Dec 012016
 

teramobil-art

 

(Here’s Austin Weber’s review of the new album by Montreal’s Teramobil.)

Some of you may have caught Teramobil’s initial 2013 release, Multispectral Supercontinuum, which we covered here at NCS in 2013. It got a lot of coverage elsewhere too, and for good reason. The line-up and the music were jaw-dropping.

The band is a power trio consisting of Dominic “Forest” Lapointe (Augury, First Fragment, ex-Beyond Creation) on six-string Bass, Mathieu Bérubé (Unhuman) on Guitar, and the always amazing Alexandre Dupras (Samskaras and Unhuman) on drums.

Out of nowhere, without any warning, the band dropped their second album yesterday called Magnitude of Thoughts. Even Luc Lemay gets in on the experience, playing some incredible stuff on second guitar on all of “Thanatonaut”. Continue reading »

Mar 122014
 

(In this jumbo post Austin Weber puts the spotlight on recommended recent music from nine (9!) bands plus some tour news about a tenth.)

By now you know the drill, I’m going to throw a bunch of music your way and see if any of it sticks. While 2014 has seemed sort of slow, release-wise, so far, I managed to find a number of under-the-radar goodies and I’ve also included two established-band updates. As usual, you are free to loathe or love all or none of it. While I usually only listen to ambient grindcore, I’ve been branching out lately. So, lots of different kinds of music besides ambi-grind are included below. With deathqueef making up more of the music mentioned this time, but also delving into colostomy-bag-fueled post-electronic, instrumental scat, and nu-grunge.

EMBRYONIC DEVOURMENT

With their latest release Reptilian Agenda, Embryonic Devourment have even further embraced old school death metal tendencies into the fold of their technical brutal carnage that warns of the true reptilian nature of reality. This is a big step up for them, and fans of old school death metal should certainly give this a listen. In spite of its swarming Origin-meets-Malignancy veneer, a lot of the riffs are superbly evil, meaty, and groovy in an old school way.  Continue reading »

Apr 052013
 

(This is the second part of a feature by NCS contributor Austin Weber that we began yesterday (here). Today he reviews new releases by Okular (Norway) and Teramobil (Canada), and one older one from  Diascorium (UK).) 

It was me, I let the dogs out.

Here are a few more reviews and music not only from two groups not previously featured at NCS, but also one (Okular) whose debut album Probiotic was reviewed by Islander way back in the olden days of 2011.

OkularSexForce

For those unfamiliar, Okular are a Melodic Death Metal band from Oslo, Norway who make elegant yet aggressive death metal with a blend of acoustic playing and folk-styled clean singing.  SexForce is a continuation and evolution of the technical progressive mold Okular created for themselves on their debut, Probiotic. This time around they have reached further, going as far as black metal on some tracks, most notably the opener “House Full of Colors”, which is a terrifying introduction that offers a riff-packed taste of what lays ahead. Another pissed-off-as-hell track follows in “No Separation”, which packs a feral punch similar to getting struck by lightning. Continue reading »