and probably two more round-ups this week. Might get one more done today, but maybe not. A meteor strike could decimate my home, the chime on a dryer could alert me that it’s time to get the clothes out, I might feel like chasing a passing car, the lorises might commence war games again. The crystal ball is cloudy.

KERES

The new Keres EP (released July 12th) is an exception to the (admittedly porous) rule in our site’s title, but it’s a slam-dunk exception: Justin Helvete’s voice is a truly remarkable instrument. And everything else about these three songs is also remarkable.

Jul 312013

By coincidence, I heard new music from three bands last night, right in a row, that had a few things in common: The music is all superb, and it’s all black as hell. I don’t mean to say it’s all black metal, though some of it is. I mean to say that it’s all dark, heavy, and harrowing.

ÆVANGELIST

Little more than a week has passed since I reviewed Ævangelist’s lengthy (and brilliant) contribution to a forthcoming split that will be released in the coming months by Aurora Australis Records. I also mentioned that the band had finished recording a new album, Omen Ex Simulacra, that will be released later this year by Debemur Morti. And lo and behold, yesterday Debemur Morti gave us a precise release date — October 11 — and premiered a song from the album named “Abysscape”. [Update: we also now have a preview of the album art by Andrzej Masianis, which you can see above.]  Interestingly, “Abysscape” is the last song on the album, though it’s the first one being released.

It’s another long one, though in the music of Ævangelist, time is an important ally. “Abysscape” is a dense, bottomless, indigo whirlpool of doom, made for immersion. Immense grinding guitars match up with immense, horrific vocals and stunning drumwork. Alien keyboard melodies call out like the cries of homeless souls. The ravaging music alternately storms and drifts. You look into the void, and “Abysscape” is there, looking back at you.

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