Jan 132018


No sooner than I started this series and quasi-promised that there would be a new installment every day than I missed the second fucking day. Let it serve as a reminder that this NCS gig isn’t a job for any of us here, just a passion that occasionally gets de-railed by other obligations and distractions.

Anyway, welcome to the second installment of our list of Most Infectious Songs from 2017, the length of which is now unknown, but which I hope will be fun for you to experience, even if neither I nor you quite knows where it’s going.


Portrait of A Headless Man” was the first song I heard from the 2017 album from SepticFlesh. Since I’ve made a point of not showing my own head in social media photos, the title had a certain immediate appeal. But the appeal of the song went well beyond its title.

Dec 212017


(Comrade Aleks brings us one more interview for 2017, and it’s a big one — an extensive discussion with Detroit-based vocalist/guitarist Michael Erdody, who is a key part of two distincive bands who released excellent albums this year — Acid Witch and Temple of Void.)


Michael Erdody is a perfect interlocutor. He plays in a bunch of bands, including two outfits which represent the stronger side of US extreme doom bands and has a lot to tell.

In 2010 he joined a lunatic psychedelic death doom carnival known as Acid Witch; he plays guitar with these monsters, and the release of the band’s third full-length Evil Sound Screamers on October 31st was a big event in the underground metal scene. Besides that, since 2013 he has run the bloodthirsty Temple Of Void, who are well-known for their uncompromising and aggressive death doom works; Michael is responsible for growls in the Temple, and their sophomore album appeared a few months ago on Shadow Kingdom Records.

I’ve tried to shoot two hares with one round and asked Michael about both bands. It took some time but I’m glad to say that he provided answers patiently and in detail.

Oct 172017


(We present Part 3 of a series of reviews by our Russian connoisseur of all things doom, Comrade Aleks, and today he shares impressions of, and music from, three more 2017 releases. Go here to check out Part 1 and here for Part 2.)

The Doom Cult reveals its brutal nature tonight…

First of all, I’d like to remind you of the well-known ghouls from Temple Of Void. Next is the heathen coven Völur with their latest record Ancestors. And the third stage of this doom descent is Shape Of Despair, in case you missed the reissue of their monumental demo Alone In The Mist.

Apr 302017


This catching-up effort which began on Friday may have gotten out of control. I have music from 7 bands in this “final” installment, including three full releases as well as a quartet of individual tracks. And I put “final” in quotes because I still have a bunch of new black metal for a SHADES OF BLACK feature. I almost always post those on Sundays, but this time I may have to post it tomorrow. Depends on how long I can go without food, bathroom breaks, sociable interaction with my wife, rational thought, other distractions from our glorious mission….


“Huge, enormous, vast, immense, large, big, mighty, great, colossal, tremendous, prodigious, gigantic, gargantuan, mammoth, monstrous, monumental, giant, towering, elephantine, mountainous, titanic”. These are all synonyms for the word “massive”. By listing them, I’ve gotten a head start on the task of describing the first single from Temple of Void’s new album.

Ooops! I forgot “humongous” and “hulking”.

Feb 222017


I’m pressed for time today, but I wanted to get this round-up of news and new music posted not only because I’m excited about what’s in it, but also because if I wait, I know it will be overtaken by still more new releases that get me excited. So I’ve truncated my own blather, though I know that will cause weeping on a global scale.


Yesterday, Shadow Kingdom Records revealed Paolo Girardi’s cover art for the new second album by Detroit’s Temple of Void, entitled Lords of Death. And this, therefore, makes the second post today in which the Italian maestro’s artwork has appeared at the top of our page.

Sep 082014


(NCS contributor KevinP shares his latest quarterly round-up of albums that he commends to your ears.) 

We’re getting toward the end of the year and the amount of quality releases hasn’t slowed down one bit.  And there are even more to come as well (Wolfheart, At the Gates, Bloodbath to name a few just off the top of my head).  Here’s 5 more albums you should defintely check out.

