Mar 102018
 

 

As I woke up this morning and it hit me that the final edition of Oration Festival was over, I experienced a wave of sadness, coupled with regrets over not having made the trek for the first two years of the event. Oration Fest MMXVIII was, by my lights, an extraordinary experience, one formed by the combination of its setting in Reykjavik (a magical place), the wonderful friends, both old and new, with whom I was able to share the experience, and of course the incredible music.

I’ll have some more perhaps excessively emotional things to say about all that at the end of this post, but the first order of business is to provide photos, videos, and accompanying personal reactions concerning the performances last night by these bands, who appeared in this order: Almyrkvi (Iceland), Inferno (Czech Republic), Misþyrming (Iceland), Svartidauði (Iceland), Vemod (Norway), and Rebirth of Nefast (Ireland/Iceland).

Once again, the high-quality photos you’ll find below were made by my Seattle friend Tanner Ellison; I made the rest of them, and the (sadly mediocre) videos, with my phone. Continue reading »

Feb 142017
 

 

I was tempted to name this post “Eye-Catchers“, especially since I haven’t written a post in that series for years, but since I was already quite familiar with most of the bands whose new artwork caught my eye, they didn’t really fit the theme of that series. But the new artwork is damned appealing, and so is the promise of new music from these groups.

And that’s how this post begins — with eye-catching new artwork for four forthcoming albums. Following that, I want to recommend advance tracks from four other forthcoming releases, which themselves also include eye-catching cover art.

ANTROPOFAGUS

The first piece of attention-grabbing artwork I’ve collected here (above) was created by the Chilean artist Nekronikon for the new album by Italy’s Antropofagus. Entitled M.O.R.T.E. – Methods Of Resurrection Through Evisceration, it will be released May 12 on CD via Comatose Music and on vinyl via Everlasting Spew Records. Continue reading »