Jul 182023
 


Baxaxaxa

Today is the 199th day of 2023. On this day in history, among many other instances of idiocy and abuse, the First Vatican Council decreed the dogma of papal infallibility and Adolf Hitler published Mein Kampf. It’s also the birthday of Nelson Mandela, Screamin’ Jay Hawkins, Hunter Thompson, Vin Diesel, Geno Suarez of the Seattle Mariners, and maybe you, as well as the death-day of Caravaggio, Jane Austen, Benito Juarez, Machine Gun Kelley, and hopefully not you.

It also happens to be a rare weekday when I had time to pull together a roundup of recommended new songs and videos, which has nothing to do with commemoration of any of the preceding events. There’s so much here that I’ve throttled my usual descriptive verbosity (Satan knows there’s more than enough hot air in the atmosphere today already) and left aside some of the cover art until I can upload it later today. (Presented alphabetically by band name, which led to some interesting juxtapositions).

BAXAXAXA (Germany)

Prepare for: low-end rumbling and thrumming plus grim vibrating riffage, immense jolting chugs and ethereal gothic synths, dragging tones of agony and fanatical serrated-edge yells. The experience is menacing and morbid, feral and ferocious, infernal and infectious…. Continue reading »

Jan 032023
 

In my mind it was a foregone conclusion that this list would include something off the 2022 albums by these three bands. Picking just one track from each of them was a bigger challenge — and yes, my self-made and self-imposed rule for this list is that it will include only one song by any one band, hard as it might be to pick just one.

Why I decided to put the following three songs together in one segment of the list, I’m not 100% sure, but it may have had something to do with the fact that all three songs were first presented with three excellent videos.

IMMOLATION (U.S.)

I think I could have written a track list for Acts of God, taped it to the wall, closed my eyes, and thrown a dart at it, and wherever the dart struck on the track list would have made a fine choice for one of 2022’s most infectious songs. Not wanting to further disfigure any walls, or more likely to hit something a few feet away from the target, I tried to approach the task a little more rationally, but impulse won out anyway. Continue reading »

Jul 172022
 

 

As you could already deduce from the previous two posts at this site, in recent days I found more than the usual amount of time I could devote to new music. My day job left me alone, or I ignored it, and I shrugged off household chores too. Baseball presented the only serious competition, because a certain team in the Pacific Northwest is on a historic winning streak (and I hope I didn’t just jinx them by mentioning that).

Focusing on black metal for purposes of this column, I settled on one dazzling album, a collection of quite varied “singles” from forthcoming records, and a new video. You’ll also find poetry.

SCARCITY (U.S.)

Scarcity‘s new album Aveilut (a Hebrew word for mourning) is difficult to describe. In part because it’s a single 45-minute composition, and in part because the trip maneuvers and whipsaws us through a spectacular labyrinth, it defies efforts to explain that “this happens, and then that happens, and then this other thing happens”. How tedious that would be, despite the hope that mapping the album would make it easier to comprehend.

Trying to pick out signal moments as illustrations of the music wouldn’t work very well either, because there are so many, and because they dramatically diverge from each other. Continue reading »

Jul 072022
 

(Andy Synn hopes that this is not the end for Mantar)

I discovered something this weekend. Something which shook me to my very core.

Did you know there are some people out there who don’t like Mantar?!

I mean, to be clear, I don’t expect every person to like every band – that would be madness – but before this weekend I’d never encountered anyone who actively disliked Mantar before.

Honestly, I’m still shaken by this particular revelation… but maybe the band’s new album will be able to change a few hearts and minds?

Continue reading »

Jun 182022
 

 

A Friday night spent carousing followed by a lazy Saturday morning doesn’t make a good predicate for a Saturday music roundup. And yes, I was languid this morning, rather than hungover, after exercising rare restraint on the alcohol last night. But though functional today, I wasn’t feeling motivated. The cool, gray, damp weather outside may have had something to do with that. While the rest of the country seems to be an oven, I was luxuriating in a Pacific Northwest gift.

And then, and then, I still spent an hour and a half flitting through a list of new songs and videos I’d made in as the week went by. Finally, I made these picks.

