Jul 202014
 


artwork by Bryan Proteau

Part 1 of this report is here; Part 3 is here.

I thought the first day of the Gilead Fest in Oshkosh, Wisconsin, was a blast, but holy shit, yesterday’s performances were off the charts. By “holy shit” I mean that shit before which you prostrate yourself and utter miserable prayers of thanks. And by “off the charts”, I mean dismembering, skull-splintering, bowel-perforating, synapse-severing, and occasionally entrancing.

The weather here in Oshkosh remains gorgeous.  In between sets, the lure of the outdoors was irresistible (and would have been even if the lure of nicotine and tar hadn’t been part of the equation). Even during the sets, a soft breeze flowed through the windows of The Lady’s Parlor across the hall from the ballroom where the bands were performing, and it wafted through the open doors into that space like a balm from… Gilead.

The sunny disposition of the crowd continues to match that of the weather. It’s a chill group, like a reunion of old friends, even when the old friends had never met each other before. I had almost as much fun talking to people I’d only known over the internet before this weekend (including Adam Bartlett of Gilead Media, who made this whole wonderful thing happen) or had never met before, even over the ether, as I did listening to the music. And the event itself continues to run smoothly, like the well-oiled gears of a vast noise-making machine. Continue reading »

Nov 252013
 

Are you like me? Do you think packing for a long trip is much more fun if you wait until the last minute and then scurry around like a rat with rabies, thereby increasing the odds that you’ll forget a bunch of things and then feel like a dumbass when you get where you’re going? Yeah, I thought so. Everyone loves to do that. Which is why I’m sitting here banging out this round-up of diverse new items I saw and heard over the last 24 hours instead of packing for my vacation trip, which begins . . . (shit!) . . . in a few hours.

AVICHI

I saw that Profound Lore’s first release of 2014 will be the much-delayed third album by Chicago-based Avichi, Catharsis Absolute, which was recorded by Andrew Ragin (The Atlas Moth) and mixed by Sanford Parker (Nachtmystium, Twilight). The official release date is January 21. This album will be entirely the solo work of Andrew “Aamonael” Markuszewski (also in Lord Mantis). PL has also begun streaming one of the album’s new songs, “Lightweaver”.

“Lightweaver” is a study in winding the coil and then letting it go. Avichi builds the tension, ratcheting it upward with storming, tremolo-picked scales . . . and then lets the storm break in a rocking beat with a bounding bass line . . . and then proceeds to tighten the spring again. And so it goes, back and forth. And through it all, Aamonael howls like a winter wolf while weaving a trilling (and thrilling) guitar melody, chaining together chaos and something approaching beauty. Listen next: Continue reading »