Nov 102011
 

(NCS writer Andy Synn reviews the new album from Norway’s Leprous.)

Ok, I originally had a longer and more traditionally deconstructive review written up for this. But while re-listening to the album for about the fifth consecutive time, I realised nothing I was writing was really getting to the heart of this utterly genius, utterly addictive gem of an album.

Who/what does it sound like? Well there are elements of Porcupine Tree’s depressive progressive excursions and Devin Townsend’s ambitious mutant pop melodies, along with the bombast of Queen and the precociousness of early Dream Theatre to boot. Similarities to Ihsahn’s solo work of course abound, Leprous being the backing band he employs to give life to his beautiful and barren soundscapes in the live setting (the band also features his youngest brother-in-law, fact fans) as do comparisons with the off-kilter force of sadly departed esoteric metallers Oceans Of Sadness. Yet that’s not all.

There’s the unhinged madness of Sigh, the introverted progressive might of Into Eternity, a throwback 70’s haze that recalls Opeth’s more self-indulgent moments, a cock-sure strut that can only stem from the over-the-top 80’s output of Queensryche, the meandering and sleep-walking structures of latter-day Cynic, the unashamed, operatic excesses of Muse, the singular power of Enslaved, the madcap mentality of Arcturus… my god, it’s like an unholy amalgamation of everything vibrant and progressive from the last several decades, mixed up and spat out in this narcissistically beautiful, yet vaguely unnerving form. (more after the jump . . .) Continue reading »

Nov 092011
 

I found a press release from yesterday in my in-box that I thought was worth sharing, because it’s an offer of free music and includes some very good bands (along with others whose music I don’t yet know). This is a sampler from InsideOut Music that includes songs from the label’s best 2011 releases. You can see them above. Not all of the music is metal, but with tracks from Devin Townsend, Redemption, and Leprous (whose fascinating new album will be reviewed here shortly), it’s tough to go wrong.

To get the sampler for free, go to this location (you’ll need to supply an e-mail address for the download code).

Feb 272011
 


We’re jumping the gun on this post, since the month doesn’t end until tomorrow. Why? Uh, because this post is ready to go and we don’t have anything else finished for today yet. Work and other shit interfered with our grand plans for a Sunday post.  We might still get another one up later today, but for now, feast your eyes on the barrage of metal headed our direction.

What we do with these installments of METAL IN THE FORGE is collect news blurbs and press releases we’ve seen over the last 30 days (or in this case, the last 27 days) about forthcoming new albums from bands we know and like (including updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know them yet. And in this post, we cut and paste the announcements and compile them in alphabetical order.

This isn’t a cumulative list, so be sure to check the Category link called “Forthcoming New Albums” on the right side of this page to see forecasted releases we reported in previous installments. This month’s list begins right after the jump. Look for your favorite bands, or get intrigued about some new ones. There’s some awesome shit on the way. Continue reading »

Sep 152010
 

This is the second post of the day, which we don’t do very often. As the title says, this is mainly a sappy thank-you post.  Of course it is, because “sappy” is my middle name. Well, it comes right after my other middle names, i.e., “wordy” and “half-assed.”

For many months after we started this blog, no one posted any comments on what we wrote.  Okay, to be honest, for many months no one read what we wrote.  But even after the reading started, our words were greeted by silence.  Figuratively, the sound of crickets.

Not all bad, because I’ve missed the sound of crickets ever since moving to Seattle from Texas years ago. I don’t miss the appearance of crickets, just the sound of them, on warm nights, when you can’t see them. Kind of a dreamy, hypnotic sound. The sound of nature around us, undisturbed.

Where was I?  Oh yeah: No one posted any comments at NCS for a long time.  But now that has changed, and it’s been an exhilarating change for us.  We look forward every day to seeing what readers write, even when someone calls us retarded, and we feel kinda empty on the days when none come.  That’s mainly because the comments are usually better than the posts we write.

Yesterday was a classic example, certainly one of the best comment days ever.  We did a half-baked riff on band names and got a slew of comments that were smart and funny and creative and educational and took the discussion off in unexpected directions, which is part of what’s so much fun about the comments we’re getting.

And did I say the comments are educational?  They’re really educational!  Of course, when, like us, you start in a state of embarrassing ignorance, it may not take much to be educational in our eyes, but still. After the jump, I’ll tell you the things I learned yesterday, and one thing in particular that drew me back to an album I haven’t listened to in a while, and it was just a perfect end to a beautiful Indian summer day in Seattle.

But first: Thank you to the people who commented yesterday — to Dan, and ElvisShotJFK, and Brian, and Andy, and byrd36 — and to everyone else who has taken the time to add something to this site since we started.  And we don’t mean to slight those who simply read and don’t write (which is mainly what I do on other sites).  We are sappily grateful to all of you, too. But if you usually don’t write and are are tempted to write something someday, don’t worry — we won’t bite! (more sappiness, plus some music, after the jump . . .) Continue reading »