Sep 112017

 

I learned of the new album Among The Lightened Skies The Voidness Flashed by the Belarusian band Woe Unto Me through the recent premiere of a very impressive track named “Triptych: Shiver, Shelter, Shatter“, which includes excellent guest vocal appearances by Daniel Neagoe (Clouds, Eye of Solitude, Shape of Despair), Patryk Zwoliński (Proghma-C, ex-Blindead, ex-Neolithic, ex-Antigama) and Jón Aldará (Hamferd, Barren Earth, Clouds). If you missed the song, and the 360° lyric video that accompanied it, you’ll have a second chance at the end of this post.

But the main feature today is our premiere of another track from the album called “A Year-Long Waiting“. As you will discover, it reveals a very different side of the new album — literally, a different disc, because Among The Lightened Skies The Voidness Flashed is a double album, and on the second record in this collection Woe Unto Me deliver music that features significant acoustic instrumental contributions. One of those tracks on the second disc is the song you’re about to hear.

May 112015

 

(Our Russian comrade Aleks presents this interview with members of the Belarusian doom band Woe Unto Me, with musical accompaniment of course.)

What do you know about Belarus? Okay, besides that it’s a post-USSR country and it’s ruled by the “last European dictator” as some impressionable ladies say… I think that Woe Unto Me is a good occasion to take a look at this corner of the metal scene and discover there some new names.

As for Woe Unto Me – the band plays solid and mournful funeral doom. They shared the stage with Shape of Despair in Saint-Petersburg a few months ago and I witnessed this great performance. We found some time to discuss Woe Unto Me‘s creative ways with Artyom Serdyuk (vocals, guitars) and Dzmitry Shchyhlinski (guitars). By the way, I also asked a couple of questions about Disloyal, a death metal band with Artyom on guitars.

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Salute! Woe Unto Me released its first album A Step Into Waters of Forgetfulness in February 2014. I have read somewhere that material for this album was being written for several years. What is its history?

Artyom: Greetings! Since the very inception of the band, we have focused on quality, striving to release a really well-thought-out, high-quality product at a decent level. Each of us had some guitar riffs and raw ideas, and we worked very carefully and meticulously on the arrangements. The last thing we cared about at that moment was time. We were not in a hurry; we wanted every idea to be thoroughly hatched in our heads, and to come to our minds naturally, through inspiration. Therefore, we decided to start the recording process when we had felt the integrity of each composition.

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