We goat-throwers do like our guitar wizardry. We like other things, too, but bands who bring the shred generally light up our pasty white faces with a beaming glow. If you listen long enough and widely enough, of course, mere speed and dexterity no longer give you quite the same rush as they did in your listening infancy. You look for more — you look for creativity, a certain tone, a certain feel, some heart and soul, even . . . dare I say it . . . intelligence — along with the ability to trigger the headbang reflex, of course.

When a band is able to marry that kind of guitar talent with song-writing ability, performance skill at the other positions, and a knack for fusing diverse musical styles, you get something special. Revocation’s David Davidson and company pulled that off when they made their first serious splash in the scene during 2009 with the release of Existence Is Futile. I think we’re about to get wet from a similar splash on January 26, when Bloodshot Dawn releases their self-titled debut album.

This UK band features two lead guitarists — Josh McMorran (who is also the lead vocalist) and Benjamin Ellis (who also contributes backing vox). When you cut right down to the bone, the songs on the album really serve as platforms for them to strut their stuff. That’s not to say that the rest of each song is composed of filler — far from it. But what makes the album such a stand-out, and each song such a kick in the head to hear, is the space it gives these two to show what they’re made of. And what they’re made of is win.

The new year has started off with a bang here at the NCS island. We’ve been swamped with new music in just the last couple of days — too much for me to take in all at once, but I thought I’d pick out a random sampling to throw at your faces on this first Monday of 2012. Both of these songs come from relatively new bands, and both are damned impressive. So, while we’re still not finished with our Listmania look-backs at 2011, let’s also start looking at what the new year has in store for us.

BLOODSHOT DAWN

This is a band with members scattered around Portsmouth and Hampshire in the UK. They’ve completed a self-titled debut album scheduled for release on January 26 that contains 11 tracks and more than 50 minutes of music — and as you can see, it features some typically terrific Par Olofsson artwork on the album cover. The band have just made available a single from the album for free download as a taste of what the album offers. It’s called “Godless”, and man, it lit me up like fireworks exploding on New Year’s Eve.

The song is a double-barreled blast of melodic death/thrash with flashy riffing and a headstrong rhythm that’s immediately galvanizing. But what really got me enthusiastic was the instrumental extravagance that takes over in the last third of the song — one head-spinning guitar solo after another. It comes your way right after the jump.

Pathology is a brutal death-metal band from SoCal. I’m a fan, partly for reasons that don’t have much to do with the music. Jonathan Huber, Pathology’s vocalist, used to be the frontman for Seattle’s I Declare War, and I had fun watching that band rise up from their starting days playing local gigs to their current prominence on the deathcore scene. I also had fun watching Jonathan periodically destroy himself in one Seattle mosh pit after another.

Pathology’s new album, Awaken to the Suffering, will be their first since Huber joined the band. It’s scheduled for release on September 13 via Victory Records. Yesterday, courtesy of a tip from NCS reader Utmu, I discovered that the band has now released the cover art for the album, created by the awesome Pär Olofsson. I couldn’t resist posting about it. Just feast your eyes on the grisliness above — and imagine the feasting that those monsters are about to enjoy.

After a festival in California and a few headline dates in Texas beginning August 26, Pathology will start a nationwide tour as support for Grave and Blood Red Throne, and Gigan is also on the bill. That will be a grisly, blood-drenched, head-busting extravaganza. The schedule is after the jump.

Hey, sorry we made that album cover (above) so big.  We know it must have come as a shock when you opened up this page and saw that gruesome piece of mind-fuckery. We just couldn’t help it. We have to have our fun where we find it.

Yeah, so that’s an album cover. Not just any album cover, but an album cover by Pär Olofsson, who’s done the album art for bands like Immolation, Miseration, Revocation, Arkaik, Immortal, The Faceless, Winds of Plague, and many others. We put up a whole bunch of his album covers for your viewing pleasure here not too long ago (scroll down when you get to that link).  Have to say that none of them really looked anything like the one above.

You may ask, “What’s it a cover for?” It’s a cover for an album called Quantum Catastrophe. You may ask, “Who’s the band?” The band is called Brain Drill. But of course it is. That’s a really accurate name. If you heard their 2008 debut album, Apocalyptic Feasting, you know what we’re talking about. The new one, the aforementioned Quantum Catastrophe, isn’t officially out yet. It’s not due for release (on Metal Blade) ’til May 11. But you don’t have to wait until then for a taste.  (more after the jump, including some audio and video tastes . . .)

What have we here? It’s another Par Olofsson album cover! And just a few days after we showcased some other album covers by this prolific Swedish artist (here).

Wonder what’s inside? Hey, whaddaya know!  It’s a CD!  Wonder what it sounds like? (putting CD in music player . . . and listening)

Fuck yeah! (pumping fist in air) This is some sick shit!

(Strike that. This is supposed to be a high-brow extreme metal site, rendering sophisticated musical analysis in literate journalistic prose. Start over.)

The band is called Arkaik. They’re from beautiful Riverside County, California. They’ve shared the stage with the likes of Suffocation, Necrophagist, Dying Fetus, and Decrepit Birth. Their just-released debut album on Unique Leader Records is called Reflections Within Dissonance. And what’s the music like? Fuck yeah! This is some sick shit!

Damn. We gotta do better than that. Let’s use some adjectives besides “sick.” How about: insanely fast, technical, pummeling, rhythmically dynamic. How about some metaphors? Like standing right next to a jet turbine already spooled up to a full roar while an assault squad is blasting at your head with M4s on full auto — in a hurricane. (read more after the jump . . .)

Miseration‘s new album, The Mirroring Shadow, is not at all what we were expecting — but it’s a most welcome surprise.

Our expectations were based on the band’s first album, 2007′s Your Demons – Their Angels. That album was a particularly melodic rendering of melodic death metal, marked by the same mixture of clean singing and harsh growling that vocalist Christian Älvestam brought to his former band, Scar Symmetry. In fact, the similarities to Scar Symmetry were far more dominant than the differences.

That wasn’t a bad thing (cuz we liked the old Scar Symmetry just fine), but it seemed to us that Älvestam’s partnership in Miseration with guitarist/drummer Jani Stefanovic had become less a catalyst for change than a vehicle for continuing on with the songwriting style and musical sound of the band Älvestam had just left.

But on The Mirroring Shadow, Miseration has become a different breed of cat altogether. And we mean something like a prehistoric sabretooth — big, fast, powerful, vicious, and with teeth the size of carving knives. (more after the jump, including songs to hear and a digression about album artwork. . .)