Sep 032018
 

 

It’s Labor Day here in the U.S. today, which won’t mean much or anything to half the people who visit our site. For those people, who don’t live here, it’s a holiday designed to celebrate the American labor movement. For me, it’s just another laboring day at NCS, though of course it feels more like fun than work or you can be damned sure I wouldn’t be doing it.

This is the second Part of a column I began yesterday, which I hope you’ll check out if you haven’t, because there’s a lot of good music there as well as here.

YOVEL

Although I mostly focus these columns on new or forthcoming releases, I’m stepping back in time for the first recommendation today. I overlooked this album when it was released on April 1st of this year, but was called back to it through a recent e-mail we received. The first track was seductive; the second track spun the turbine in my head into the red zone. Continue reading »

Jan 152017
 

 

It’s time to blacken the Sabbath again. As usual, I find myself up to my eyebrows in new advance tracks and new or newly discovered full releases I’d like to write about. I picked this group not only because they’re among the best of what I have on my list but also because they provide an array of different sounds and a mix between higher-profile and more under-the-radar bands.

PILLORIAN

Agalloch is no more, of course, and I would guess that many people who mourn the band’s dissolution blame John Haughm, certainly in part because of a poorly worded and widely lampooned statement he made when the news broke last year. His former Agalloch comrades have joined forces with Aaron John Gregory of Giant Squid to form a new band named Khôrada, who are now busy recording demos — and I’m quite anxious to hear what they’re creating.

Meanwhile, John Haughm founded Pillorian. Continue reading »