Mar 022016

In Mourning-Afterglow

 

I wasn’t able to compile a round-up of new things for yesterday, which means that I’m now up to my eyebrows in news and music that I’d like to share, or I would be if I had a head. But figuratively speaking, I do have more items worth spreading around than I have time or space to compile. Therefore, I’ve chosen somewhat randomly. But the first two choices were compelled not only because I’m a big fan of both bands but also because the artwork for both is stupendous.

IN MOURNING

Today Sweden’s In Mourning revealed details about their new album, including the magnificent cover art that you see above, which was created by the magnificent Kristian “Necrolord” Wåhlin. The name of the album is Afterglow and it will be released by Agonia Records on May 20.

Jan 272014

(Here’s another installment of Andy Synn’s irregular series devoted to his favorite things that come in fives. Seems like a good occasion to sound off on what you’re looking forward to as well, so please leave Comments.)

Now this is an easy one… and a hard one… to write.

Easy… because there are SO many awesome albums coming out this year to choose from.

Hard… because there are TOO many awesome albums coming out this year to choose from!

Still, here’s a selection of five to whet your appetite. (Note – some nepotism involved)

Nov 112013

Here are three new recommended videos that premiered in recent days, two of them this morning. Recommended by me, because I like them.

SATYRICON

When Andy Synn reviewed Satyricon’s self-titled 2013 album for us, he wrote this about the song “Phoenix”: “Instantly divisive, seemingly designed to be hated, its clean, almost bluesy vocals (courtesy of Sivert Høyem) and ringing guitars initially like a step beyond all bounds of the group’s history. But look closer. Those drums, those slow-blooming riffs, they retain the essence of the band. Listen to what the song represents. They have rediscovered their spark, their fire, and their roots – but not perhaps in a way that they, or any of us, would have thought. It’s strange. It’s unexpected. It’s provocative… It’s Satyricon through and through.”

On September 8 Satyricon performed “Phoenix” as part of their concert with the Norwegian National Opera Chorus in the Norwegian Opera House in Oslo. That performance has now become the first official music video from the new album, and it again features Sivert Høyem on vocals. I love this song (and yes, I know it’s nothing but clean vocals), and the video is damned cool, too. Watch it next.

Apr 182013

(In this post Andy Synn reviews the latest album by Lascaille’s Shroud, who are based in the Eagle Nebula.)

How are you set for progressive death metal this year? Still looking for that ultimate fix? Well you’ve found it my friend. This is currently one of my top albums of the year, without a doubt.

Now as phenomenal as this album is (and it is), this review very nearly didn’t happen, for a couple of reasons.

1. I’ve been listening to this album a LOT. So I had trouble getting any critical distance from it (yes, I strive to at least pretend to have some sort of distance and “relative” objectivity when doing these things).

2. Other albums have come along and cut the queue. Now although we’re not slaves to the labels or PR companies here at NCS (note the conspicuous absence of banners and pop-ups) we do understand that putting out a review for a more prominent band can serve the greater good. Case in point – if we review a (relatively) big band with a new album out, then that band might get in touch with the site, maybe get asked if we want to premiere a song or a video… and when we do that we’ll attract more new readers, to whom we can then spread the word about other, less prominent bands. You dig?

3. A couple of weeks back a post suddenly appeared on the Lascaille’s Shroud Facebook page about how Prometheus was their favourite film, and if you’re aware of my… less than positive… opinion about that vapid clusterfuck of a film, then you can see why I immediately went and deleted all the band’s music from my itunes and vowed never to listen to them again.

Ok, not really. This album is WAY too good to let something as inconsequential as all that get in the way of things.

Mar 042012

(groverXIII drops manna from Hel into your auditory canals.  No charge.  Lots of song streams at the end of this bad boy, too.)

Howdy, folks. I know everyone loves good free music, so I’m just going to jump right into the bands here. Fuck yeah.

ESCHATONISOLATED INTELLIGENCE

Eschaton have been mentioned ’round these parts before (here and here), but I first discovered them back when they emailed me about their initial EP release An Instrument Of Darkness a while back when TNOTB was still up and running, and I’ve been a fan ever since. Isolated Intelligence is their first full album (at least, I think it qualifies as a full album… it’s only five tracks, but it is over 45 minutes), and it’s as fascinating a listen as one might expect from these guys.

Stylistically, the album is Eschaton’s usual take on black/death metal, which is to say that it is anything but usual. There is a lot of experimentation going on here, with sprawling post-metal soundscapes rubbing elbows with clean female vocals and discordant guitars, all contained with the basic framework of black metal. Get it on the Bandcamps, honky.

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