Jun 042017

 

More than a week has passed since the last time I compiled a round-up of new music for our site, the delay mainly caused by my MDF trip to Baltimore. As I look at the over-stuffed schedule of premieres lined up for the coming week, it may be another week before I can do another one.

Needless to say, I have a dramatically large list of new and newly discovered music from which to make selections. There’s not much rhyme or reason to my choices for this round-up, except of course that I like all of them — and hope you will too.

SÓLSTAFIR

I’ve been a devoted fan of Sólstafir for many years, staying with them as their music has evolved and their fame has grown. Yet we’ve written very little about the band’s new album Berdreyminn. I suspect one reason is that when most of us here decide what to write about, we tend to favor bands who could use a little extra support rather than those who are already getting voluminous amounts of attention from sites with a far broader reach than ours. And Sólstafir are certainly in that category now.

Apr 162016

Solstafir-Legend live

 

As you may have discerned by now, I enjoy not only recommending new music in these round-ups but also selecting items for them that don’t all come from the same genres of metal. For this Saturday collection of recent discoveries, however, there’s perhaps more variety than usual because I’ve partially gone outside the realms of metal. This is always a risky maneuver because I so rarely listen to anything that isn’t metal. I don’t know how dependable my metal tastes are, but when I veer off those pathways I’m pretty sure my taste isn’t dependable at all. Self-doubt has never held me back, though, so here we go….

SÓLSTAFIR AND LEGEND

More than two years ago I wrote (here) about a split release by two Icelandic bands, Sólstafir and Legend, in which each of them covered a song originally recorded by the other. In Sólstafir‘s case, they put their stamp on a Legend song called “Runaway Train”.

Yesterday the two bands released a video in which members of both groups joined together last fall for a live performance of that same song from the split (which they had earlier recorded together at Studio Neptunus). The performance occurred in an abandoned industrial factory and was filmed by Brynjar Snær Þrastarson and edited by him and Frosti Jon Rúnólfsson.

Nov 132015

Damnation Festival 2015

 

(Andy Synn provides this report on the 2015 edition of Damnation Festival in the UK.)

It’s been a few years now since I last attended Damnation Festival, the annual celebration of all things dark and metallic hosted (as always) at Leeds University Student’s Union. But this year I knew I simply couldn’t miss it, as not only were a number of my favourite bands playing (hello Sólstafir, hi there Primordial) but also two bands I’ve been a fan of since their very first albums, but whom I’d never actually managed to see live before (The Ocean, Altar of Plagues).

Oh, and some band named At The Gates. Who are apparently pretty famous or something.

Jul 292015

foundry

 

(Here’s a thought piece by Andy Synn about a topic that we as reviewers have pondered more than once.)

Ok, so… originally this was just once piece. But, over the course of writing it, it began to snowball and expand beyond the original specifications. So it seemed only sensible to split it up, first into two, then into three, separate columns – that way you can pick and choose whatever parts most grab your fancy (and ignore the others).

Sound good?

Anyway, I’ve been kicking around some thoughts, feelings, and questions with various friends and compatriots recently, all to do with the idea of what it means to compare one band with another – when it’s appropriate, how frequently to do it, and how to do it right.

Because, and I’m pretty sure you’ll all be with me on this, over the years I’ve seen it done right, and I’ve seen it done very, very wrong…

Which leads us to Comparative Metallurgy, a three-part infosplurge of spurious factoids and absolutely bulletproof opinions about the use, abuse, and over-use, of comparisons between bands.

Jun 032015

 

Those of you who have been fortunate enough to see Sólstafir on tour recently will have noticed the absence of the band’s founding drummer Guðmundur (“Gummi”) Óli Pálmason. Today he released a long personal statement about the reasons for his absence. In a nutshell, the other band members “fired” him from the band before the beginning of the recently completed North American tour, both sides have retained lawyers, and there are obviously some very hard feelings in the aftermath of this split. Most of Gummi’s grievances are directed against the band’s vocalist/guitarist Aðalbjörn “Addi” Tryggvason.

I almost decided not to write this post. I have met both Gummi and Addi. I had fairly regular communications via the internet with Gummi over several years as we have covered what is one of our favorite bands on the planet, and I had some long conversations with Addi during Sólstafir’s two recent visits to Seattle. I certainly can’t say that I know either of them very well, but based on the time I spent with them, I liked them both a great deal — and of course I greatly admire what they have accomplished in Sólstafir. So, this controversy is for me a sad occurrence, more so than when things like this happen within other beloved bands whose members I don’t personally know.

Addi told me about what had happened between the band and Gummi after Sólstafir’s show in Seattle in early May, explaining that because of the legal entanglement, the band could not make any public statement. He was very respectful of Gummi when he spoke of him, and seemed very sad about what had happened, rather than angry. It didn’t seem my place to say anything about these events on our site, so I kept it to myself.

Jan 082015

 

Today we bring you Part 14 in the continuing rollout of our list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

Some of you might question the appearance of today’s two songs on a list whose title includes the words “extreme” and “metal”, appearing on a site whose name abjures clean singing. I have a simple answer for you: It’s my list, and there’s no fuckin’ way I’m leaving these songs off of it.

