Apr 092024
 

(Below we present our Denver-based contributor Gonzo‘s wonderful review of a unique show in March by Wayfarer performing the entirety of their American Gothic album, with support from Paul Riedl, Munly and the Lupercalians, and some special guests.)

I’m not sure when it happened, but at some point in my lifetime, metal music turned into the audial equivalent of Sriracha: You can add it to anything.

And few bands really understand this in the way Denver’s Wayfarer does. Their fusing of black metal’s raw underbelly with Old West lyrical themes and imagery is one of the best musical marriages happening in metal right now. They’re a huge part of what makes the Denver metal scene the unending adventure that it is. Any chance to see them perform live is a momentous occasion.

So when the quartet announced they’d be riding out to the Bluebird Theater for a one-night-only performance of their 2023 opus American Gothic, featuring some special guests that I’d never see coming, you could be damn sure yours truly would be present for it. Continue reading »

Feb 052024
 

(Vizzah Harri was not necessarily invited to write about the most virulent verses and lullabies of the year just past, but he did ask rather nicely (read: forcefully) whether he could give it a shot in the dark. This guest says he works in education, is an occasional scribbler of self-proclaimed abstract poetry bordering on obscurantism and his only real skill is that of finding mistakes in the work of his (su)peer(ior)s. Not to mention his affinity for keyboard-racing. He resides in Hanoi, Vietnam.)

According to the CDC, infectious diseases can be either bacterial, viral, fungal or parasitic in nature (other than the CDC link, unless you somehow reverted back to troglodytical proclivities and missed it completely this time ’round last year, them be the greatest hits of 2022’s most infectious lists). There also exists a rare group of mephitic and contagious diseases known as transmissible spongiform encephalopathies.

TSEs or prion diseases are a family of rare progressive neurodegenerative brain disorders with long incubation periods; progressing rapidly once symptoms develop, they are always fatal. I’m not saying that this list is so noxious it might kill you, but something has to kill you in the end, albeit the biggest predator here is the presence of overlong sentences. Full disclosure and disclaimer up next: Continue reading »

Nov 102023
 

(With October now behind us and November well on its way, our friend Gonzo returns to NCS with reviews of some October releases that made a very positive impression.)

I’ve been thinking a lot lately about all the ways music connects us as a people. The metal community is, more often than not, a refuge for this kind of thinking. It’s especially noticeable when everything else in the world starts to suck.

A couple of weeks back, I saw Blackbraid open for Wolves in the Throne Room. The former’s unapologetically indigenous approach to their music was, and always is, a great reminder of how heavy music isn’t just for one group of people. It’s for everyone. Hearing such music in a live setting, in the company of other like-minded humans, was refreshing. It reminds me why I make time to write about this shit in the first place.

And I know I’m not alone in saying that it’s all too easy to go down a doom-scroll rabbit hole these days. Between that sense of existential dread and the aforementioned gratitude for metal, I had plenty of inspiration for this month’s roundup. I was right – it turned out to be a real fucking doozy.

(As I’m typing this, at least one person is secretly jotting down “Doom Scroll Rabbit Hole” for the name of their one-man psychedelic black metal project.) Continue reading »

Oct 072023
 


Wayfarer – photo by Frank Guerra

Another Bandcamp Friday again overwhelmed the NCS in-box as bands, labels, and PR agents sought to capitalize on Bandcamp’s reduced take from sales. A similar deluge washed through social media, and every other channel where I look for new music.

It really is overwhelming, and probably self-defeating. Ironically, releasing new music on a Bandcamp Friday is probably the best strategy for getting overlooked — drowned in the flood.

It certainly adds to the stresses of creating this weekly column. I fantasize that the point of it is to help guide people toward musical gems, even though in even a normal week I know it’s still a very random process because I can’t listen to everything that might interest me or you. In a week like the last one, the process of sifting becomes an even more ridiculous challenge.

All I can say is that I enjoyed what you’ll find below, and hope that you make some valuable discoveries from it too. (And don’t bash me for overlooking a couple dozen more songs, not to mention complete albums and EPs, that would have been just as worthy of attention.) Continue reading »

Jul 292023
 

Dear friends and complete strangers, greetings to you on another diēs Sāturnī. I must be brief today because of an Event I must attend, which begins soon and will extend until the stars come out, when the congregants will have to see each other by firelight.