MANTAR (U.S./Germany)

Mantar have a new look, at least for the video you’re about to see, and new stylistic ingredients in the music too, but they haven’t forsaken their visceral intensity. It pours out through the vocals, which reach shattering zeniths (and also bring Kurt Cobain to mind at times), and through the angst-ridden but soaring riffs and keys, and the booming and battering drums. It’s also damned difficult to get out of the head once you’ve heard it. Continue reading »

Apr 092022
 


Mantar – pic by Matthis van der meulen

 

I was a hamster last week, racing along the treadmill at my day job, with the only apparent signs of progress being motion and the cage filling up with shit. Oh lordie, while I was spinning that wheel the NCS in-box and other message accounts filled up with a lot of shit too — the good shit!

Based on my pawing through it this morning, I found a lot to share, as you’re about to discover in a very wide-ranging musical excursion. But since I’ve now got to go scrub my paws with lye you won’t find my frothy words or cover art in as much abundance as usual.

MANTAR (Germany)

Let’s begin with a new song and video from one of our favorite bands. I have a long list of people (none whom I personally know) that I’d like to hang low so the rats can get ’em because they make life more miserable by their existence. I’d like to beat and scorch them with this song before they take the drop, though they won’t deserve the song’s great chorus. Continue reading »

Jul 032020
 

 

(This is Andy Synn‘s review of the new covers EP by the German band Mantar, (a favorite at our site since the beginning), which is out now on Brutal Panda Records.)

Is it just me, or has it been a hell of a long week?

I’m not just talking about things here at NCS either. My job has been keeping me extra busy every single day, and between that and trying to balance things at home and with the band… it seems like I haven’t had a moment to spare, and right now I honestly feel like I could sleep for a week.

Because of that, because of everything that’s been going on, I’ve decided that I wanted to end the week on something a little bit more “fun”. After all, the only reason any of us write here for NCS (it’s certainly not for fame or fortune) is because we enjoy it. And if we’re not enjoying it, then what’s the point?

Thankfully it didn’t take me long to settle on what to write about, as not only are Mantar one of my favourite bands of the last decade but their new covers EP is one hell of way to pay tribute to the group’s influences and inspirations. Continue reading »

May 222020
 

 

Time for me to resort to this format again in an effort to pack in as many new songs and videos as I can — a format that’s short on words (and cover art) and long on sounds. I’ve alphabetized the selections by band name and then divided this mega-roundup into two Parts. Part 2 isn’t quite finished, so you’ll have to tune in here tomorrow to catch the rest.

CONVOCATION (Finland)

We begin with frightening yet enthralling funeral doom that has the gravitational force of a black hole yet also levitates — monstrous groaning and pounding heaviness speared by gleaming shards and surrounded by shimmering effervescence and shuddering feverishness, with a haunting instrumental break and an atmosphere that becomes one of ominous majesty.  The variable vocals (both harsh and clean) are absolutely stunning in their intensity, to the point of being terrifying…. and presented through a video that’s also fascinating. Continue reading »

Feb 082019
 

 

In the famous phrasing of Browning, my reach exceeded my grasp yesterday. After finishing a pair of premieres and a very large two-part round-up of new music, my brain was fried and my NCS time had expired, and so I had to skip a day in the rollout of this list. But now, to resume, prepare to get blasted to smithereens….

The great thing about getting blasted by songs like these two, and the reason they’re on this list, is because you want to get blasted by them over and over again, every time you’ve put your pieces back together again. Or at least I do.

PIG DESTROYER

The latest Pig Destroyer album surprised some people (a dismaying surprise in some quarters), but it really shouldn’t have. As DGR put in his NCS review, “chaotic-ping-ponging around the metal genre-sphere” has been the band’s bread and butter, with their discography “translating to never quite knowing what you’ll get upon first picking up a new release, outside of the band’s trademark speed”.

In the case of Head Cage (again quoting DGR), it represented “the hardest right turn the band have made yet — like a car screeching against the outside railings of a highway off-ramp — taking on a groove-heavy sound in the midst of all that grind, resulting in an album that is overall far less chaotic than what they’ve put forth before, and also a hell of a lot of shameless ‘fun’”. Continue reading »

Aug 222018
 

 

(This is Andy Synn‘s review of the new album by the German duo Mantar, which will be released by Nuclear Blast on August 24th.)

There comes a moment, in every band’s career (ok, not every band’s career) when they need to decide whether to “go big or go home”.

And it looks like that time has finally come for Mantar, as The Modern Art of Setting Ablaze is easily the biggest, boldest, and most shamelessly bombastic, album of their short but celebrated career, and is practically crying out to be performed on bigger stages and in front of even bigger crowds. Continue reading »