Majestic Downfall/The Slow Death split


Once this is officially released on September 15th, you should be able to hear all 6 songs (3 by each band), but one listen to the Majestic Downfall track, “The Dark Lullaby”, should give you all you need to know.  The Slow Death is no slouch on this by any means.  Very good and competent funeral-esque doom.  So I don’t blather too much, start listening and see my review here [Editor’s intrusion: I don’t know why I’m letting Kevin link to his own review. I’m going to review this split and it’s the only one you’ll need to read.]

Sep 032014

photo by alloyheart

(NCS contributor KevinP interviews guitarist Alexander Awn of Detroit’s Temple of Void, whose new album (Of Terror and the Supernatural will be released later this month.)


K: Alexander, thanks for taking the time with me today. I will admit, I was only recently aware of you chaps when I saw the song “Savage Howl” posted (somewhere). Now after spinning your debut album quite a few times, I’m kinda taken aback at how “new” a band you are.

A: Kevin, thanks for getting in touch with us and taking the time to check our shit out. We’re a new band…but we’re not new to this scene or making music by any stretch of the imagination. Our demo came out in May 2013 and the album is coming out Sept 2014. We’ve only played about 10 shows. We’re all in our 30’s and 40’s. So doing something on this level is natural at this point.


K: Where would people know you from before this?

A: Probably our most notorious face would our vocalist Mike Erdody aka Mike Tuff. He’s currently kicking ass in a variety of bands like Acid Witch, Failed, Nuke, Harbinger, and probably some more that I’ve forgotten off the top of my head.

I play in Hellmouth. But I’ve been doing bands and touring the country since I was a teenager. Brent (bassist) is in the same category. We’ve probably done 4 bands together. Jason (drums) was in a well known Detroit punk band called The Feisty Cadavers. And he rips it up in the Motrorcity Troubadours.

Eric (guitars) was most recently in Knife. But he’s been doing music since he was a teenager, too. One of his early bands was a death metal band called Kathode (that also had Andrew W.K.).

Jul 142014

If you’re like me, you have a hard time getting your game face on for the work week when Monday mornings roll around. But assorted friends of mine pointed me to two new songs yesterday that seem tailor-made to juice up all those sluggish Monday-morning brains out there, and I’ve also included a review of a murderous two-song EP plus one phenomenally good new Zombiefication track I found on my own that will finish the job nicely. Death fucking metal.


In June 2013 I praised a three-song demo by Detroit’s Temple of Void, which included some truly staggering, mega-weight riffs and a blanket of indigo melodies, usually delivered at a lumbering pace, along with elements of viscera-draped death metal a la Autopsy, a pummeling of Bolt-Thrower-style hammer blows, and some inspired psychedelic guitar solos. Now these dudes have finished a full-length album (Of Terror and the Supernatural), and yesterday an advance track became available for listening.

“Savage Howl” is a fitting name for this thing. The big gear-grinding guitar chords are savage, the gruesome deep-throated vocals are savage, the morbid melodies are savage, and when the band start rolling out a repeating cycle of enormous, stomping riffs, you will headbang savagely. This is top-shelf supernatural death/doom and a really enticing teaser for the album to come.

Jun 202013

This is the first of two short, new, doom-flavored offerings that I’m reviewing today, both with the name Demo MMXII. This first one comes our way from Detroit’s Temple of Void, and it’s their first recorded output. However, you wouldn’t guess that in listening to the three songs, because they already sound like mature, self-assured creations.

I’ve already slapped the “doom-flavored” label on the music, but let me hasten to add that doom is only one of its ingredients. It does indeed feature some truly staggering, mega-weight riffs, a blanket of indigo melodies, and an often lumbering pace. But that’s not all. Also in the mix you’ll discover elements of viscera-draped death metal a la Autopsy, you’ll be pummeled by hammer blows of Bolt Thrower-style riffing, and you’ll be transported by some inspired psychedelic guitar solos.

The tempos never reach the pace of a gallop, but they do vary. The first two tracks, “Beyond the Ultimate” and “Exanimate Gaze” are fine examples. They start with massive riffs that are so damned infectious someone ought to notify the Center for Disease Control (and holy hell, the bass guitar in the intros  is absolutely titanic). And while “Beyond the Ultimate” eventually falls heavily into a dirge-like crawl, “Exanimate Gaze” spools up into a ghoulish charge that will get heads banging vigorously.

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