SÓLSTAFIR

Last month Iceland’s Sólstafir paid a visit to Seattle and performed a show at a cozy venue called Barboza, and I watched it from the second rank of people in front of the stage. I’d seen the band’s amazing set at MDF last year, but it was this show that made me realize something I hadn’t yet admitted to myself — that they are, right now, my favorite band on the planet.

Dec 192014

 

(Combined in this post are two different reflections on the live performances by Sólstafir, Mortals, and Pallbearer in Seattle on December 10, 2014, one by BadWolf and one by me (Islander). And for a third, you should also read Gemma Alexander’s wonderful write-up at her own blog — here. Unless otherwise noted, the photos accompanying this post were taken by me on a iPhone because BadWolf forgot his fancy camera.)

REVIEW BY BADWOLF

A band whose time has come.

Those are the only words that suit Icelandic four-piece Sólstafir in 2014. Most musicians never achieve what I’ve witnessed this year in Sólstafir—a moment (well, series of moments) that seem like the culmination of disparate chains of events, causal and serendipitous. In short, a climax. The money shot, one that seems both cathartic and earned, not for Sólstafir’s listeners, but for the band themselves.

The band of black metal cowboys has made music for two decades in relative obscurity, at least in the United States. I first encountered the group while trawling message boards in college, ravenous for progressive metal and finding most of it lacking. Sólstafir were different. Their early tracks came via shady download sites in low bitrates, with files unable to properly display the accent marks in their song titles, but still I found myself enamored of their unique sound, a mix of atmospheric sludge and progressive black metal that strived for beauty, not abrasiveness. Since then the band became a perennial NCS favorite and inked a deal with Season of Mist records, who released their fourth album, Svartir Sandar to a wider audience. Still, conversationally, Sólstafir was a footnote in greater conversations, even though one of their songs debuted at #1 in Iceland.

Oct 072014

 

Sólstafir’s “Fjara” from Svartir Sandar is one of my all-time favorite songs in any genre of music. It has been the subject of numerous videos, most of which have been live recordings. My favorite is still this one (in part because it’s the first Sólstafir video I ever saw), but a close second is the official video (here) made by directors Bowen Staines and Gunnar B. Guðbjörnsson, which follows a young woman in a thin wedding dress dragging a timber coffin across a stretch of Icelandic wilderness and encountering spirits along the way, culminating in a memorable scene at the Skógafoss waterfall.

The team that produced that striking video for “Fjara” has returned with a video that premiered within the last hour for the song “Lágnætti” off the band’s latest album, the remarkable Ótta. It is every bit as striking as the “Fjara” video, and is a beautiful match for the song.

Sep 092014

I’ve collected a bunch of new things I want to write about since the last round-up, but the old fucking day job isn’t going to let me do that at the moment. So I’m picking this one thing to write about, because I nearly fell out of my chair when I saw it.

The news is that Little Rock’s Pallbearer, Iceland’s Sólstafir, and Brooklyn’s Mortals will be touring the U.S. West Coast and certain parts of the country’s midsection together beginning on December 2. (There’s also a Vancouver date on the schedule.)

In the opinion of your humble editor, these three bands are collectively responsible for three of the year’s best albums: Foundations of Burden, Ótta, and Cursed To See the Future, respectively. The chance to see them perform together on one show is a chance not to be missed.

This is especially exciting for those of us on the West Coast because I don’t think either Sólstafir or Mortals have previously performed outside the East Coast.

Sep 012014

(Our guest Gemma Alexander, who recently brought us a three-part report on this summer’s Eistnaflug festival in Iceland, has delivered one more gift from visit to the festival: An interview with Guðmundur Óli Pálmason, the drummer of Sólstafir. As a bonus, we’re also including at the end of the interview a new video of Sólstafir performing the title track from their new album Ótta live at a large hunting cabin in the Austrian Alps. Visit Gemma’s own excellent blog here 

When I talked to Sólstafir’s drummer, Guðmundur (Gummi) Óli Pálmason on the Monday after Eistnaflug, hardly anyone had heard their new album, Ótta. Some of the songs I had only heard played live at Eistnaflug. So at the time, neither of us knew what kind of response Ótta was going to get. If Gummi suspected that it was going to be the Sunbather of 2014, he didn’t let on.

Even without the glowing album reviews that have erupted since, it was already obvious that Sólstafir are swimming in bigger ponds than they were when I first spoke with them (here) in 2012. Then, touring the U.S. seemed like a pipe dream. This year marked their first small tour in North America, five shows plus Maryland Deathfest. Finding a supporting slot on a full U.S. tour seems like a reasonable next step. A headlining tour in Europe is planned for November. Have Sólstafir hit the big time?

“I don’t know. We’re still broke,” said Gummi before admitting, “People think that as bands get bigger things get easier. Actually, the opposite is true. You play more festivals, go on more tours, get less time off, and things get more expensive. We played 15 festivals this summer.” When a schedule change at Hellfest landed Sólstafir in the same time slot as Emperor, people started giving them condolences, and even their label warned them to expect a small turnout. In the event, their venue was packed. “People came to see us anyway. It was a big change to see crowds like that.”

© 2009-2017 NO CLEAN SINGING Banner design by Dan Dubois, background design by groverXIII. Suffusion WordPress theme by Sayontan Sinha