The Flight of Sleipnir Archives

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

Jun 032021

(Andy Synn knows how easy it is to miss things when so many albums are released each month, so here’s four from May he recommends you try and find time to check out)

As the first edition of this (now officially “ongoing”) column was such a success (well, some people seemed to like it at least) I’ve made the decision to make it a regular thing.

So, for its sophomore outing I’ve chosen four artists/albums from the past month which we didn’t get around to covering properly before now (though we have featured some of them in various ways).

Don’t get me wrong, this is only scratching the surface of the various violent delights which May had to offer, but I think you’ll still be pleased with my selections, which this time around include a pair of very impressive debuts as well as new releases from not one but two former Synn Report alumni.

AN NCS PREMIERE: THE FLIGHT OF SLEIPNIR — “SERVITUDE”

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May 042021

Like a certain other band whose music was the subject of a premiere today, The Flight of Sleipnir is one we’ve been following for a long time as they’ve accumulated a substantial and increasingly impressive discography. In a feature more than six years ago devoted to their first four albums (created when the band was a duo, bound together by a clear and passionate love of heavy metal, heartfelt melody, and heroic Norse folklore), our Andy Synn characterized the music as a distinctive amalgam “whose earth-shaking, doomy power and sombre, progressive inclinations incorporate binding threads of folk-inflected melody and slithering strands of blackened fury”, while making room for “lengthy acoustic passages and folkish murmurations”.

In our review of the fifth album, V, Andy noted (here) that the songs were, on average, “longer and more intricate than on previous albums, with a greater sense of light and shade than ever before, their hidden depths and subtle secrets concealed beneath waves of gleaming melody and brilliant metallic clarity”. And their sixth album, 2017’s sublime Skadi, only enhanced the strength of the band’s reputation for crafting richly textured, dynamically nuanced, and stylistically diverse conglomerations of massive heaviness, acoustic serenity, and much, much more in between.

And thus we’ve been eagerly awaiting The Flight of Sleipnir’s seventh album, Eventide, which is now calendared for release by Eisenwald on May 28th. From that album, we’re proud to premiere its second advance track, “Servitude“, and to bring you a brief interview with guitarist/bassist Clayton Cushman. Continue reading »

SEEN AND HEARD (PART 1): THE FLIGHT OF SLEIPNIR, MESARTHIM, VENEFIXION, CENTENARY

RANDOM FUCKING MUSIC 5 Responses »

Dec 122016

There are more total minutes of new music in this round-up than usual, and that’s because this compilation includes five EPs, one of which is a single 21-minute track. There are two individual songs in here, too. I thought I’d make up for the fact that my meager weekend posts included a grand total of one song. On the other hand, there’s so much music in this collection that I decided to divide it into two parts, with Part 2 coming a bit later today.

Sadly, I don’t have time to write decent reviews of those five EPs and will only froth at the mouth about them briefly, hopefully just enough to induce you to listen to them for yourself. But before getting to those, let’s start with the first of those two individual songs.

THE FLIGHT OF SLEIPNIR

Skadi is the name of the new sixth album by Colorado’s genre-bending The Flight of Sleipnir. It will be released on January 20 by Eisenwald. The first advance song from the album was released a couple of days ago, and its name is “Awaken”. Continue reading »

THE FLIGHT OF SLEIPNIR: “V.”

Album Reviews 3 Responses »

Nov 182014

(Not long ago Andy Synn reviewed all the full-length albums of The Flight of Sleipnir leading up to their new release — and today he reviews that one.)

If there’s one word that comes to mind when listening to V., the fifth album by blackened bards The Flight of Sleipnir, it’s… refined.

The duo have taken the strongest elements of their previous four albums, filtered them, purified them, and distilled their central essence into fluid, musical form.

The seven songs which make up V. are, on average, longer and more intricate than on previous albums, with a greater sense of light and shade than ever before, their hidden depths and subtle secrets concealed beneath waves of gleaming melody and brilliant metallic clarity. Continue reading »

THE SYNN REPORT, PART 52: THE FLIGHT OF SLEIPNIR

Exceptions to the Rule, THE SYNN REPORT 5 Responses »

Nov 112014

(In this 52nd edition of THE SYNN REPORT, Andy Synn reviews the album-length discography to date of Colorado’s The Flight of Sleipnir, whose forthcoming fifth album will be reviewed in a subsequent post.)

Recommended for fans of: Agalloch, Moonsorrow, The Gates of Slumber

Forgive me oh readers, for I have not Synned…

That’s right. The entire month of October went by without a single edition of The Synn Report to please your eyes and ears with a taste of new and/or under-appreciated music. And for that I must apologise. Between work, travel, and some crazy nights out… I just haven’t had chance to sit down and set metaphorical pen to paper. Until now.

The Flight of Sleipnir is the brainchild of two individuals, David Csiscely (Drums, Vocals, Guitars) and Clayton Cushman (Guitars, Vocals, Bass, Keyboards), two men joined together by a clear and passionate love of heavy metal, heartfelt melody, and heroic Norse folklore.

With four albums to their name – and a fifth, V., soon to be released (expect the review for that by the end of the week – the pair have certainly managed to craft themselves a distinctive sound over the years, whose earth-shaking, doomy power and sombre, progressive inclinations incorporate binding threads of folk-inflected melody and slithering strands of blackened fury.

Whole segments of their material aren’t strictly metallic at all, comprising lengthy acoustic passages and folkish murmurations, where smooth chords ripple and plucked strings sing out clear notes of melody and harmony. Yet when these guys do go heavy they do so with some serious conviction, their brawny riffage and booming drums providing the backing for a characterful mix of ravaged, throaty roars and stirring, cleanly-sung harmonies. Continue reading »

NEW BANDCAMP DEBUTS: THE FLIGHT OF SLEIPNIR, SCORDATURA, FOUL BODY AUTOPSY, AND TOTAL FUCKING DESTRUCTION

Free Shit, Metal News, RANDOM FUCKING MUSIC 2 Responses »

Feb 022013

Work and work-related travel cut short my blog time the last couple of days, but I’m now back in the land of the grey and soggy, also known as home. So, last night and this morning I plunged through the sphincter of the interhole in search of metal things I missed, and here’s some of what I found. These are all new albums or songs that have appeared on Bandcamp over the last day or two — and they all fuckin’ blew me away.

THE FLIGHT OF SLEIPNIR

Our blog brother MaxR (Metal Bandcamp) contributed a line-up of doom favorites in our 2011 Listmania series, and it included a song from an album (“Essence of Nine”) by a Colorado band named The Flight of Sleipnir. I’m pretty sure that was the first time I’d heard of them, and I’m also pretty sure I failed to check out their music even after Max praised them in these words: “Perfectly executed black metal rasps, beautiful clean singing, folk harmonies and a doomy groove. So atmospheric and, yes, mellow.”

Fast forward to last night when NCS supporter Utmu sent me a message about a new album by this band — Saga — that’s due for release on February 15. The album art (above) is awful damned cool, and so is the song from Saga that began streaming on Bandcamp yesterday. Continue reading »