Sep 222020
 

 

(We present Karina Noctum‘s interview with Torstein Parelius of the Norwegian band Manes.)

Manes is a Norwegian band that started in the early ’90s as a Black Metal act, but developed a pretty distinct sound and found their niche in the avant-garde scene. In this interview we talk with Torstein Parelius about the band’s beginnings, their latest album Slow Motion Death Sequence, their latest single “Young Skeleton“, and future plans.

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What were you aiming at in the very beginning when you started?

When the band started in 1992 or so, I wasn’t a part of the formation. Before that, Tor-Helge Cern was in the band Atrox which he co-founded back in 1988. I do believe he had an urge to create something darker and grimmer than the death/doom that Atrox played at the time – without compromise. Continue reading »

Jul 242018
 

 

Like their countrymen in Ulver, the Norwegian band Manes have traveled far from the kind of music that first drew so many to their side. And it hasn’t been an uninterrupted trip. The first releases in the mid- and late-’90s, which revealed an atypical kind of black metal that soon attracted a fanatical following (many of whom continue to seem fanatical to this day), ended in a hiatus, and when Manes surfaced again with 2003’s Vilosophe, they had become exponents of a very different sound, which led to much gnashing of teeth and tearing  of hair.

Even that journey also seemed to come to an end in 2011, despite the release three years later of Be All End All.  But Manes are now returning again, with a new album whose intriguing title is Slow Motion Death Sequence. It’s scheduled for release by Debemur Morti Productions on August 24th, and as an introduction to what it holds in store, we are helping to premiere a video (the band’s first one ever) directed by Guilherme Henriques for a track called “Endetidstegn”, which opens the record. Continue reading »

Sep 022015
 

Manii-Skuggeheimen

 

In its original incarnation, Manes was one of the primordial Norwegian black metal bands, a two-man group consisting of instrumentalist Cernunnus and vocalist Sargatanas who released their first three demos in 1993-1995, followed by their 1999 debut album Under Ein Blodraud Maane. As the years passed, Sargatanas parted company with the band and Manes transformed into a very different musical entity, as manifested on 2003’s Vilosophe, 2007’s How the World Came To An End, and last year’s Be All End All.

Yet while Manes followed its own course into avant garde and electronica territory, Sargatanas and Cernunnus reunited to form the band Manni, which released their debut album Kolaps in 2013. Manni have been at work on a second full-length that’s projected for release in a few months, but in the meantime Debemur Morti Productions has just released (yesterday) a new Manii EP entitled Skuggeheimen — and it is a return to Manes’ black metal roots in more ways than one. Continue reading »

Oct 102014
 

 

Prepare yourselves for a big departure from our normal fare as we present a full-album stream of Be All End All, the new release by Norway’s Manes.

You would be hard-pressed to find a band who have led as many diverse musical lives at Manes. At the time of the band’s genesis in about 1992, and through the release of their 1999 debut album Under Ein Blodraud Maane, they were a black metal band. And then there was a hiatus — until the second album Vilosophe was released in 2003. It sounded nothing like what the band had been creating prior to the break, and it defied categorization. More releases followed, including a third album (2007’s How the World Came To An End), and then another hiatus followed.

Now the band have, in effect, begun a third life with Be All End All, which will soon be released by Debemur Morti. This follows a two-song single named Vntrve released at the end of the summer (reviewed here), and it’s the first full-length from the band in seven years. Continue reading »

Aug 272014
 

 

Here are a couple of news items and new pieces of album art that caught my eye. I don’t have much to add to the information sent to us in press releases — other than to say I am tremendously interested in both of these albums (which happen to come from the same label), and you should be, too! (Click the artwork to view larger images.)

BLUT AUS NORD 

Today Debemur Morti revealed the cover art (above) for the new album by Blut Aus Nord — Memoria Vetusta III – Saturnian Poetry. It was created by Kristian “Necrolord” Wåhlin (EMPEROR, BATHORY, DARK FUNERAL, DISSECTION, and many more), and it’s wonderful. The layout was conceived by Dehn Sora (known for his work for NEUROSIS and ULVER, among others).

The label further announced that the album has been scheduled for an October 10th release and will be available on Digipack CD, Gatefold 12″ LP, and a digital download version. Here’s the track list: Continue reading »

Aug 072014
 

Jet-setter that I am, I’m on the road again this week in my old hometown of Austin, Texas. Until last night I haven’t had as much time as usual to check out new music or write about it. I missed a lot, and am trying to catch up before having to leave the world of metal for the rest of today.

I discovered so many things I want to recommend that I’ve divided them into three parts, this being the first.

DECAPITATED

In advance of their new album Blood Mantra (scheduled for September 26 release by Nuclear Blast), Poland’s Decapitated have begun streaming a new song entitled “The Blasphemous Psalm To The Dummy God Creation”. It’s being released as a digital single via Amazon, iTunes, Google Play, or direct from Nuclear Blast (here). Continue reading »