Apr 062015
 

Nocternity album cover

Happy fucking Monday. This is a collection of five new songs and one older one that I came across at scattered times over the last week. All of them take fully formed human bodies (aka “listeners”) and reduce them to their unpleasant component parts. In some cases, the remains are chunky and suitable for stewing. In others, you get finely minced hamburger-grade mounds that are perfect for sausage-making. Enjoy.

NOCTERNITY

The Greek black metal band Nocternity are preparing for the release of their third album and their 12th recording overall. The new full-length is entitled Harps of the Ancient Temples and it follows the last one by 12 years. It is my first exposure to the music of Nocternity, and from what I’ve read, it differs in significant ways from the last album, Onyx.

In January I briefly wrote about the album’s title track, as it appeared on a two-song 7″ release from 2007, which Hells Headbangers had just then posted to Soundcloud. Last week CVLT Nation premiered the album version of the song, which is somewhat different from the previous stream and so damned good that I’m seizing the opportunity to write about it again. Continue reading »

Sep 162014
 

Five years ago I didn’t own any 7″ vinyl records. I can’t even remember reading about any 7″ vinyl records five years ago, at least in the realm of metal (though I hasten to add that the darker, deeper corners of the underground were largely unknown to me back then). My how things have changed.

Though I’d venture a guess that most 7″ records today are being released by smaller underground labels, it seems like everyone is getting into that game. What’s more, some of the best songs you’re likely to hear this year are waiting to be discovered on these small vinyl releases rather than on full-length albums (and fortunately, many of them are also being made available for download, for the record-player-challenged in the audience).

Here are three examples of superb 7″ releases from 2014 that I’ve discovered quite recently (thanks to a Facebook post by Krieg’s Neill Jameson). You’ll understand why I’ve grouped these three together after you hear them.

VEGAS

VEGAS is an acronym, which stands for “V.ermouth E.quilibrium G.hanoush A.sphyxia S.onata“. The band’s members are scattered around the globe, but I couldn’t tell you their names because they don’t exactly publicize them. They trace their musical inspiration to such bands as Japan’s G.I.S.M. and hardcore heavyweights Integrity. I was unfamiliar with them (because I only dabble in hardcore and crust) until hearing their new four-song 7″, Sagevisule.

This is bleak, multi-faceted, throat-gripping music — an amalgamation of riveting melodies (including acoustic ones!), massive riffs that slam with the weight of sledgehammers, bone-smashing percussion, and a combo of bearlike vocal roaring and shrieking blood spray. The pacing varies from doom-stricken stomps to crust-punk rampages, with incinerating guitar solos and head-smashing breakdowns to add extra punch. And goddamn, this thing really punches hard. Continue reading »