As always, no one will stop you if you decide to scroll down to the bottom of this page immediately and start playing the song by Rogga Johansson that we’re premiering, but if you do that I hope you’ll still come back up here to the top and continue reading. If you don’t, you’ll miss an interesting story, and as a further inducement, I’ll tease you with the name Demiurg.
That band was an honest-to-god death metal super-group (and by using the past tense I don’t mean to suggest they are defunct, because that would be unduly pessimistic). The line-up included Rogga Johansson as guitarist and vocalist, Dan Swanö as lead guitarist and keyboardist, Ed Warby on drums and vocals, Johan Berglund on bass, and vocalist Marjan Welman from the Dutch goth metal band Autumn.
They released three conceptually related albums beginning with 2007’s Breath of the Demiurg. The last one was 2010’s Slakthus Gamleby. As I learned when I devoted one of our Rearview Mirror posts to a stupendous song from that album earlier this year, Gamleby is the second largest locality situated in Västervik Municipality, Kalmar County, Sweden, and is Rogga Johansson’s home, and “Slakthus” is Swedish for “slaughterhouse”.
Rogga Johansson is a one man army. He has been a fixture or a session musician in so many bands that it’s easier to just send you to the list at Metal Archives rather than try to name them all here (even though that list is probably incomplete). One of his more recent projects is named Megascavenger, and today we’re high as kites over the chance to premiere the title track from the new Megascavenger album, At the Plateaus of Leng.
Rogga Johansson is also a death metal riff machine. Riffs roll out of his mind and fingers like weapons from an assembly line — black, oiled, loaded, and ready to spew destruction. At the Plateaus of Leng is packed with them. Although Johansson is also one of death metal’s most distinctive (and horrifying) vocalists, he has lined up a ridiculous collective of guests to vomit hate on this new album. This is a “who’s who” list so eye-popping that we will provide it in full:
1. “At The Plateaus Of Leng” (Vocals by DAVE INGRAM of Bolt Thrower/Benediction)
2. “The Festered Earth” (Vocals by KAM LEE of Massacre)
3. “And Then The Death Sets In” (Vocals by AAD KLOOSTERWAARD of Sinister)
4. “The Mucus Man” (Vocals by MARTIN VAN DRUNEN of Asphyx/Hail of Bullets)
5. “Like Comets Burn The Ether “(Vocals by DAVE ROTTEN of Avulsed)
Putrevore is a joint project of Sweden’s Rogga Johansson (Ribspreader, Paganizer, Bone Gnawer, Demiurg, The 11th Hour) and Spain’s Dave Rotten (Avulsed, Christ Denied). I found out about them only yesterday via a message from NCS reader and occasional writer KevinP (he and I share a mutual admiration for Rogga’s work, which I presume is the reason for his alert).
Kevin’s message concerned that album art you see up there. It will grace the cover of Putrevore’s second album, Macabre Kingdom, which is currently being mixed and is projected for a late 2012 release via Xtreem Music. According to a press release, the instrumental parts were recorded during January/February in Sweden with the help of Brynjar Helgetun on drums, who is another Ribspreader alum.
Macabre Kingdom will initially be released on 12-inch vinyl around June — several months before the effort is made available on CD.
The artwork for Macabre Kingdom was created by the Spanish artist Juanjo Castellano. His name was new to me, but after a bit of research I’ve learned that he is responsible for a slew of artwork for other metal bands (a pretty complete list can be found here). After the jump, I’ve collected some of the other art, plus a song from Putrevore’s first album, Morphed From Deadbreath (2008).
But while researching Sr. Castellano’s artwork, I discovered — and fuck me sideways for not knowing this before — that a new Ribspreader album was released earlier this year by Vic Records.