Apr 282016

Spheron art

 

(Austin Weber continues to pitch in on round-up duty with the second part of a multi-part post recommending metal we haven’t previously covered. You can find Part 1 here and Part 2 here.)

Spheron – A Clockwork Universe

I’m actually surprised that the new Spheron record, A Clockwork Universe, hasn’t been covered here yet since their last one got covered quite a bit at NCS. At any rate, Spheron’s latest is a fantastic record that deserves to be heard by more people! For those unfamiliar, Spheron play a particularly proggy and dense sort of tech-death with a stronger emphasis on complex rhythm riffing over flashy lead playing.

Jul 152015

Okazaki Fragments-Abandoned

 

(In this multi-part post, Austin Weber brings us his recommendations for some of the best albums released during the first half of the year.)

We are gathered here today, to become willing devotees to the aural alchemism presented below in various forms. While the words per band write-up may be sparse due to a lack of time, the music speaks volumes in terms of creativity; and in terms of literal volume as well!

I figured now would be a good time to post about a bunch of killer releases I’ve failed to find time to write about.  And not just because I found them to be decent or somewhat enjoyable, but because these are some of the best of this year that you within our beloved metal community need to know about. They range across such genres as tech-meth, R&B-infused grindcore, Nu-core wave of heavy 2 the core metal, Classical punk-bop,  Blackened post-folk, SludgEDM, Southern Acoustic DJENT, and Rollercoaster deathpolka (a curious after-writing search led me to  find out that someone has a band named deathpolka, bitching!).

Expect several more installments of this 2015 “best of” feature coming soon.  I hope. Maybe?

Okazaki Fragments

First on today’s list of recommendations is Abandoned, the headspinning debut by the Canadian death machine known as Okazaki Fragments. This Calgary-based group’s moniker, in a nutshell, can be boiled down to the growth process of new DNA. As an analogy for what their music has in store, it’s a damn fitting name for the unique music they’ve created.

Oct 032014

 

(In this latest installment of a multi-part piece, Austin Weber continues rolling out recommended releases from his latest exploratory  forays through the underground. The first installment is here.)

VEILBURNER

Veilburner are a two-man death/black band from Pennsylvania whose strength lies in oddball mania, conjuring an unearthly interstellar feeling. Veilburner burnish an esoteric atmosphere throughout The Three Lightbearers as they dig in dissonant ditches, arising frequently with technical guitar-led passages, some of which bring Gorguts and Obscura to mind. Veilburner often back up their aggressive core with experimental soundscapes of an industrial and occult feel that is oddly psychedelic in nature.

Simply hellish stuff, and damn fun to listen to death metal infused by a cold clinical black metal embrace. This album is killer from start to finish, and to me, frequently sounds like a black metal companion to the immersive insanity Gigan conjure — rife with psychedelic inclinations and robotic/reverb heavy vocal effects amid a massive mix of horrific undulating riffs and spine-shattering drum work. I recommend listening to the whole album at once, but if you need a starting point, go with “Nil Absolute”. The Three Lightbearers rips wormholes open in your mind, leading to self-collapse from within. Get your mind explosion on!

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