This morning brought news of two brand new videos that hit the silver screens overnight, and neither snow nor rain nor heat nor gloom of night will stay us in the swift completion of our appointed rounds in delivering them to you. Both songs are amazing. Both videos are beautifully made. In other words, these are must-see offerings.

Two weeks ago we posted a feature on the very impressive new EP by Atlanta’s From Exile — a compilation of four covers from the extravagant songbook of Nine Inch Nails under the title Just Like You Imagined. The band have now released a video for one of those songs, the ephemeral, otherworldly “A Warm Place”. Of the four excellent songs on the EP, that purely instrumental piece made the deepest impression on us.

As we said in our review: “From Exile’s take on the song magnifies the rush and power of the sound, and a more flowing, reverberating guitar lead/solo by Emil Werstler (Daath) replaces the isolated keyboard notes of the original. Werstler’s contribution is a superb and all-too-brief piece of instrumental extravagance, thankfully reprised again near the song’s end.” The simplicity of the video suits the song — Werstler standing in an empty upper floor of a church, doing his thing, illuminated by the natural light filtering softly through stain-glassed windows.

The seventh full length album from Sweden’s Shining is called VII / Född Förlorare”, which in English means “Born Loser”. It was released this month on the band’s new label Spinefarm Records, and includes guest appearances from Erik Danielsson of Watain, Chris Amott of Arch Enemy, Peter Bjärgö of Arcana, and Nordman, who is one of Sweden’s biggest pop stars. Shining have now released an official video for the song called “Förtvivlan, Min Arvedel” — which is the first video the band have ever released in their 15-year history. The video is expertly filmed and edited, and it’s powerful. And the song — the song is simply fantastic. (more after the jump . . .)

Wasn’t so long ago that we had a pair of posts about cover songs (Andy’s special Synn Report on covers and my musings about the pros and cons of covers, prompted by Anachronaeon‘s cover of Iron Maiden). We followed that in short order with news of an awesome-looking cover album by Dying Fetus (here). Seems to be the season for covers, because late yesterday we got word about an EP by Atlanta’s From Exile that we’ve been waiting for, which is devoted to covers of four songs by Nine Inch Nails. It’s called Just Like You Imagined and it’s now available for free download in mp3 or FLAC. We wasted no time listening last night.

So, let’s first review what we discussed in those previous posts and in the accompanying comments about covers: (1) they fail more often than they succeed; (2) there’s no terribly good reason to listen to a cover if it’s just a re-tread of the original, except perhaps for a novelty factor when the normal musical styles of the original and the cover band are poles apart; and (3) the best covers turn the original songs into something new and different, re-sculpting them into new works that stand on their own through variation of the original — but without completely losing connection with the source.

All four of From Exile’s covers succeed, in spades. In both subtle and dramatic ways, depending on the song, they’ve creatively re-shaped the NIN songs, producing music that’s more guitar-driven and more metal. They’ve preserved the spirit of the originals, yet succeeded in adding something of their own, and the results are wonderfully appealing. After the jump, we’ll explore the changes in a bit more detail and juxtapose the originals and the covers for your listening pleasure.

I’m not really sure this post is metal.  You can be the judge.

The Seattle Times reminded me this morning that actor and martial arts icon Bruce Lee would have turned 69 yesterday but for his untimely death in 1973 at the age of 32.  He was born in San Francisco and grew up in Hong Kong, but he moved to Seattle in 1959 and spent 3 years at the University of Washington where he met his wife.  He’s buried in Seattle’s Lake View Cemetery on Capitol Hill.

Next to his grave is the grave of his son Brandon Lee.  Brandon died in 1993 at the age of 28 from an accidental shooting during the filming of The Crow, in which he starred as an undead rock musician bent on revenging his own death and that of his fiancee.  (The Crow is a cool movie, by the way, and featured songs from bands like Pantera, Helmet, Nine Inch Nails, and Rage Against the Machine.) Brandon was to be married 17 days after he died.  His tombstone is inscribed with a quote he liked from the writer Paul Bowles, which had been printed on the wedding invitations:

“Because we don’t know when we will die, we get to think of life as an inexhaustible well. And yet everything happens only a certain number of times, and a very small number really. How many more times will you remember a certain afternoon of your childhood, an afternoon that is so deeply a part of your being that you can’t even conceive of your life without it? Perhaps four, or five times more? Perhaps not even that. How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless…”