That Event continues tomorrow, beginning early on dies Solis and again proceeding past nightfall, and so don’t be surprised if my next usual round-up of new music, the blacker one, is also brief or goes missing altogether, even if I don’t fall into the fire.

WAYFARER (U.S.)

Denver-based Wayfarer‘s next album, American Gothic, is said to serve as “a funeral for the American dream”. “Caked in dust, and buried deep in blood and gunpowder, it paints a brutal and beautiful portrait” — so says Profound Lore, which will release the album on October 27th. “What we have now is a world full of oil drillers, and railroad barons. Cattle thieves and company men. This is the new American Gothic”. So says the band.

Along with these announcements came a video for a new album track named “False Constellation“. Continue reading »

Oct 212020
 

 

(Here’s Gonzo’s imaginative review of the new album by Colorado’s Wayfarer, which was released last week by Profound Lore Records.)

In this writer’s humble opinion, there are two hallmarks of truly breathtaking music: 1) It gets better with every listen, and 2) it elucidates vivid imagery when listening to it with your eyes closed.

There are, of course, other criteria for evaluating the quality of music, but when talking about A Romance with Violence, the newest dust-covered output from Denver post-black metal crew Wayfarer, those two items are the perfect place to start. Continue reading »

Sep 182020
 

 

(Here’s another Friday round-up of new music compiled by Seattle-based NCS contributor Gonzo.)

I, for one, am looking forward to cooler weather.

Not only will cooler temperatures bring about an overdue ending of the wildfires currently making life miserable for the Northwest, but also an ideal environment for listening to your audial brutality of choice.

And while it’s certainly kvlt as fuck to stand in the middle of a Norwegian forest in corpse paint and spiky gauntlets while cranking up the lo-fi black metal, it’s by no means required. Some of this week’s new releases may inspire it, though. Continue reading »

Aug 162020
 

 

I passed a cognitive test this morning. It was even easier than “Person. Woman. Man. Camera. TV.” I turned down the offer to ride around in a golf cart and watch four of my idiot friends embarrass themselves in heat that’s expected to hit 100°F before they finish.

Instead I stayed behind in the place we rented for this mini-vacation with another person who also passed the test, surrounded by vistas of forest and mountains. And I listened to a lot of new black metal, and I wrote this post, which comes in two parts.

SKYBORNE REVERIES (Australia)

The first song in this collection is a fiery storm of sound – synths gloriously burning high overhead, the riffing flowing in scintillating waves and flickering in a mad boil, the vocals a mix of a larynx-lacerating torment and ravaged roars. Continue reading »

Feb 122019
 

 

As you can see, I decided to really load up today’s installment of the list, with four songs instead of two or three, and I also decided to lean into black metal for this one. I also thought these songs fit together in a way that would make for a good playlist, in addition to each of them being deserving presences on this list. As a bonus, two of these songs were performed at the Fire In the Mountains festival last summer outside Jackson, Wyoming, and I’ve included quality video of both of those, thanks to (((unartig))), as well as the album tracks.

To check out the previous installments of this still-expanding list, you’ll find them behind this link, and to learn what this series is all about, go here.

PANOPTICON

Without advance fanfare, or any preceding reviews, last April Panopticon released the extraordinary double-album The Scars of Man on the Once Nameless Wilderness (I and II), one half devoted to atmospheric metal and the other half focused on Americana (though the division isn’t a rigid one, with some bleed-over going both ways). Austin Lunn shared the album with me in advance of its release, and I wrote a review, holding onto it (at his request) until the release date — and then I never posted it.

I felt that I owed the music something better than the words I’d cobbled together, which struck me as more emotional and stream-of-conscious in their ramblings than they should have been. And then, with the music out in the world, I just never got back to the drawing board in the hope of crafting a better homage. Continue reading »

Jul 232018
 

 

The second annual installment of Austin Terror Fest took place in the heart of Texas on June 15-17, 2018, proudly co-sponsored by NCS. It featured performances by 30 bands from around the U.S. (and outside it). It was a great event, and we’re already anxious for ATF 2019 (and yes, work is already under way to present the third edition of the festival next year). We were very fortunate that New Orleans-based photographer Teddie Taylor was there to document the fest through her lenses, and to share her photos with us so that we, in turn, can share them with you.

Last week we presented photos from the first day of the festival and the second, and today the focus is on the performances that took place on the third and final day, with sets by nine bands at Austin’s Lost Well. And without further ado, here’s our selection from the many great images that Teddie captured during these performances: Continue reading »